The collection is arranged as seven series.
New York art patron and collector of French and American art Chester Dale (1883-1962), made his fortune as a banker who pioneered the sale of public utility securities. He began purchasing French paintings in the mid-1920s and retired from the investment security business in 1935 in order to focus full time on the acquisition of art.
Dale was encouraged to begin collecting art by his first wife, Maud Dale, who was an artist, a writer, and a former chairman of the Exhibition Committee of the Museum of French Art. With the benefit of his wife's knowledge, passion, and perception, Dale began to lay the foundation of his collection in 1926, and amassed circa seven hundred pictures within ten years. His collection is considered to be one of the most complete collections of nineteenth and twentieth century French art in the world, and includes some of the finest examples of works by Braque, Corot, Delacroix, Degas, Derain, Dufy, Leger, Matisse, and Renoir, as well as by artists representative of the French tradition in art including Modigliani, Picasso, Rivera, and Van Gogh.
Although primarily interested in French art, Dale also collected and encouraged American artists. He was a patron of George Bellows and Salvador Dali, and had his portrait painted by both artists. Dale presented the Metropolitan Museum of Art and the National Gallery of Art with their first Dali paintings, the latter being
Dale served as a trustee to the Metropolitan Museum of Art, the Chicago Art Institute, and the Philadelphia Museum of Art. He made the first of a series of gifts to the National Gallery of Art when it opened in 1941. In 1955 he was elected president of the museum, by which time his collection occupied ten of its galleries. Dale bequeathed the bulk of his remaining collection to the National Gallery in his will. This final gift included eighty of his favorite pictures, which had been located in his Manhattan apartment at the Plaza Hotel up until his death.
A year after the death of Maud Dale in 1953, Dale married Mary Towar Bullard, whom he had employed as his secretary for twenty-five years. Mary Dale oversaw the disbursement of her husband's estate, following Dale's death from a heart attack in 1962.
Use of original papers requires an appointment and is limited to the Archives' Washington, D. C., Research Center. Use of archival audiovisual recordings with no duplicate copy requires advance notice.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the
The bulk of the collection was digitized in 2018 and is available on the Archives of American Art website. Materials which have not been digitized include blank pages, blank versos of photographs, negatives and transparencies for which prints exist, stereo slides, the dictaphone recordings, the home movie, and duplicates. In some cases, exhibition catalogs and other publications have had only their covers, title pages, and relevant pages digitized.
The collection was donated in 1972 by Mary Dale, Chester Dale's second wife, and in 1985 by Mary Dale's estate.
Chester Dale papers, circa 1883-2003, bulk 1920-1970. Archives of American Art, Smithsonian Institution.
The collection received a preliminary level of arrangement after donation and was partially microfilmed on reels 927 and 3968-3974. The collection was processed, prepared for digitization, and described in a finding aid by Stephanie Ashley in 2017 with funding provided by The Walton Family Foundation.
Holdings at the Archives of American Art also include the Chester Dale papers concerning George Bellows, 1919-1956, comprising correspondence, a photograph, and invoices relating to Chester Dale's relationship with George Bellows and Dale's interest in artwork by Bellows; and the Chester Dale eulogy, consisting of one 35 minute, 9 second sound tape reel of a eulogy delivered by an unidentified speaker.
The papers of New York art collector Chester Dale measure 8.4 linear feet and date from circa 1883-2003. Dale amassed one of the world's most complete collections of nineteenth and twentieth century French art, was a collector of eighteenth century American portraitists, and a patron and collector of twentieth American artists including George Bellows and Mary Cassatt. The bulk of the collection dates from 1920 to 1970 and documents Dale's activities through biographical material, correspondence, memoirs and other writings, purchase, sales and estate records, printed material, scrapbooks, and photographs.
Biographical material comprises brief genealogical and biographical notes on Dale's father's side of the family; four pieces of miscellaneous artwork; several certificates, membership cards, and programs; circa six unidentified dictaphone recordings; and a home movie of an unidentified social event.
Correspondence provides scattered documentation of Dale's activities as a collector and benefactor, including correspondence relating to gifts to various museums such as the Dallas Museum of Fine Arts and the Metropolitan Museum of Art, as well as posthumous gifts to the Allentown Art Museum and Amherst College. Also documented is Dale's election as president of the National Gallery of Art in 1955. There are several letters to and from Salvador and Gala Dali, copies of two letters from Diego Rivera, and letters from other friends and business associates, including historian Georges Salles. Over one third of the correspondence consists of condolence telegrams and letters sent to Mary Dale following Dale's death. Other correspondence documents Mary Dale's work as exhibition chairman for the Parrish Museum of Art, and includes letters from Andrew, Jamie, and Nicholas Wyeth.
