In the decade of the 1960s, I started saving ephemeral material--exhibition announcements, clippings of individual artists and of organizations fomenting a Chicano art movement. The social scenarios of the period such as marches, strikes, sit-ins, and mobilizations for social justice all spawned manifestos, posters, leaflets, and other forms of printed material. I somehow managed to assemble and protect the evanescent printed information that recorded the birth and development of Chicano art.
As I started to research and write about Chicano art and artists of the period, I continued to clip, photocopy, and preserve material given me by Mexican-American artists from throughout the nation. My idea was to form an archive that would be comprehensive rather than selective. I knew that it was the offbeat, singular piece of paper with a missing link of information that would attract the scholar.
Today, several decades after the flowering of Chicano art, there is still a lamentable paucity of research and information about this significant component of American art.
It is my fervent hope that this compendium of information will function as a resonant print and image bank for investigators of Chicano culture. Perhaps contained within the archive are the facts that will inspire new visions or revisions of Chicano art and culture--this is my fondest dream.
Dr. Tomás Ybarra-Frausto
New York City, 1998
The research material of Tomás Ybarra-Frausto, amassed throughout his long and distinguished career as a scholar of the arts and humanities, documents the development of Chicano art in the United States. As community leader and scholar, Ybarra-Frausto played dual roles of active participant and historian in the Chicano movement, chronicling this unique political and artistic movement from its inception in the 1960s to the present day.
Deeply rooted in American history, "El Movimiento," the Chicano movement, evolved from Mexican-Americans' struggle for self-determination during the civil rights era of the 1960s. It began as a grassroots community effort that enlisted the arts in the creation of a united political and cultural constituency. Chicano artists, intellectuals, and political activists were instrumental in mobilizing the Mexican-American community for the cause of social justice, and the movement was shaped by the affirmation of a cultural identity that embraced a shared heritage with Mexico and the United States.
Just as "El Movimiento" aimed to instruct and inspire through the recollection and conservation of culture, Ybarra-Frausto's own career as scholar and historian helped to shape the intellectual discourse of the Chicano art. As a leading historian and theoretician in the field of Chicano Studies, he has written extensively on the subject, and has been instrumental in defining the canons of Chicano art. His papers are accordingly rich and varied, and they will be of great use to future scholars.
His research material, dating from 1965 to 1996, are arranged in subject files containing original writings, notes, bibliographies compiled by Ybarra-Frausto and others, exhibition catalogues, announcements, newspaper clippings and other printed material, as well as slides and photographs. Many of these files also include interview transcripts and correspondence with prominent figures in the movement. While this research collection contextualizes Chicano art within the larger framework of Latino and Latin-American culture, the bulk of the files relates specifically to Chicano visual culture. The collection also contains pertinent documentation of the Chicano civil rights movement, material on Chicano poets and writers, and research files on the wider Hispanic community, but these also appear within the context of Chicano culture in general.
Prominent among the bibliographies are the many notes and drafts related to the publication of
Art historians have traditionally found the categorization of Chicano art a difficult task. Unsure whether to classify the work as "American" or "Latin American," critics often ignored the work altogether. An outgrowth of this dilemma was the proliferation of artists, curators, and critics within the Chicano community, and the papers contain many original writings by Chicano artists about Chicano art, found in extensive files on artists that will be of particular significance to researchers. These often contain exhibition essays, dissertation proposals, and course outlines authored by the artists, along with the standard biographies, exhibition records, and reviews. Some of the files contain rare interviews conducted and transcribed by Ybarra-Frausto. Highlights include conversations with Carmen Lomas Garza, Amalia Mesa-Bains, and members of the Royal Chicano Air Force artist cooperative.
As a member of several Chicano art organizations and institutions, Ybarra-Frausto kept active records of their operation. The extensive files on the Mexican Museum and Galerie de la Raza/Studio 24, both in San Francisco, not only chronicle the history of Chicano art through the records of exhibitions and programming, but also offer case studies on the development of non-profit art institutions. The files on artist cooperatives, organizations, and exhibition spaces cover several regions of the United States, but focus on California, Texas and New York.
Two notable events in the development of Chicano art were the 1982
Spanning almost four decades of American culture from a Chicano perspective, these files have a unique historical value. The legacy of Chicano art and its contribution to the cultural landscape of this country, kept alive in Ybarra-Frausto's files, attests to the richness and diversity of American art.
Henry C. Estrada
Research Fellow, 1997.
The collection is arranged as a single series of subject files. The general contents of each folder have been listed. The subject files are arranged in alphabetical order. While no two files are alike, they may contain résumés, printed and digital material, letters, draft writings, and photographs. Unless otherwise noted, each listing represents one file folder. The abbreviation TYF was used to refer to the name Tomá Ybarra-Frausto throughtout the Series Description.
The collection was donated to the Archives of American Art by Tomás Ybarra-Frausto in 1997, and in 2004.
The collection is open for research. Use requires an appointment and is limited to the Washington, D.C. research facility.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the
Tomás Ybarra-Frausto research material, 1965-2004. Archives of American Art, Smithsonian Institution.
