Archives of American Art
Audiovisual materials relating to the documentary Beatrice Wood: Mama of Dada
Neff, Tom, 1953-
AAA.nefftom
Archival Resource Key
11 Linear feet
1990-1993
Audiovisual materials relating to the documentary Beatrice Wood: Mama of Dada measure 11 linear feet and date from 1990 to 1993. Records include sound recordings, motion picture film outtakes, transcripts, production notes, lab records of the film production, and video recordings of the completed documentary.
The collection is in English.
Scope and Contents
Audiovisual materials relating to the documentary
Beatrice Wood: Mama of Dada measure 11 linear feet and date from 1990 to 1993. Records include sound recordings, motion picture film outtakes, transcripts, production notes, lab records, and video recordings of the completed documentary.
Original sound recordings and transcripts include two recorded public appearances by Wood, as well as multiple interviews with Beatrice Wood and with others about Wood; interviewed are Francis Nauman, John Perrault, Garth Clark, Mark Del Vecchio, Anne D'Harnoncourt, Steve Watson, Rupert Pole, R.P. Singh, Henry Huglin, and Lee Waisler. Partial transcripts are found for most recordings. Records created by the sound recordist, referred to in this finding aid as sound roll logs, are found with several of the sound reels and document general content and the camera roll numbers of corresponding film footage.
Production notes and lab records include script notes, shot lists, editing notes, detailed editing logs, camera reports, and lab records including work orders for dailies, effects such as titles and superimpositions, and documentation of the final print. Many of the sound recordings were shot synchronously with the motion picture film found in the collection, and while the documentation does not always make the link between picture and soundtrack explicit, the link can be investigated via sound roll logs, camera reports, negative logs, and shot lists.
Moving images include three video copies of the finished documentary and 153 rolls of 16mm motion picture film negative, which are outtakes from 166 original camera negative rolls. The content of outtakes consists of three general types: film shot during several of the interviews and one of Wood's public appearances found in Series 1; silent footage of locations and Wood working in her studio; and footage of historical photographs and artworks. All of the film found in the collection consists of outtakes; footage that was used in the documentary was not donated, although complete sound recordings exist in series 1.
Biographical / Historical
Beatrice Wood: Mama of Dada was written and directed by Tom Neff and released by Wild Wolf Productions in 1993 to correspond with Wood's 100th birthday. Tom Neff is a filmmaker, producer, and television executive who was born in 1953 in Chicago, Illinois and received his MFA from the University of Southern California in 1981. Neff founded the production company Wild Wolf Productions with Diandra Douglas in the early 1990s, and Mama of Dada was the company's first production and was written and directed by Neff, and produced by Neff, Diandra Douglas, and Amie Knox.
Neff has produced, written, and directed over a dozen documentaries on historical and cultural subjects since the mid-1980s. In addition to his work on Wood, Neff's filmography includes several documentaries about American artists, including Louise Dahl-Wolfe, Frederic Remington, and Red Grooms. His short documentary
Red Grooms: Sunflower in a Hot House earned him an Oscar with Madeline Bell in 1987. He currently teaches at Middle Tennessee State University in Murfreesboro, Tennessee.
Arrangement
The collection is arranged as three series:
- Series 1: Original Sound Recordings and Transcripts, 1990-1991 (1.6 linear feet; Boxes 1-2)
- Series 2: Production Notes and Lab Reports, 1990-1992 (0.3 linear feet; Box 2)
- Series 3: Moving Images, 1990-1993 (12.1 linear feet; Box 2, FC 3-122)
Conditions Governing Access
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Use of archival audiovisual recordings records with no duplicate copies requires advance notice.
Conditions Governing Use
Outtakes, reels and transcripts: Authorization to quote or reproduce for purposes of publication requires written permission from WILD WOLF PRODUCTIONS via Tom Neff, producer. Contact Reference Services for more information.
Terms of Use
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Immediate Source of Acquisition
Donated 1992 by Wild Wolf Productions via writer, director, and producer Tom Neff.
Preferred Citation
Audiovisual materials relating to the documentary
Beatrice Wood: Mama of Dada, 1990-1993. Archives of American Art, Smithsonian Institution.
Processing Information
The collection was fully processed and a finding aid prepared by Megan McShea in 2018. Motion picture film reels were assessed and re-housed in 2017 with funding provided by the Smithsonian Collections Care and Preservation Fund.