Writings include typed drafts of Dale's memoirs which recall the beginning of his career in banking, and include stories of his early experiences in buying art. Dale credits the highly discerning and influential eye of his first wife, Maud Dale, for guiding him in his early selections, and his memoirs recall his unconventionally direct way of doing business with the Paris art dealers. Two travel diaries record a 1904 trip to Europe, and five trips to Europe and the Caribbean between 1949 and 1953. Writings by others include several essays on Dale by various authors, several essays on art by Maud Dale, and a typed draft of a manuscript on Dale's life by Neil MacNeil.
Extensive inventories, estate appraisals, and will disbursement records document the contents of the Chester Dale collection in Series 4. Also found here are receipts for specific purchases of works by Cezanne, Cassatt, Dali, Dufy, Picasso, and others.
Printed material includes catalogs for auction sales annotated with sales prices and other purchase information; catalogs of Dale's collection; and exhibition catalogs and announcements for the Parrish Museum of Art during Mary Dale's tenure as exhibition chairman. Some of the catalogs include essays by Maud Dale. News clippings and magazine articles document press coverage of Dale's activities at home and abroad.
Scrapbooks contain additional printed material, primarily news clippings, documenting press coverage of Chester Dale's life from the 1920s until his death. One of the scrapbooks includes multiple photographs of Dale and others, including a photo of Frida Kahlo and Jose Orozco. An additional scrapbook of photographs and clippings documents Mary Dale's life before and after her marriage to Dale.
Photographs are of Dale, Mary Dale, Maud Dale, family, friends, and colleagues. There are photographs of Dale and Mary Dale with artists including George Braques, Salvador and Gala Dali, Diego Rivera and Frida Kahlo, and Jamie and Nicholas Wyeth; and friends and associates Renee and Claire Batigne, Veronica "Rocky" Cooper and Maria Cooper, Robert Sturgis Ingersoll, Edith Hamilton with Robert Frost, Neil MacNeil, Herbert Mayes, and Paul and Timothy Mellon. There are individual photos and three photograph albums of Dale's various residences and his collection, including photographs taken shortly before his death at his Plaza Hotel apartment showing some of his favorite pictures. Photographers include Rudolph Burkhardt, Irving Cantor, Ivan Dmitri, and Dmitri Kessel. There are also many photographs of exhibition openings and museum events, especially events at the National Gallery of Art, including the presentation of Dale's gift of Dali's
Biographical material includes four pieces of artwork by unidentified artists, including a self portrait sketch inscribed to Mary Bullard, an etching of a dog, "Shandy," a caricature of Dale with his poodle, and an illustrated photograph; certificates and membership cards, including two certificates for the Society of Illustrators; programs, including one for the presentation of the Gari Melchers Gold Medal to Chester Dale in 1952, and a program for an African cruise on the S. S. Laconia; a hand-colored papal blessing; a film reel (with two copies) of an unidentified home movie, possibly of a dinner event; and circa six dictaphone recordings. Labels on the dictaphone recordings are illegible but it is possible they include recordings of Dale's dictated memoirs.
The bulk of this series has been digitized with the exception of the home movie and the dictaphone recordings.
Artwork
Oversized material housed in Box 8, Folder 1
Biographical Notes on Dale Family
Certificates, Membership Cards and Programs
Papal Blessing
Oversized material housed in Box 8, Folder 1
Film reel stored separately in film can numbered FC 20
Recordings housed in Box 7, Folders 1-4
Less than circa 0.3 linear feet of this series directly documents Dale's personal and professional activities through correspondence with artists, friends, businesses, museums and other art institutions. Dale's correspondence includes letters documenting gifts to museums including the Dallas Museum of Fine Arts, the Metropolitan Museum of Art, and the National Gallery of Art. The series includes letters from friends and business associates congratulating Dale on his election as President of the National Gallery of Art in 1955; circa thirteen letters and postcards from Gala and Salvador Dali, including two illustrated postcards; copies of two 1944 letters from Diego Rivera in which Rivera expresses his admiration for all Dale has accomplished, and states his opinions of the Toulouse Lautrec painting
The remaining correspondence relates to Mary Dale's activities after Chester Dale's death, including arrangements relating to Dale's gift to Amherst College; correspondence with Neil MacNeill regarding MacNeil's manuscript for a book on Dale; and correspondence documenting Mary Dale's election to the board of trustees of the Allentown Art Museum in 1969, her appointment as an honorary trustee in 1971, and the assistance she provided to the museum in planning their exhibition schedule.