The collection was processed by Gabriela H. Lambert and Rosa Fernández in 1997-1998.
New material was donated in 2004 and was integrated into the collection and added to the finding aid by Lucile Smith in 2005-2006.
Oversized materials were moved to oversized boxes and folders in order to better preserve them. Notations were made after the folder listing in each of these instances.
Born-digital materials were processed by Kirsi Ritosalmi-Kisner in 2019 with funding provided by Smithsonian Collection Care and Preservation Fund.
Tomás Ybarra-Frausto Papers are located at University of Texas Libraries, The University of Texas at Austin.
(note card from curator Kristina Perea, curator of Abeyta's exhibition, to TYF re. the 10/15/03 Abeyta exhibition; Museum of New Mexico traveling exhibitions program calendar; color photocopies of several paintings)
(letters: to Acosta from TYF, 01/08/1996, photocopy; to TYF from Acosta, 02/08/1996, fax)
(note card and letter to TYF from Acosta-Colón, Director, Mexican Museum, San Francisco, 08/21/1989 and 08/19/1989)
(letter to Jose Angel Gutierrez, curator of the L.U.P.E. - Love, Unity, Peace & Equality - Library, from Dorinda Moreno, founder L.U.P.E. Library; memo to L.U.P.E. members; clippings)
(clipping; events calendar; brochures; list of participants; letters to TYF from organizers of the conference re. his participation; copy of essay by Pedro Rodriguez, "The Changing Tides: Community-Based Cultural Arts in the USA"; program prospectus of "The Medocino People's Portrait Project, 1992-1994"; printed material relating to the production of the play "Windows...Mama, Why Is L.A. Burning?")
(catalog,
(exhibition announcements; resumes; the L.A. County Museum of Art Members' Calendar 3/74; letter to Michel Oren, East Carolina Univervsity, from Maggie Nelson of the Archives of American Art, southern California office, 12/31/1987 photocopy; clippings; catalog,
(TYF's notes on altars, altar-making, and altarmakers; photocopy of article by Amalia Mesa-Bains; poem by Juan Felipe Herrera; typescript of TYF's "An Affecting Presence: Chicano Altars and Altarmakers"; color photocopies of altars)
(exhibition announcements; clippings; a letter to TYF from Cynthia Jimenez-Baca re. an essay for the catalogue of the Center for Contemporary Arts of Santa Fe's
Altars - Amalia [Mesa-Bains]
(catalog; TYF's notes on Mesa-Bains and her work)
(typescripts of articles by Amalia Mesa-Bains and TYF; clippings; transcript of an interview of Mesa-Bains by TYF; color photocopy of one of Mesa-Bains' altars; TYF's notes on altars, and his notes and drafts of paragraphs from "Altares y Altaristas Chicanos"; exhibition printed material; handmade note card from Amalia [Mesa-Bains], 03/07/1984)
(catalog; color photocopies of altars; typescripts of articles by TYF and Amalia Mesa-Bains; photocopies of articles from journals)
(clippings; slide list; interview of Amado by Frances Colpitt; Amado's resume and biography; exhibition announcements; photocopy letter to the Pace Roberts Foundation from Amado, 11/04/1994 concerning a project proposal and copy of proposal; artist's statement; catalogs)
(letter to TYF from Amaya, 06/06/1988; clippings)
(curators' biographies, Charles Biasiny-Rivera; Robert Buitrón; Kathy Vargas; Ricardo Viera); exhibition brochure; copies of letters sent to Susana Leval, Chief Curator of El Museo de Barrio, Charles Biasiny-Rivera, EN FOCO, Inc., and Timothy McClimon from Wendy Watriss, Fotofest curator, 12/07/1992; project notes)
(clippings; letter to TYF from Amezcua, 10/04/1971; photograph, unidentified; exhibition announcement; catalogs, one signed by the artist with a note to TYF)
(catalogs; clippings; calendar of events; TYF's notes on 2 small slips of paper on history of and influences on Mexican American literature)
(issue of
(Dolores Rivas Bahti's resume; grant application for continuation of Movimiento Artistico Del Rio Salado Visiting Artist program; calendar of events; artist biography of Alfredo Arreguin written by TYF; clippings; TYF's notes on "Contra Colonialismo: Colombian Exchange"; catalog; oversize poster)
(Hispanic Research Center, Arizona State University brochure; organization information sheets for: the United Chicano Artists, the Mechicano Art Center, the Goaz Art Gallery, the Centro Joaquin Murietta de Aztlan, and the Mexican American Center for Creative Arts; clippings; TYF's note on Arizon Chicano art materials)
(typed guide to the ASU Latin American Art Collection)
(vol. 2, no. 2 1982; March 1985; June 1985; October 1985; January 1986; August 1986; and March 1987; the 1982 issue includes pieces on Valle del Sol, Inc. of Phoenix and the 1st Ariztlan Hispanic Arts Conference, and an article written by Robert Buitron; March 1985 issue features an article on El Zarco; August 1986 issue contains articles about Judy Baca and Richard and Graciela Rios)