Related Materials
The Archives of American Art holds multiple oral histories and collections of archival material related to Beatrice Wood, including the Beatrice Wood papers, the Beatrice Wood letters to Elizabeth Stein, and the Belle M. Deitch papers concerning Beatrice Wood.
Oral histories include two interviews with Wood conducted by Paul Karlstrom, one on August 26, 1976, and another on March 2, 1992.
The Center for Creative Photography at the University of Arizona holds a collection of material collected and created by Tom Neff for his 1999 documentary "Louise Dahl-Wolfe, Painting with Light."
Beatrice Wood: Mama of Dada -- motion picture
Ceramicists -- California
Dadaism
Women artists
Interviews
Motion pictures (visual works)
Sound recordings
Transcripts
Video recordings
Women ceramicists
Clark, Garth, 1947-
Del Vecchio, Mark
D'Harnoncourt, Anne, 1943-2008
Huglin, Hugh, 1915-
Naumann, Francis M.
Perreault, John, 1937-2015
Pole, Rupert
Singh, R.P.
Waisler, Lee, 1938-
Watson, Steve
Wood, Beatrice
Original Sound Recordings and Transcripts
Series 1
Archival Resource Key
1.6 Linear feet
Boxes 1-2
1990-1991
Scope and Contents
Series contains sound recordings of interviews with Beatrice Wood, interviews with others about Wood, and public appearances by Wood recorded for the documentary
Beatrice Wood: Mama of Dada. Transcripts of the recordings are also found and filed with the original tapes. Many of the transcripts appear to be incomplete, perhaps containing only passages under consideration for inclusion in the final film. A transcript of a phone conversation with Wood, without a corresponding sound recording, is arranged at the end of the series.
Individuals besides Wood who are interviewed include Francis Nauman, John Perrault, Garth Clark, Mark Del Vecchio, Anne D'Harnoncourt, Steve Watson, Rupert Pole, R.P. Singh, Henry Huglin, and Lee Waisler. Recorded public appearances by Wood include a December 8, 1990 appearance at the Santa Monica Library auditorium, and a November 6, 1991 appearance at an Ojai, California bookstore.
Some of the recordings appear to have been made as sound-only recordings, and some were recorded while filming. Sound roll logs documenting corresponding camera roll numbers and brief notes on content are found with many of the sound reels. Their presence is noted in the folder listing.
Arrangement
Arrangement is chronological, with transcripts for each item followed by tapes. Sound roll logs are filed with sound reels. Where corresponding film footage exists, it is found in Series 3, Moving Images.
Researchers should note that the link between picture and soundtrack is not always explicit in the original labeling and documentation. Sound roll logs usually note the "CR" or camera roll number and brief notes on footage content. Series 2 contains additional documentation linking corresponding sound and picture reels. These CR numbers are different from the existing negative roll numbers found on the film reels themselves and in this finding aid. This reflects the filmmaker's process of assigning one set of numbers during shooting, and assigning a different set of numbers during editing to the same material.
Camera roll numbers are the numbers assigned during shooting and are found on sound roll logs, transcripts, and other production notes. Negative roll numbers assigned during editing are the numbers found on the physical film leaders and cans, and are the numbers referred to in Series 3 of this finding aid.
Although camera roll numbers are sometimes found in transcripts in Series 1, these transcripts also seem to contain several numbering errors. "Slate" numbers spoken at the beginning of recordings seem to be more reliable than transcripts, although not all slate numbers were verified during processing. CR numbers found on sound roll logs also appear to be reliable, and often contain in addition general notes about content.
Interview with Beatrice Wood
Archival Resource Key
7 Sound tape reels
Includes partial transcript labeled "Transcript 002"
numbered "roll#1 – roll# 7" and labeled "wild track"
1990 November 29 - December 1
1
1-5
Interviews with Beatrice Wood, Francis Nauman, John Perrault
Archival Resource Key
3 Sound tape reels
Includes partial transcript labeled "Transcript 001" and sound roll logs
numbered R-1, R-2, and R-3
1990 December 7
1
6-8
Scope and Contents
Nauman is identified in sound roll log as "historian #1" and Perrault as "historian #2"; transcript refers to a tape #4, but this tape does not appear to be in the collection.