Thirteen folders of correspondence and related material document Mary Dale's involvement with the Parrish Art Museum during her tenure as exhibition chairman. In addition to correspondence, material includes loan forms, notes and lists, and minutes of the museum's board meetings which document arrangements for exhibitions of works by Mary Cassatt, Roland Oudot, the Wyeth family, and others. Correspondence includes letters from Andrew, Jamie, and Nicholas Wyeth.
The remainder of the series comprises condolence telegrams and letters sent to Mary Dale following Dale's death.
This bulk of this series has been digitized with the exception of floral arrangement cards from Dale's funeral.
Correspondence is arranged alphabetically by correspondent in a combination of named and "general" files. Condolence letters are arranged alphabetically at the end of the series.
Allentown Art Museum
Amherst College
Artists' Fellowship, Inc.
B, General
1984 item is an empty envelope
C, General
D, General
Doane Family
Dali, Gala and Salvador
Dallas Museum of Fine Arts
E-G, General
H-L, General
M, General
Museo de Arte, Sao Paulo
N, General
National Gallery of Art
National Gallery of Art, Board of Trustees Appointment, Congratulatory Letters
P
Parrish Art Museum
Parrish Art Museum
Parrish Art Museum
Parrish Art Museum
Parrish Art Museum
Parrish Art Museum
Parrish Art Museum
Parrish Art Museum
Parrish Art Museum
Parrish Art Museum
Parrish Art Museum Loan Agreements
Parrish Art Museum Loan Agreements
Parrish Art Museum Loan Agreements
R, General
S, General
Salles, Georges
T-W, General
A, Condolence Letters
B, Condolence Letters
C, Condolence Letters
D, Condolence Letters
E, Condolence Letters
F-G, Condolence Letters
H, Condolence Letters
I-J, Condolence Letters
K-L, Condolence Letters
M, Condolence Letters
N, Condolence Letters
O-P, Condolence Letters
R, Condolence Letters
S, Condolence Letters
T-V, Condolence Letters
W-Z, Condolence Letters
First Names Only, and Illegible, Condolence Letters, A-W
Writings by Dale include an essay on Rolad Oudot written for a 1955 exhibition; an essay for the
There are two travel diaries in this series. The diary for 1904 opens "on board the Kaiser Franz Joseph-July 1st" and reference is made to it being the writer's 21st birthday. Although 1904 would be the year of Dale's 21st birthday, the July date conflicts with records stating May as the month of Dale's birth. The author of the diary, therefore, cannot be confirmed. It describes, through a series of journal entries, a trip to Italy, Switzerland, Germany, France, Holland, England, and Scotland visiting museums and other cultural sites.
The second travel diary has short notes on five different trips to Europe and the Caribbean taken during 1949-1953, and includes some brief note on impressions of artwork seen on the trip. The bulk of the diary, however, consists of names and addresses of overseas contacts.
Also found are writings by others, about Dale, and on art in general. These include typed drafts of Neil MacNeil's writings on Dale's life and his collection which draw extensively from Dale's memoirs. It is unclear whether MacNeil's writings on Dale were published, but they include two folders of data sheets for artwork in Dale's collection, possibly intended to be used for illustrations in a book. Other writings include addresses given at Dale's interment and memorial service; four newspaper articles/press releases about Dale; and several essays by authors including Henry McBride and Horace Havermeyer.
Of additional note are several typed manuscripts of essays on art by Maud Dale, and two articles by her that were published in
The bulk of this series has been digitized. Only the relevant pages of publications from W. C. Langley & Co., Investments have been digitized.
This series is arranged as two subseries.
Catalog Essay,
Essay for the
For W. C. Langley & Co., Investments
For W. C. Langley & Co., Investments
Memoirs
Memoirs
Memoirs
Memoirs
Travel Diary
Travel Diary
Travel Diary, Loose Notes
About Chester Dale
About Chester Dale
About Chester Dale, by MacNeil, Neil
About Chester Dale, by MacNeil, Neil
About Chester Dale, by MacNeil, Neil
About Chester Dale, by MacNeil, Neil
About Chester Dale, Interment and Memorial Service Addresses and Register
By Dale, Maud
Oversized material housed in Box 8, Folder 2
On Art
This series includes inventories of the Chester Dale collection and houses documents related to the appraisal and disbursement of Dale's estate.