(resume, clippings, slides of his work dated from 1995-1997)
(invitation, with a note to TYF written by Arredondo; Arredondo's application for fellowship tenure, Michigan Society of Fellows; research proposal; typescript of "The Apocalyptic Vision of the Aztecs as it relates to Superstitions, Omens and Fortune-Telling" by Arredondo)
(letters to TYF from Arreguín, 05/18/1983, 05/20/1986, 07/03/1991; notes to TYF from Arreguín, 12/07/1994, circa 12/1996, undated; note to TYF from Susie [Susan Lytle], 03/23/1995; photocopy of letter to Arreguín from TYF, 07/15/1991; letter and photocopies of letters to Arreguín from: Charles Royer, Office of the Mayor of the City of Seattle,12/11/1979; Nan Woolridge, Bainbridge Island Arts Council, 04/23/1987; and Virginia Mecklenburg and Andrew Connors, both of the National Museum of American Art, 06/15/1992, 11/08/1994, 01/12/1995; press release; photocopy of a handwritten draft of an article by TYF about the artist; essay by Mary Motian-Meadows; photocopies of art; written pieces for exhibition catalogs)
(exhibition announcements; catalogs; book,
(catalog; clippings)
(printed matter relating to TYF's
(TYF's notes on the chronology of Chicano art, beginning with 1968, El Arte De Pocho Exhibition, and concluding in 1977, Inauguration of the Mexican Museum; handwritten draft of the chronology; a list of "Artistes Chicanos"; oversize poster advertizing a play about barrios in San José)
(clippings; oversize poster/entry form; exhibition announcement; photocopy of the calendar of events, with note to TYF from T[ino] V[illanueva], 1/27/76)
(photocopied article defining "Artes Plásticas"; photocopies of articles on literature, philosophy, and various artists and other figures in chicano/latino culture, José María Arguedas, Manuel Puig, Ernst Fischer)
(typescript of address given by Ramón Favela at the
(essay, excerpt from a longer, as yet unpublished, paper entitled
(publications list from Printed Matter, Inc.; clippings; oversize poster)
(catalog of international exhibition and tour)
(Artistas Indígenas 1984 "call for entries" brochure; letter to John Asencio from TYF, 03/25/1991 re. HFA Chicago Art Conference; Fax to TYF from Asencio, 04/03/1991, also re. conference; invitation to exhibition opening)
(letter to TYF from C. Ondine Chavoya, 06/09/1998 re. her research at the Archives of American Art with page proofs of an essay on ASCO's No-Movies; clippings; TYF's notes on ASCO; dissertation by S. Zaneta Kosiba-Vargas,
(photographs pasted on board, back marked "Salazar;" typescript of student paper: "Voices from East Los Angeles: Harry Gamboa and Frank Sifuentes" by Ann Vernallis; clippings of articles by Frank Sifuentes and Harry Gamboa Jr.; letter to TYF from Gamboa, 01/08/1985); typescript of lecture presented at symposium
(photocopy of published interview with Gronk by Harry Gamboa, Jr.; exhibition announcements; press release; clippings, many written by or relating to Harry Gamboa Jr.; photographs; note from Linda [?] written on invitation, 07/21/1989; exhibition announcement/poster)
("News of the Association for Latin American Art" bulletin[?]; poems: Jose Agustin, 1968; Luis Zapata, 1979)
("Noti-Artes" information sheets on opportunities and grants, fellowships, etc., deadlines; letter to TYF from Hector W. Soto, Chairman of the Board of Directors of AHA, 12/13/1992; organization profile; TYF's notes on AHA; summary of activities; photograph of TYF; letter to TYF from Jane Arce Bello, Executive Director of AHA, 02/15/1993; letter to TYF from Maria L. Solana, Coordinator of Special Events of AHA, undated, prior to 04/28/1993; brochures; programs, 15th anniversary benefit and 17th anniversary celebration; history of AHA, 1975-1995)
(Nov/Dec 1979; Mar/Apr 1981; June 1981; Oct 1981; Dec 1981; Feb 1982; Apr 1982; Sept/Oct 1982; Apr 1983; June 1983; Oct 1983; Dec artistic events calendar; Nov 1983; Jan 1984; Feb 1984; Apr - Nov/Dec 1984; Dec 1984/Jan 1985 - Dec 1985; Jan - Apr 1986; Jun/Jul - Dec 1986; Jan - Apr/May 1987; Aug/Sep - Dec 1987; Jan - Feb 1988; Apr - Dec 1988; Jan - Jun/Jul 1989; Oct - Nov 1989; Feb 1990; Dec 1990/Jan 1991; Mar 1991; Mar 1992 - Aug/Sep 1992; Dec 1992/Jan 1993; Oct 1993; Apr 1994; May 1994; Oct 1994; March 1996; Jan 1998; Winter 2000-2001; Fall 2001; Summer 2002; Fall 2002)
