The Gustav Rehberger papers were donated to the Archives of American Art in 2004 and 2016 by his widow, Pamela Demme.
This collection was processed to a minimal level and a finding aid prepared by Justin Brancato in 2007. The addition was processed and the finding aid updated by Hilary Price in 2017.
Gustav Rehberger papers, 1924-2004. Archives of American Art, Smithsonian Institution.
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Gustav Rehberger (1910-1995) was an illustrator, designer, painter, educator, and performance artist in New York City.
The Rehberger family emigrated from Austria to Chicago in 1923. At age 14, Rehberger began studying at the Art Institute of Chicago on a scholarship that continued for three years. While still a teenager, he also was enrolled in The Art Instruction Schools, Minneapolis. After declining two college scholarships, he worked as a graphic designer and illustrator to help support his family during the Depression. From 1929-1942, he was Art Director at Reuben H. Donnelly Corporation in Chicago, publishers of telephone directories.
During World War II, the Wartime Committee of the Society of Typographic Artists commissioned Rehberger to paint two murals for the interior of Chicago's Union Station (1942). He moved to New York City in 1943 and soon enlisted in the U.S. Army Air Forces. While in the service, Rehberger was assigned to the Illustrations and Format Branch where he created visual training aids.
After the war, Rehberger's illustrations appeared in the national advertising campaigns of Celanese Chemicals, Philip Morris and Sheraton Hotels; were featured in major newspaper and magazines such as Chicago Daily Tribune, The New York Times, and Esquire; and in various Christian publications.
In order to focus on painting, in 1969 Rehberger ceased commercial work. From 1972-1993 he taught drawing, anatomy, and composition at the Art Students League of New York. He also became interested in performance art. Evolving out of his classroom drawing demonstrations, Rehberger's performances - the act of painting and drawing before a live audience - soon moved to formal performance spaces and often were accompanied by recorded music.
Throughout his career, Rehberger participated in numerous group shows and was the recipient of many awards and prizes. He also had a number of solo exhibitions, among them shows at the Society of Illustrators in New York, National Gallery of Art in Washington, D.C., and National Gallery of Art in London.
Gustav Rehberger died in New York City on July 22, 1995.
The Gustav Rehberger papers measure 5.4 linear feet and date from 1924 to 2004. His career as an illustrator, painter, educator, and performance artist is documented by correspondence, scrapbooks, printed material, photographs, and sound and video recordings. A small addition contains printed material, artwork, and photographic material primarily documenting Rehberger's career as an illustrator for magazines, books, advertising, movies, and television.
The collection is arranged as 8 series:
Rehberger's curriculum vitae and chronology were prepared and added by the family.
Correspondence is of a professional nature and is mainly with graphic designers and publishers.
Although the correspondence from "Book I" and "Book II" has been removed from the binders, original order has been retained. Additional correspondence is found in the scrapbooks (series 3).
Scrapbooks are composed mostly of items reproducing illustrations by Rehberger.
Although volumes were removed from their binders, the original order remains.
Books, both illustrated by Rehberger, are:
Of particular interest are maquette drawings of Rehberger's murals for Chicago's Union Station (1942).
Photographs are of Rehberger, artwork, lectures, and performances.
oversized material housed in Box 6
Five sound cassettes and 11 videocassettes record interviews with Rehberger, lectures, his memorial service, demonstrations and performances.
The addition dates from 1937-1992 and contains printed material, artwork, and photographic material primarily documenting Rehberger's career as an illustrator for magazines, books, advertising, movies, and television. The printed material includes clippings of illustrations and advertisements, including the Marlboro Man; book covers and illustrations; movie and television promotions, including posters; a calendar; and several religious illustrations. Artwork includes dozens of original illustrations and sketches in pen, pencil, ink, charcoal, gauche, and collage. Photographic material consists of black and white and color prints, negatives, and transparencies of many of Rehberger's book, magazine, and other illustrations.
The series is arranged as three subseries.