Beatrice Wood appearance at the Santa Monica Library auditorium
Archival Resource Key
1 Sound tape reel
includes partial transcript labeled "Transcript 003" and sound roll log
numbered R-5
1990 December 8
1
9-10
Interviews with "Experts" in New York City
Archival Resource Key
7 Sound tape reels
includes transcripts labeled "Experts: NYC" and sound roll logs
numbered sound roll 40-46
1991 May 30
1
11-15
Scope and Contents
Includes interviews with John Perrault, Garth Clark, Mark Del Vecchio, Anne D'Harnoncourt, Francis Nauman, and Steve Watson.
Beatrice Wood appearance at Table of Contents bookstore in Ojai, California
Archival Resource Key
2 Sound tape reels
includes transcript labeled "Beatrice at Bookstore"
numbered reels 1-2, also numbered sound rolls 50-51
1991 November 6
1
16-17
Interview with Beatrice Wood
Archival Resource Key
3 Sound tape reels
Includes transcript labeled "Wild V.O., sound rolls 200-201" and sound roll logs
numbered roll #200-202
1991 December 7-8
1
18-20
Wild Voiceover and Interview of Beatrice Wood
Archival Resource Key
2 Sound tape reels
Includes sound roll logs and transcript labeled "Beatrice wood, sound 203, 204, 205, camera 116, 117, 118, 120"
2 sound tape reels ; numbered 203-204
1991 December 10
2
1-3
Conversation with Beatrice Wood at Luncheon
Archival Resource Key
1 Sound tape reel
Includes transcript labeled "Sound #205, At the table"
numbered 205
1991 December 11
2
4-5
Interviews with Rupert Pole, R.P. Singh, Henry Huglin, and Lee Waisler
Archival Resource Key
3 Sound tape reels
includes transcripts labeled "Sound #206" and "Sound #208" and sound roll logs
numbered 206-208
1991 December 11-13
2
6-9
Beatrice Wood opening letters
Archival Resource Key
1 Sound tape reel
numbered 209
1991 December 13
2
10
"Olavee/Beatrice Phone Conversation"
Archival Resource Key
circa 1990
2
11
Scope and Contents
transcript only
Production Notes and Lab Records
Series 2
Archival Resource Key
0.3 Linear feet
Box 2
1990-1992
Scope and Contents
Series includes script notes, shot lists, editing notes, detailed editing logs, camera reports, and lab records including work orders for dailies, effects such as titles and superimpositions, and documentation of the final print.
Partial scripts contain an overview of the main sections of the documentary in narrative form with an indication of footage to be used for each section, and a partial transcript for an unidentified fragment of the documentary.
Records in this series that are especially helpful in linking the content of film footage with their identifying numbers include camera reports, negative logs, and shot lists. Negative logs provide the most comprehensive link between the camera roll numbers and the negative roll numbers, which match the numbers used on film cans and in this finding aid. Negative roll numbers are listed in the first column under the heading "N.R.#," and camera roll numbers are found in the far right column under the heading "comments."
Camera reports, although they do not exist for every roll of film, contain dates, camera roll numbers, and often contain brief notes on the content of the film roll. Shot lists provide detailed content description for silent location footage and footage of photographs and artwork.
Lab work orders for dailies (the term for unedited camera rolls processed by the lab each day of shooting) also contain brief notes by lab technicians on the general content of the film rolls, although these notes are generic and are not made by people familiar with the subject of the film. For instance, close up footage of Beatrice Wood is simply identified as "C.U. Lady." Nevertheless these notes are helpful in distinguishing between interview footage, silent location footage, and footage of photographs and artwork.
Partial Scripts
Archival Resource Key
circa 1991
2
12
Camera Reports
Archival Resource Key
1991-1992
2
13
Summary of Shoots and Shot Lists
Archival Resource Key
1990-1992
2
14
Negative Log, Workprint Log, and Workprint Cut Check
Archival Resource Key
circa 1992
2
15
Editing Notes, Correspondence with Negative Cutter
Archival Resource Key
circa 1992
2
16
Lab Work Orders, Dailies
Archival Resource Key
1990-1992
2
17-18
Lab Records and Notes, Final Print
Archival Resource Key
1992
2
19
Photographs of Original Film Containers
Archival Resource Key
1990-1992
2
20
Moving Images
Series 3
Archival Resource Key
12.1 Linear feet
Box 2, FC 3-122
1990-1993
Scope and Contents
Series contains three video copies of the finished documentary and 153 rolls of 16mm motion picture film negative, which are outtakes from 166 original camera negative rolls. Footage consists of three general types of content: film shot during several of the interviews and one of Wood's public appearances found in Series 1; silent footage of locations, Wood working in her studio; and footage of historical photographs and artworks.