(material related to "Border art", US-Mexican border; exhibition announcements; catalog; clippings; performance description; artist biography; phtocopy of invitation; press release; letter to Avalos from F.S.M. Hodsoll, Chairman, Nation Endowment for the Arts, 09/04/1986; letter to TYF from Avalos, 08/08/1986 - mentions TYF's bibliography; California Council for the Humanities Mini-Grant application; letter to TYF from Louise Kirtland Boehm, Director, Boehm Gallery, re. piece loaned by TYF for exhibit, 04/06/1994; exhibition checklist)
(resume; installation slides, undated; juried exhibition catalog; exhibition announcement, with handwritten statement; exhibition announcements; newsletter: Grand Rapids Art Museum, May-June/July 1986; certificate of ownership, drawn and signed by Avalos;
(
(correspondence with Candelyn Candelaria re. her request that TYF write an article for a special issue of
(press release; outline of exhibit proposal; "Fun-Raiser" announcement; organization brochure; publication lists; letter to TYF from Rodrigo Reyes, Centro Chicano de Escritores, 09/08/1986; letter to TYF from Francisco Alarcon, 06/02/1986)
(resumes; artist biographies, one written by TYF)
(invitations; photocopy of blueprint of the Peace Mural; writings: transcript of New Mexico keynote speech, "Public Art in a Multicultural Society", World Wall artist's statement, "Beyond the Mexican Mural: Walls That Dissolve Boarders" [sic]; Social and Public Art Resource Center - SPARC - organization brochure; exhibition announcement; "Woman's Building" events calendar; lecture announcement)
(materials related to Baca's promotion to full professor; letter to TYF from Catherine Lord, UC Irvine School of Fine Arts, Studio Art, 08/12/1991: request for evaluation of Baca for promotion; photocopy of letter to Lord from TYF, 09/20/1991; photocopies and reproductions of Baca's art; copies of articles)
(exhibition announcements; exhibition brochures; clippings; photocopy of essay from
(letter to TYF from Barnet-Sanchez, 08/14/1990; photocopy of letter to Marie Acosta-Colón from Barnet-Sanchez, 08/13/1990; typescript of paper presented at 1988 CAA Annual Meeting: "Aestheticizing the Pre-Columbian Past: Exhibitions Sponsored by the Office of the Coordinator of Inter-American Affairs, 1940-1945"; resume)
(letter to Barraza from TYF, undated, re. draft of TYF's manuscript; draft of "Santa Barraza: A Borderlands Chronicle")
(letter to TYF from Barraza, 03/17/1985; photocopies of letters of recommendation to San Jose State University and Penn. State University from TYF, 04/04/1985; many pieces of correspondence to Barraza re. exhibitions, events, etc. from representatives of the following organizations: Corpus Christi State University, the UCLA Wight Art Gallery, Edinboro University,
(invitation; catalogs; letters to Barraza from the Fra Angelico Art Foundation, 03/16/1994, and from Annie Kostiner of Gallery 312, 10/03/1994; Children's Art Workshop, Taller de Niños, information sheet; syllabi and course information for various courses at the School of the Art Institute of Chicago)
(TYF's handwritten notes on retablos and on Barraza)
(clippings; letters to TYF from Benavídez, 12/10/1984, 03/1994; typescripts of articles written by Benavídez; typescripts of poems and short stories; TYF's notes with bibliographic information)
(slides; typescript of paper given at the Arts & Material Culture Conference, UCLA; exhibition printed material; slide presentation announcement)
(auction announcements; exhibition checklist; exhibition announcement; resume; letter to TYF from James L. Enyeart, Director of the George Eastman House, 9/24/92 re loan of research material to TYF)
(photocopy of Rodriguez' bibliography on Chicano art)
(notes of bibliographic entries, some annotated; sections on "Vaqueros," "Colorado," and "Santos")
(photocopy of the bibliography from
(lists of artists, exhibitions and other events, publications such as books and periodicals, articles, along with page numbers; lists of "publications to send for" and "materials to order"; references to fine art and dramatic arts including theater and cinema)
(notes; chronology of Mexican-American history, 1900-1965; biographies of artists: Jose Arpa, 1858-1952, Hernando Villa, 1881-1952, Xavier Martínez, 1869-1943; more bibliographic listings; clippings)
(bibliography for conference "The Poetics and Politics of Representation")
(photocopy of annotated bibliography from "A Study of Cultural Themes of the Spanish Golden Age")
(conference, Mexicali, Baja California, Mexico, and La Oficina de Asuntos Culturales, et. al.; letter to TYF from Paul Ganster, director of San Diego State University Institute for Regional Studies of the Californias, 02/09/1987; schedule of events; list of participants)
(
(photocopy of Part I of
(materials related to the Art Rebate/Reembolso de Arte project; photocopy of grant approval; radio transcript; fliers; clippings)
(
(Malagamba, Amelia, ed.