Several iterations of the collection inventory list artwork in the collection alphabetically by artist and include details such as artist, title, execution and purchase dates, provenance, exhibition history, size, reproduction details, and press coverage. Only the first of the two main inventories includes prices, as indicated on the original cover. There are two additional inventories in which artwork is grouped by auctions, sales, and gifts, including sales at Parke-Bernet Galleries and Plaza Art Gallery.
Lists of artwork are from various sources and include a list of American pictures, two lists of gifts from the Dale collection, and a list of Dale's collection on loan to the Metropolitan Museum of Art.
Receipts include a 1930 receipt for artwork purchased by Mary Bullard and a "list of pictures belonging to Mary Bullard" with prices. There are receipts for individual artwork purchased from various galleries, which document the purchase of works by Cezanne, Cassatt, Dufy, Picasso, and others. Also found is a receipt for the sale of Salvador Dali's portrait of Dale from Carstairs Gallery.
Records documenting the disbursement of Dale's will to various art institutions include lists, legal documents, and related correspondence.
Also found is a guest book which provides a list of visitors to the Chester Dale collection at his residence on 79th Street, New York, New York, which lists dates, names, and sometimes occasions for the visit.
The priced and unpriced inventories have been labeled numbers 1 and 2 respectively for clarity. Folders are arranged alphabetically by type of record.
This series has been digitized in entirety, with the exception of duplicates.
Collection Inventory #1, A-B
Collection Inventory #1, C
Collection Inventory #1, D
Collection Inventory #1, E-G
Collection Inventory #1, H-L
Collection Inventory #1, M
Collection Inventory #1, N-Q
Collection Inventory #1, R-S
Collection Inventory #1, T-V
Collection Inventory #1, W-Z
Collection Inventory #1, List of Contents of Large Portfolio
Collection Inventory #2, A-J
Collection Inventory #2, K-Z
Collection Inventory, Auctions, Sales, and Gifts
Collection Inventory, Auctions and Sales, Parke Bernet and Plaza Gallery (1944-1946)
Collection Inventory, Auctions and Sales, Parke Bernet and Plaza Gallery (1944-1946)
Estate Appraisal
Estate Appraisal
Estate Appraisal
Estate Appraisal
Estate Appraisal
Estate Appraisal, Chemical Bank
Guest Book
Lists of Artwork
Receipts for Artwork
Receipts for Artwork
Will Disbursement
Will Disbursement, Addision Gallery of American Art
Will Disbursement, Art Institute of Chicago
Will Disbursement, Art Students League
Will Disbursement, Brooklyn Museum
Will Disbursement, Dallas Museum of Fine Arts
Will Disbursement, Metropolitan Museum of Art
Will Disbursement, North Dakota Heritage Center
Will Disbursement, Smith College Museum of Art
Catalogs are of exhibitions and of auction sales, many of which are annotated; check marks in some of the auction catalogs may indicate items bought by Dale. Several exhibition catalogs include essays and introductions by Maud Dale, including a 1929 essay on Modigliani and a 1929 essay on the Chester Dale collection, "Before Manet to Modigliani from the Chester Dale Collection."
Many of the Parrish Art Museum catalogs and announcements are for exhibitions arranged by Mary Dale in her capacity as exhibition chairman, as documented in the Parrish Art Museum correspondence in Series 2.
One 1953 folder of catalogs includes notations on "artists seen by Dale on his first visit to Spain that he found good." The series also includes bound catalogs of the Chester Dale collection in Washington, Chicago, and Philadelphia, one of which is inscribed to Mary Bullard.
New clippings consist of articles, primarily about Chester Dale, including obituaries from 1962. They include bound editions of
Of note is a poster for the exhibition
The bulk of this series has been digitized. For some catalogs, only the covers, title pages, and relevant pages have been digitized.