As noted elsewhere in the finding aid, the camera roll numbers assigned during shooting, and appearing throughout the production documentation, do not match the negative roll numbers assigned during editing, which are the numbers on the existing film rolls. Although the documentation is not always precise in its transcription of the footage content and numbering, a rough inventory of footage content was made during processing to facilitate research. Verification by visual inspection is recommended prior to requesting any duplication of the footage in this series.
Footage from interviews of December 1990 appears to be on negative rolls 1-11. Footage from Wood's appearance at the Santa Monica auditorium should be on negative rolls 13-15. Interviews conducted in New York City appear to be on negative rolls 21-36. The December 1991 interviews with Wood and others appear to be on negative rolls 90-94, 105-106, and 116-119. The Luncheon shot on December 11, 1991 is likely to be on negative rolls 102-103. A lengthy shoot in Ojai in December of 1991 includes a significant amount of silent footage of Wood's studio and home, interiors and exteriors, and footage of Wood working in her studio. This footage is likely found on negative rolls 75-79, 80-88, 95-101, 108-114, 126-133, and 135. The remainder of the rolls appear to contain stills of artwork and historical photographs shot in Francis Nauman's apartment and the Philadelphia Museum, New York City exteriors, and stills of artwork shot in Ojai.
Also found in this series are three rolls of assembled shorter trims and outtakes labeled "select neg," and 7 small rolls of work print containing mainly titles and superimpositions. The "select neg" reels seem to have been roughly assembled in early stages of editing, and the footage that was ultimately used in the documentary was cut from these rough edits. Although the footage that was used in the documentary is not found in the film footage in this series, the sound recordings in Series 1 are the complete, unedited original recordings.
Arrangement
Film footage is arranged in rough numerical order by negative roll number, the sequence of numbers assigned during editing. Some of the film rolls were combined, with one roll containing footage from two or more original negative rolls. See Series 2, production notes and lab reports, for more documentation of footage content and links between negative roll numbers and camera roll numbers.
Camera film was originally stored in 33 cardboard boxes provided by the film lab; it has been transferred to archival film cans, sometimes with multiple rolls in single cans. Digital photographs of original cardboard boxes, which have been replaced with archival cans, are available in printed form in Series 2.
Beatrice Wood, Mama of Dada
Archival Resource Key
3 Videocassettes (VHS)
1993
2
21
Original Negative Rolls
Archival Resource Key
Original Negative Roll 1
Archival Resource Key
1 Film reel
16mm
1990-1992
FC 3
Original Negative Roll 2
Archival Resource Key
1 Film reel
16mm
1990-1992
FC 4
Original Negative Roll 3
Archival Resource Key
1 Film reel
16mm
1990-1992
FC 5
Original Negative Roll 4
Archival Resource Key
1 Film reel
16mm
1990-1992
FC 6
Original Negative Roll 5
Archival Resource Key
1 Film reel
16mm
1990-1992
FC 7
Original Negative Roll 6
Archival Resource Key
1 Film reel
16mm
1990-1992
FC 8
Original Negative Roll 7
Archival Resource Key
1 Film reel
16mm
1990-1992
FC 9
Original Negative Roll 8
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1 Film reel
16mm
1990-1992
FC 10
Original Negative Roll 9
Archival Resource Key
1 Film reel
16mm
1990-1992
FC 11
Original Negative Roll 10
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1 Film reel
16mm
1990-1992
FC 131
Original Negative Roll 11
Archival Resource Key
1 Film reel
16mm
1990-1992
FC 13
Original Negative Roll 12
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1 Film reel
16mm
1990-1992
FC 14
Original Negative Roll 13
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1 Film reel
16mm
1990-1992
FC 15
Original Negative Roll 14
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1 Film reel
16mm
1990-1992
FC 16
Original Negative Roll 15
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1 Film reel
16mm
1990-1992
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Original Negative Roll 16
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1 Film reel
16mm
1990-1992
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Original Negative Roll 17
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1 Film reel
16mm
1990-1992
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Original Negative Roll 18
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1 Film reel
16mm
1990-1992
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Original Negative Roll 19
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1 Film reel
16mm
1990-1992
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Original Negative Roll 20
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1 Film reel
16mm
1990-1992
FC 132
Original Negative Roll 21
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1 Film reel
16mm
1990-1992
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Original Negative Roll 22
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1 Film reel
16mm
1990-1992
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Original Negative Roll 23
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1 Film reel
16mm
1990-1992
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Original Negative Roll 24
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1 Film reel
16mm
1990-1992
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Original Negative Roll 25
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1 Film reel
16mm
1990-1992
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Original Negative Roll 26
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1 Film reel
16mm
1990-1992
FC 133
Original Negative Roll 27
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1 Film reel
16mm
1990-1992
FC 27
Original Negative Roll 28
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1 Film reel
16mm
1990-1992
FC 134
Original Negative Roll 29
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1 Film reel
16mm
1990-1992
FC 135
Original Negative Roll 30
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1 Film reel
16mm
1990-1992
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Original Negative Roll 31
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1 Film reel
16mm
1990-1992
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Original Negative Roll 32
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1 Film reel
16mm
1990-1992
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1 Film reel
16mm
1990-1992
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Original Negative Roll 34
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1 Film reel
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1990-1992
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1 Film reel
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1990-1992
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Original Negative Roll 36
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1 Film reel
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1990-1992
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1 Film reel
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1990-1992
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Original Negative Roll 38
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1 Film reel
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1990-1992
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Original Negative Roll 39