(clippings; "Look up Latina" art directory advertisement; letter to TYF from Patricio Chávez of the Centro Cultural de la Raza, 04/01/1992 re. the Dos Ciudades project; photocopy of proposal,
(workshop,
(catalog:
(International Artist-In-Residence Program, ArtPace, San Antonio brochure; exhibition announcements; clippings)
(catalog; photocopies of essays by Jo-Anne Berelowitz, "Representing the Border: A Geo-Spatial Politics of Art: A History of the Border Art Workshop/Taller de Arte Froterizo: 1984-1996", and "Las Comadres: A Feminist Collective Negotiates a New Paradigm for Women at the U.S./Mexico Border"; event and project descriptions; clippings)
(handwritten manuscript by TYF, "An Emerging Border Project"; clipping)
(calendar of events,
(newsletter, Center for Inter-American and Border Studies, The University of Texas at El Paso; brochures listing publications in the "Border Perspectives Series: Research papers for course use")
(photocopy of article, "Borderlands Critical Subjectivity in Recent Chicana Art", by Judith L. Huacuja, in
(Essay in
(photocopies from a book,
(invitations; exhibition announcements; note to TYF and Dudley [Brooks] from Angel and Rolando; resume; letters to TYF from Rolando, undated and 02/25/2003)
(postcards; workshop playscript: Luis Alfaro,
(lender form for exhibition; unidentified photograph)
(resume; letters to TYF from Buitrón, 06/19/1992, 01/20/1993, 09/13/1992, 11/15/1992; exhibition announcements, one with a note to TYF from Buitrón; 2 oversize calendars of Buitron's photographs, "The Legend of Ixtacchihuatl Y Popocatepetl," 1990, and "Ixtaccihuatl Y Popocatepetl...The Legend Continues," 1991; clippings; catalog)
(invitation; publication announcements; Burciaga note cards order form; poems; clipping; note to TYF from Burciaga, 09/02/1980; note to TYF from Cecilia [Burciaga?], 10/1996)
(interview/published in
(3 pages of no. 1793, Feb. 12 1986 newsletter[?])
(administrative paperwork such as collective procedures, instructions to typesetter; letter to Patricia Rodriguez from [editors of catalog - letter unsigned], 10/22/1981, re. Rodriguez's essay for the exhibition catalog; drafts of essays for catalog)
(manila folder labeled "CALIFA'S - content of folder is page 1 of Arte Chicano - TYF notes on folder)
(TYF's notes from CALIFAS conference)
(pages from TYF draft of
(Mary Porter Sesnon Art Gallery Spring 1981 Calendar; clippings; notes [for CALIFAS contributions]; TYF's notes: bibliographic info, chronology, miscellaneous; notice from the Spanish Speaking Cultural Club, Inc., St. Paul, Minnesota announcing a film spanning the pre-Columbian civilizations to the present, circa 1978, and includes footage of art and architecture, as well as current events; photocopy of the first few pages of the list of recordings from CALIFAS conference; letter to TYF from gallery director of Eastern Michigan University, 04/19/1983, re. TYF's potential purchase of 2 pieces by Carlos Corte Koyokuitkatl; correspondence relating to Stanford U's purchase of the video tapes and full transcript from the conference, cost of $19,900; photocopy of index of tapes)
(
("Notes on Arte Chicano" - paragraph by paragraph critique of essay [TYF's, a student's, or someone else's?]; letter to CALIFAS participants requesting feedback, and feedback from Tim [Drescher?]; address list of participants)
(catalog: publication consisting of material "prepared for the CALIFAS SEMINAR at the Mary Porter Sesnon Gallery, Porter College, UCSC...", includes essays, artist biographies and b/w pictures of their work; draft of TYF's CALIFAS Socio-Aesthetic Chronology of Chicano Art - Final copy included in CALIFAS publication; letters to TYF from Philip Brookman, 06/08/1984, 12/28/1984; clippings; resume, Philip Brookman; CALIFAS program schedule; press release)
(photos from events e.g. conference, panel discussions)
(photos of people at the exhibition, conference etc.)
(TYF's notes, "CALIFAS: Roundtable Discussion with Artists")
(
(TYF's notes from the planning seminar for CALIFAS)
(working draft of TYF's essay which appeared in the catalog; oversize exhibition poster)
(TYF's notes)
(draft of TYF's
(photograph - group photo of participants?, duplicate; poster for exhibition; pages from the catalog; "Califas: 'Chicano Art and Culture in California' 4 Essays [authors: Montoya, Malaquias and Lezlie Salkowitz; Goldman, Shifra M.; Montoya, Jose; Cockcroft, Eva and Centro Cultural de la Raza]; clippings; general correspondence and other documents related to CALIFAS)
(final report to the National Endowment for the Humanities)
(exhibition announcements; clippings; catalogs; journal,
(publication of the Concilio de Arte Popular, Los Angeles, California. Directory, compiled and published by Concilio de Arte Popular: Coalition of California Chicano-Latino Artists, listing contact information as well as specializations, awards, education)
(letters to TYF from Steven D. Levine, 01/26/93; material related to the "Conference on Aesthetics of Community-Based Artmaking" in which TYF participated)
(exhibition announcement; TYF's notes on a folder)
(typescript, "Las Mujeres de la Raza" by Cardenas and Amalia Malagamba), May 1990; SOC 348K/MAS 374 and SOC 360M course syllabi and related materials, taught by Cardenas)
(exhibition announcement; monograph, clippings;
(exhibition checklist; catalog; resume;
(note to TYF re his visit and presentation from Casa de Unidad staff members;
(clippings;
(exhibition announcements; clippings; artist biography; photocopy of Pace Roberts Foundation International Artist-in-Residence Program application with artist statement and resume)
Casas, Mel
(catalogs; exhibition announcements; clippings; artist biography; photocopy of "Art of the Southwest...Art on the Border" [booklet?])