Catalogs
Catalogs
Catalogs
Catalogs
Catalogs
Catalogs
Catalogs
Catalogs
Catalogs
Catalogs and Announcements, Parrish Art Museum
Catalogs and Announcements, Parrish Art Museum
Catalogs and Announcements, Parrish Art Museum
Catalogs of Chester Dale Collection, Bound
Catalogs of Chester Dale Collection, Bound
Catalogs of Chester Dale Collection at National Gallery of Art
Oversized material housed in Box 8, Folder 3
Oversized material housed in Box 8, Folder 4
News Clippings
Oversized material housed in Box 8, Folder 5
News Clippings
Oversized material housed in Box 8, Folder 5
News Clippings
Oversized material housed in Box 8, Folder 5
News Clippings
News Clippings
News Clippings
News Clippings
Overized material housed in Box 8, Folder 6
News Clippings
Oversized material housed in Box 8, Folder 6
News Clippings
Oversized material housed in Box 8, Folder 6
News Clippings
Oversized material housed in Box 8, Folder 6
News Clippings
News Clippings
Poster for Exhibition
Oversized material housed in OV 9
Miscellaneous Printed Material
Miscellaneous Printed Material
Miscellaneous Printed Material, News Clippings
Found here are five bound and two disbound scrapbooks, primarily containing printed material about Dale. Two of the scrapbooks also include many photographs of Dale and others, including one of Frida Kahlo and Jose Orozco. Titles in parentheses indicate original titles on the scrapbook covers. One scrapbook is labeled "MTD," and contains many photographs of Mary Dale before and after her marriage to Chester Dale.
This series has been digitized in entirety.
Scrapbook of Printed Material ("Book I")
Oversized scrapbook housed in BV 10
Scrapbook of Printed Material ("Book II")
Oversized scrapbook housed in BV 11
Scrapbook of Printed Material ("Chester Dale I")
Oversized scrapbook housed in BV 12
Scrapbook of Printed Material ("Chester Dale II")
Oversized scrapbook housed in BV 13
Scrapbook of Printed Material (1 of 2)
Scrapbook of Printed Material (2 of 2)
Scrapbook of Photographs and Printed Material (1 of 2)
Scrapbook of Photographs and Printed Material (2 of 2)
Scrapbook of Printed Material and Photographs ("MTD")
Oversized scrapbook housed in BV 14
Loose Items from Scrapbooks
The bulk of this series has been digitized. Items not digitized include blank versos of photographs, duplicates, negatives and transparencies for which prints exist, and stereo slides of artwork in the Chester Dale collection.
This series is arranged as two sub-series.
Photographs are of Dale, Mary Dale, and Maud Dale, including a circa 1905 platinum print of Maud Dale. Also found are photographs of several other family members; friends and business colleagues; multiple events including museum openings, dinners, and parties; Dale's various residences and his collection as it was housed at each residence; and photographs of individual artwork in the Dale collection. Photographs of Dale and Mary Dale include portraits and snapshots by Rudolph Burkhardt, Irving Cantor, Ivan Dmitri, and Dmitri Kessel.
There are photographs of Dale with artists including George Braques, Salvador and Gala Dali, including some taken at the Dali home in Spain, and Diego Rivera and Frida Kahlo on Dale's visit to Mexico in the early 1940s. Other photos of identified friends include Renee and Claire Batigne, Robert Sturgis Ingersoll, Paul and Timothy Mellon, and Ed Seay. There are also two photographs of Edith Hamilton, one with Robert Frost; a photo of Mary Dale with Jamie and Nicolas Wyeth; and a photo of Mary Dale with Harry Marinsky.
Photographs of Dale's residences include three photograph albums of separate residences by three different photographers: 20 E. 79 Street, photographed by Samuel H. Gottscho; 54 W. 9th Street photographed by John Wallace Gillies; and 35 E 76 Street photographed by F. S. Lincoln. There are several series of photographs of the interior of Dale's Plaza Hotel apartment, including a series taken by David Douglas Duncan of Dale showing his paintings to Veronica "Rocky" Cooper and Maria Cooper, and a series of photos showing Dale with Neil MacNeil and Herbert Mayes at the same apartment. There are also photographs of the exterior and interior of a country residence, probably Dale's residence in Southampton, Long Island.
Other photographs show numerous events and exhibitions at the National Gallery and elsewhere, including Dale's presentation of Dali's
The bulk of this series has been digitized. Items not digitized include blank versos of photographs, duplicates, and negatives and transparencies for which prints exist.