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1 Film reel
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1990-1992
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Original Negative Roll 40
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1 Film reel
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1990-1992
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Original Negative Roll 41
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1 Film reel
16mm
1990-1992
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Original Negative Roll 42
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1 Film reel
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1990-1992
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1 Film reel
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1990-1992
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Original Negative Roll 44
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1 Film reel
16mm
1990-1992
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Original Negative Roll 45
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1 Film reel
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1990-1992
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Original Negative Roll 46
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1 Film reel
16mm
1990-1992
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Original Negative Roll 47
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1 Film reel
16mm
1990-1992
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Original Negative Roll 48
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1 Film reel
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1990-1992
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1 Film reel
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1990-1992
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Original Negative Roll 50
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1 Film reel
16mm
1990-1992
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1 Film reel
16mm
1990-1992
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Original Negative Roll 52
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1 Film reel
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1990-1992
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1 Film reel
16mm
1990-1992
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1 Film reel
16mm
1990-1992
FC 138
Original Negative Roll 55
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1 Film reel
16mm
1990-1992
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1 Film reel
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1990-1992
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1 Film reel
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1990-1992
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1 Film reel
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1990-1992
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1 Film reel
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1990-1992
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1 Film reel
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1990-1992
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1 Film reel
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1990-1992
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1 Film reel
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1990-1992
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1 Film reel
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1990-1992
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1 Film reel
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1 Film reel
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1990-1992
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1 Film reel
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1990-1992
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1 Film reel
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1990-1992
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1 Film reel
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1990-1992
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1 Film reel
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1990-1992
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1 Film reel
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1990-1992
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1 Film reel
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1 Film reel
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1 Film reel
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1 Film reel
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1990-1992
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Original Negative Roll 75-77
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1 Film reel
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1990-1992
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1 Film reel
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1990-1992
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1 Film reel
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1990-1992
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1 Film reel
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1 Film reel
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1990-1992
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1 Film reel
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1990-1992
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1 Film reel
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1990-1992
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1 Film reel
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1990-1992
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1 Film reel
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1990-1992
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1 Film reel
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1990-1992
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1 Film reel
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1990-1992
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1 Film reel
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1990-1992
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Original Negative Roll 90
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1 Film reel
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1990-1992
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1 Film reel
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1990-1992
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1 Film reel
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1990-1992
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1 Film reel
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1990-1992
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1 Film reel
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1990-1992
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1 Film reel
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1990-1992
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1 Film reel
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1990-1992
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1 Film reel
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1990-1992
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1 Film reel
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1990-1992
FC 146
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1 Film reel
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1990-1992
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1 Film reel
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1990-1992