(booklet from event has photos from event, as well as a poem and description (copyright 1982, CHISPA)
(exhibition announcement; information brochure on El Centro de la Gente de San José;
(exhibition announcements; clippings; Teatro Mestizo information sheet; TYF's notes on theater;
(clippings; booklet, "El Espejo del Movimiento" Centro de Artistas Chicanos, RCAF, 1977; TYF's notes on Centro de Artistas Chicanos)
(exhibition, performance, and event announcements; handwritten letter to TYF from Robert [?] of El Centro de la Raza, 12/12/1991; invitation; conference brochure - Chicano Mobile Institute, Chicas en el Movimiento)
(TYF's notes on "Chicano Art: Community and [Communitos?]" and on "Network of Color")
(TYF's notes on muralists, the history of "El Movimiento"; TYF's outline for "Chicano Art in Social Perspective 1965-1980", etc)
(TYF's notes on Chicano art and artists)
(exhibition, Center for Contemporary Arts of Santa Fe, New Mexico; TYF was a contributor to the catalog. Exhibition announcement; letters to TYF from Dominique G. Mazeaud, Project Manager, Ceremony of Memory, 1/19/89; 2/24/89; 5/5/89; letter [unaddressed - to TYF, or to the participating artists of Ceremony of Memory] from Dominique G. Mazeaud [unsigned but on his stationery], 5/1/89, re. exhibition he was curating in Poland; clippings; catalog,
(TYF's notes on/from
(organization, University of California at Los Angeles;
(exhibition announcement; blank note cards with artist's work; mini-CD business cards)
(catalogs,
(clippings including NY Times obituary; dance performance announcement, tribute to Chavez; memorial services announcement)
(note and letter to TYF re. information TYF requested about Miguel Covarrubias, 12/87 and 12/29/87; exhibition announcement)
(resume; part of a report [on public art and legalities involved] including a section concerning Roberto Chavez and the destruction of his mural at East Los Angeles College, and part of a section concerning Eduardo Carrillo; clippings; letter to TYF from Philip Brookman re. a grant proposal, 07/21/91)
(dissertation abstract; resume; manuscript draft, "Undocumented Histories From the West"; photocopy of "Collaborative Public Art and Multimedia Installation: David Avalos, Louis Hock, and Elizabeth Sisco's
(conference announcements; Spring 2003 Speaker Series "Chicanas/os in Higher Education" announcements (lecture given by TYF); conference report for "Revolution & Resistance: A Conference on the State of Chicana/o Art & Activism.")
(two letters to Gustavo Sainz - responsible for promotion, housing, transportation and financing of the project in Mexico City - from the Comoté Chicanacán, 02/15/1980 and 09/04/1980; letter to TYF from Comité Chicanacán, 04/18/80, re. the cancellation of the project)
(exhibition announcement/performance schedule; article published by the Comité Chicanarte, not included in catalog; oversize exhibition poster; oversize catalog order form/poster; clippings)
Chicana Artistas (see also: Baca, Judith; Barrazza, Santa; Carrasco, Barbara; Esperanza Peace and Justice Center; Galeria de la Raza/Studio 24; Gamboa, Diane; Goldman, Shifra; Hernandez, Ester; Lopez, Yolanda; Lucero, Linda; Mesa-Bains, Amalia;
(clippings; exhibition announcement; photocopies of art; exhibition announcements)
Chicana Artistas (see also: Baca, Judith; Barrazza, Santa; Carrasco, Barbara; Esperanza Peace and Justice Center; Galeria de la Raza/Studio 24; Gamboa, Diane; Goldman, Shifra; Hernandez, Ester; Lopez, Yolanda; Lucero, Linda; Mesa-Bains, Amalia;
(
(catalog; Letter to TYF from Sid and Pat White, 09/09/2004; "Chicano and Latino Artist in the PNW" - project history, circa 2004)
(monograph,
(monograph - Sylvia Gorodezky,
(monograph - Jacinto Quirarte, ed.
(typescript of curatorial note or introduction for an exhibition catalog; typed drafts and notes, "Introdución a la Historia del Arte México-Americano"; TYF's notes - "Chicano Art: A Precis"; clippings; TYF's notes and handwritten drafts; clippings; clipping of article by TYF - "A History of Chicano Art" from
(documents related to the planning of the exhibition: list of committees, meeting minutes and agendas, budgets, etc.)