Of Dale
Of Dale
Oversized photographs housed in OV 18
Of Dale
Of Dale
Of Dale
Of Dale
Oversized photos housed in OV 18
Of Dale and Mary Dale
Of Dale and Mary Dale
Of Dale and Mary Dale
Of Dale and Mary Dale
Of Dale and Mary Dale
Of Dale and Mary Dale
Of Dale and Mary Dale
Of Dale and Mary Dale
Of Dale and Mary Dale, by Ivan Dmitri
Of Dale, Maud (Murray)
Oversized photo housed in OV 18
Of Dale, Mary
Of Dale, Mary
Of Dale, Mary
Of Dale's Dog
Of Dale Family
Oversized photos housed in OV 18
Braque, Georges
Dali, Salvador and Gala
Kahlo, Frida and Rivera, Diego
Of Artists/Friends/Others
Of Friends/Others
Oversized photo housed in OV 18
Of Friends/Others
Of Travel
Apartment, 20 E. 79th Street, New York, N.Y.
Negatives housed in Box 19
Apartment, 20 E. 79 Street, New York, NY, Photographs Album
Photograph Album housed as BV 15
Residence at 54 W. 9 Street, New York, NY, Photograph Album
Photograph Album housed as BV 16
Residence at 35 E 76 Street, New York, NY, Photograph Album
Photograph album housed as BV 17
Apartment at Plaza Hotel, Color Negatives
Apartment at Plaza Hotel, Color Prints
Apartment at Plaza Hotel, Black and White Prints
Apartment at Plaza Hotel, with Neil MacNeil and Herbert Mayes
Apartment at Plaza Hotel, with Veronica (Rocky) and Maria Cooper
Apartment at Plaza Hotel,with Veronica (Rocky) and Maria Cooper
Country Residence, Exterior
Country Residence, Exterior
Oversized photos housed in OV 18
Country Residence, Interior
Country Residence, Interior
National Gallery of Art Dale Collection Galleries
National Gallery of Art Dale Collection Galleries
Wildenstein & Co., Inc., Exhibition of Paintings by Boldini
Union League Club of New York, Exhibition of American Paintings from Chester Dale Collection
Dale Receiving Gari Melchers Gold Medal from Artists' Fellowship, Inc.
National Gallery of Art Opening of Dale's Twentieth Century French Art Collection
National Gallery of Art Opening of Dale's Twentieth Century French Art Collection
National Gallery of Art, Salvador Dali's "The Sacrament of the Last Supper"
National Gallery of Art, Kress Opening
National Gallery of Art, Visit of Queen Elizabeth II of England
National Gallery of Art Opening
National Gallery of Art, George Bellows Exhibition
National Gallery of Art, Winslow Homer Exhibition
Huntington Cairns' Cardoza Lecture at the New York City Bar Association
Miscellaneous Events
Photos of individual artwork in the Dale collection include portraits of Dale, Mary Dale, and Maud Dale, and a series of Kodachrome and Realist stereo slides of artwork.
Following photos of portraits, photographs of artwork are arranged alphabetically by last name of artist. Stereo slides are housed at the end of the series.
The bulk of this series has been scanned with the exception of blank versos of photographs, duplicates, and stereo slides.
Portraits of Dale
Oversized photos housed in OV 18
Portraits of Dale and Maud Dale
Portraits of Mary Dale
Artists B, Baer-Blakelock
Artists, B: Blum-Brown
Artists, C: Caillebotte-Cals
Artists, C: Cassatt
Artists, C: Cassatt
Artists, C: Ceria-Covarrubias
Artists, C: Chavannes-Couture
Artists, D: Dali-Daumier
Artists, D: Daubigny-De Bruyn
Artists, D: Degas-Delacroix
Artists, D: Derain-Drouais
Artists, D: DuBois-Dufresne
Artists, D-E: Dufy-Eyck
Artists, E-F: Eilshemius-Fuller
Artists, G: Gargaleo-Guillaumin
Artists, H-K: Hall-Krapil
Artists, L: Lahaye-Lurcat
Artists, M: Manet-Matisse
Artists, M: Meukes-Modigliani
Artists, M: Monet
Artists, M: Monticelli-Nonnotte
Artists, O: Otis-Oudot
Artists, P: Paradise-Pils
Artists, P-R: Pisanello-Redon
Artists, R: Renoir
Artists, R: Ribot-Ryder
Artists, S: St. John-Sully
Artists, T-U: Theus-Utrillo
Artists, V: Vallon-Van Heinessen
Artists, V: Verdilhan-Vuillard
Artists, W: West-Wright
Artists, Z: Zak-Zurbaran
Artists, Unidentified