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1 Film reel
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1990-1992
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1 Film reel
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1990-1992
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1 Film reel
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1990-1992
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1 Film reel
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1990-1992
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1 Film reel
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1990-1992
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1 Film reel
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1990-1992
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1 Film reel
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1990-1992
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Original Negative Roll 108
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1 Film reel
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1990-1992
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1 Film reel
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1990-1992
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Original Negative Roll 110
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1 Film reel
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1990-1992
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Original Negative Roll 111
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1 Film reel
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1990-1992
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Original Negative Roll 112
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1 Film reel
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1990-1992
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Original Negative Roll 113
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1 Film reel
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1990-1992
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Original Negative Roll 114
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1 Film reel
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1990-1992
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Original Negative Roll 115
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1 Film reel
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1990-1992
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Original Negative Roll 116-117
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1 Film reel
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1990-1992
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Original Negative Roll 118-119
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1 Film reel
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1990-1992
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Original Negative Roll 120-122
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1 Film reel
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1990-1992
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Original Negative Roll 123-125
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1 Film reel
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1990-1992
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Original Negative Roll 126-128
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1 Film reel
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1990-1992
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Original Negative Roll 129-131
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1 Film reel
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1990-1992
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Original Negative Roll 132-133
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1 Film reel
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1990-1992
FC 150
Original Negative Roll 134
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1 Film reel
16mm
1990-1992
FC 148
Original Negative Roll 135-136
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1 Film reel
16mm
1990-1992
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Original Negative Roll 137
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1 Film reel
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1990-1992
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Original Negative Roll 138-139
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1 Film reel
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1990-1992
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Original Negative Roll 140-141
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1 Film reel
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1990-1992
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Original Negative Roll 142
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1 Film reel
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1990-1992
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Original Negative Roll 143
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1 Film reel
16mm
1990-1992
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Original Negative Roll 144
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1 Film reel
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1990-1992
FC 12
Original Negative Roll 145
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1 Film reel
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1990-1992
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Original Negative Roll 146
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1 Film reel
16mm
1990-1992
FC 109
Original Negative Roll 147
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1 Film reel
16mm
1990-1992
FC 110
Original Negative Roll 148
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1 Film reel
16mm
1990-1992
FC 111
Original Negative Roll 149
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1 Film reel
16mm
1990-1992
FC 112
Original Negative Roll 150
Archival Resource Key
1 Film reel
16mm
1990-1992
FC 113
Original Negative Roll 151
Archival Resource Key
1 Film reel
16mm
1990-1992
FC 114
Original Negative Roll 152
Archival Resource Key
1 Film reel
16mm
1990-1992
FC 115
Original Negative Roll 153
Archival Resource Key
1 Film reel
16mm
1990-1992
FC 154
Original Negative Roll 154
Archival Resource Key
1 Film reel
16mm
1990-1992
FC 116
Original Negative Roll 155
Archival Resource Key
1 Film reel
16mm
1990-1992
FC 117
Original Negative Roll 156-157
Archival Resource Key
1 Film reel
16mm
1990-1992
FC 118
Original Negative Roll 158
Archival Resource Key
1 Film reel
16mm
1990-1992
FC 141
Original Negative Roll 159-160
Archival Resource Key
1 Film reel
16mm
1990-1992
FC 121
Original Negative Roll 161-165
Archival Resource Key
1 Film reel
16mm
1990-1992
FC 122
Original Negative Roll 166
Archival Resource Key
1 Film reel
16mm
1990-1992
FC 123
Other Elements
Archival Resource Key
"Select Neg for Opticals" reel 1
Archival Resource Key
1 Film reel
16mm
1992
FC 119
"Select Neg for Opticals" reel 2
Archival Resource Key
1 Film reel
16mm
1990-1992
FC 120
"Interpositive from A roll" and "Select Neg for IP"
Archival Resource Key
1 Film reel
16mm
circa 1992
FC 121
Hi-Con trims
Archival Resource Key
1 Film reel
16mm
1990-1992
FC 124
Supers
Archival Resource Key
1 Film reel
16mm
1990-1992
FC 125
Title Redo
Archival Resource Key
1 Film reel
16mm
1990-1992
FC 126
A-Roll Action Negative
Archival Resource Key
1 Film reel
16mm
1990-1992
FC 127
O-Negative Action Backgrounds
Archival Resource Key
1 Film reel
16mm
1990-1992
FC 128
B-Roll Action Negative
Archival Resource Key
1 Film reel
16mm
1990-1992
FC 129
"Supered" Trim
Archival Resource Key
1 Film reel
16mm
1990-1992
FC 130