(invitation; note to TYF from Chon [Noriega], 07/27/91; film series announcement; calendar of events; clipping)
(symposium brochure; calendar of events; letters to TYF from University of Arizona, Tuscon, 10/09/91, and from Robert A. Yassin, Tuscon Museum of Art, both re. request that TYF be the keynote speaker at a symposium being held in conjunction with CARA; exhibition announcement for
(letter to TYF from Ava Avalos, CARA Archivist, 08/30/1991, with enclosure of CARA Artist Directory)
(letter to TYF from Farida Baldnado, Curatorial Assistant, CARA, 07/10/91, re. Denver's education report for the CARA exhibition; comments from the exhibition guestbook)
(K-6 and 7-12 education packets: slides, information for teachers, glossary, pre- and post-visit activities)
(
(press releases; fact sheet; clippings; calendars of events; exhibition announcements; letter to TYF from Elizabeth Shepard, 08/27/1990, inviting him to opening of the exhibition; invitations)
(letter to Steven Ross, NEH, from Brigette D. Scott, Community Development Assistant, Wight Art Gallery, 08/31/1989, re. application for the NEH Summer Seminars for College Teachers program and Ross' response, 10/20/1989, with the comments from the evaluators; letter to Edith Tonelli from Marsha Semmel, NEH, re. application for NEH funding for CARA, 12/20/1989 with review comments; letter to Edith Tonelli from Thomas Wilson, NEH, 05/18/1989, re. application for funding from NEH, with review comments; photocopy of letter to Lynne Cheney, Chairman National Endowment for the Humanities, from the CARA Exhibition Executive Board, 12/16/1989 and Cheney's response, 12/21/1989)
(correspondence: 2 copies, one labeled Tomás, of letter to Edith Tonelli from Carlos Tortolero, Executive Director, 01/15/987; memo to co-chairs of the CARA steering committee from Edith Tonelli, 01/28/1988; letter to Carlos Tortolero from Edith Tonelli, 01/28/1988)
(draft, "Compañeros and Partners - CARA: the Process"; NEH Implementation Grant material)
(NEH Interim Report, 1987; NEH planning conference agenda & accompanying handouts; TYF's notes from conference; list of exhibition panel members; list of participants; general letters to TYF from Edith Tonelli, et al. re. plans for the conference; clippings; press release; "Guidelines for Regional Presentations"; meeting agendas and minutes; letter to TYF from Marcos [Sanchez], re. second planning July 1987 conference and "pre-meeting packet;" notes and letters to TYF from CARA organizers re. his participation; correspondence between CARA organizers and institutions re. the exhibit; memos to CARA steering committee; press release; letter to TYF from Holly Barnet- Sanchez and Marcos Sanchez re. "document which represents the formative stages of the conceptual framework for the exhibition" and said document, 08/05/1988; TYF's notes; catalog planning; meeting agendas, minutes, and summary report; budget documents; exhibition tour planning; exhibition checklist (fax); clippings; CARA Curriculum Seminars course description; CARA education summary; essay, "
(slides; checklist of exhibition; CARA evaluation)
(letter to Constance Wolf, Rockefeller Foundation, from Cindi Dale, Director Education and Community Development, Wight Art Gallery, 04/16/1990, re. CARA education program; general correspondence between CARA organizers and institutions re. the exhibition; letter to TYF from Elizabeth Shepard inviting him to loan two pieces of art, 02/12/1990; invitation to private tour of CARA at UCLA; letter to TYF from Chon [Noriega], 08/08, re. CARA Film & Video Series; program copy of CARA Film & Video Series; letter to John Lane, Director San Francisco Museum of Modern Art, from Marcos Sanchez-Tranquilino, 06/17/1991, and response, 07/09/1991; essay, "The Political and Social Contexts of Chicano Art" by Shifra M. Goldman and TYF; CARA travel schedule)
(draft of components of the catalog; letter to TYF from Teresa McKenna, Editorial Board, CARA, 03/30/1989, re. TYF's essay for catalog; correspondence between Ray Rocco, Director National Association of Chicano Studies Conference, and CARA organizers, 03/1989, re. Silkscreen Print Taller Exhibition)
(letter to TYF from Holly Barnet-Sanchez, 07/12/1989; copy of proposal submitted to the NEH on 06/09/1989)
(performance announcement - unrelated to CARA?; invitation to exhibition opening; clippings, one related to
(invitation; publicity packet; clippings; symposium announcement/abstrace/schedule; invitations)
(letter to TYF from Holly Barnet Sanchez and Marcos Sanchez-Tranquilino, 04/26/1989, re. TYF's contract for his essay; correspondence re. TYF's loan for the exhibition, 1990, and receipts; TYF's notes for his essay for the catalog)
(clippings; invitation to exhibition opening; program of events; National Museum of American Art May and June 1992 schedules brochure; NMAA symposium "Contemporary Mexican-American Culture" - notification and invitation; press release)
("Chicano Cinema: Una Poca De Gracia"; course packet for UGS043, Winter Quarter)
(postcard to TYF from Nina Menández)
(course-related materials [?]; outline; poems; Zoot suit handouts)
(exhibition, Intar Latin American Gallery, New York and El Centro Chicano, Stanford University; catalog; exhibition announcement; activity schedule)
(letter to TYF from Jennifer Heath, CHAC, 01/29/1993; clippings)
(newsletter: 12/81; 03/82; 05/82; 06-07/82; 08-09/82; 10-11/82; 01/83; 02-03/83; 04-05/83; 08-09/83; 10-11/83; 01-02/84; 03-04/84; 05-06/84; 07-08/84; 09-10/84; 11-12/84; 03-04/85; 05-06/85; 06-07/85; 07/85; 08/85; 09/85; 10-11/85; 12/85; 01/86; 02/86; 03/86; 04/86; 05/86; 06/86; 07/86; 08/86; 09/86; 10/86; 01/8702/87; 04/92; 01/93)
(Raices y Razones - Roots and Reasons: Symbolism in Chicano Art; presentation summary; poster; Amor en Aztlán Acrosscultural fiesta: announcement and calendar of events; CHAC design contest entry form; exhibition announcements; organization brochures; invitations; event announcements; CHAC Center User Survey, blank; photocopy of floor plan for Denver facility; clippings)
("Guide to the Chicano/Latino Archive")
(
(brochures; invitation; unused temporary tattoo)
(film; clippings; essay, "The Story of Chicano Park" by Eva Cockroft)
(film; flyer; information sheets about the film and its background including synopsis; photocopies of drawings made by elementary school students in response to the film and letter to producers from their teacher, 06/12/1987; photocopies of letters to the producers from: Gregroio Cervantes, Inland Counties Legal Services, 05/19/1989; Manuel Gomez, Assistant Vice Chancellor, Academic Affairs, U.C. Irvine, 04/06/1989; Francisco H. Vázquez, Director, World Studies Program, World College West, 06/07/1989; Laura Rodriguez, one of the people in the film, undated; J. Hunter Todd, Chairman and Founder, Houston International Film Festival; Susan Adkisson, Administrative Assistant, Mexican American Commission, State of Nebraska, 04/18/1989; invitation/program for San Francisco premier of the film)
(
(Fall 1976, no.1; Winter/Spring 1977, no. 2; Vol.1, no.3 1977; Special Issue 1977; vol. 2, no.1 1978; Feb. 1980; No. 7, Jan. 1981 - Special Woman's Issue; No. 9, 1983; No. 10, May 1984)
(magazine, funded by Movimiento Estudiantil Chicano de Aztlan - M.E.Ch.A., University of California, Berkeley. Vol. 12, no.2, Spring 1983; Vol. 13, no.1, Fall 1983; Vol. 13, no.2, Spring 1984; U.C. Berkeley Chicano Studies Program information sheet)
(catalog,
(poem; mazagine,
(typescripts of papers: "Lowriding: The Fusion of Cultural Symbols and the Diffusion of Cultural Myths", presented at the Nation Association for Chicano Studies Conference, Houston, 04/1981; "The Rise and Spread of Cholismo as a Border Youth Subculture", prepared for the Southwest Border Regional Conference's Third Annual Binational Border Governors' Conference, Tijuana, 09/1982; draft of project report on the project, "Cultural Change and Continuity Among Borderland Youth: The Signs and Symbols of Cholismo on the Frontera; clippings)
(publication announcements; clippings; newsletter,
(lecture announcements: "Cholo Iconography")
(no.1, 1979, sol; May 1979; no. 2, 1980, sol; January 1981; March 1981; Spring 1981; June 1981; 1982; March 1984;
(TYF's notes on Low Riders, or cholos; essays; clippings)
(
(clippings; Southwestern Studies monograph,
(announcement of presentation to be made by TYF)
(clippings; TYF's notes; catalogs; Colorado Springs Fine Ars Center Publication List; exhibition announcements; brochures)
(magazine published by El Periodico La Cucaracha, Inc., Pueblo, Colorado; 20 de Febrero, 1982, vol. 7, no. 2; 17 de Marzo, 1982, vol. 7, no. 3; 14 de Abril, 1982, vol. 7, no.4; 11 de Junio, 1982, vol. 7, no. 6; 14 de Agosto, 1982, vol. 7, no. 8; 23 de Octubre, 1982, vol. 7, no. 10; 27 de Noviembre, 1982, vol. 7, no.11; 22 de Diciembre, 1982, vol. 7, no. 12; 21 de Enero, 1983, vol. 8, no. 1; 18 de Febrero, 1983, vol. 8, no. 2; 28 de Marzo, 1983, vol. 8, no. 3)
(29 de diciembre, 1982, vol. 8, no. 52; 2 de marzo, 1983, vol. 9, no. 9; 9 de marzo, 1983, vol. 9, no. 10; 16 de marzo, 1983, vol. 9, no. 11; 23 de marzo, 1983, vol. 9, no. 12)
(letter to TYF from Eva, Social and Public Art Resource Center (SPARC), 11/17/1989, re.
(newspaper: Sunday supplement to
Con Safo Group, San Antonio, Texas, Organization (see also: Casas, Mel; Martinez, Santos; Reyes, Felipe)
(letter to Dr. Guy Bensusan, Associate Professor, University of Arizona, 07/22/1972; Con Safo organizational information: list of needs, meeting notes, mission statement - Brown Paper Report; "General Comments" [by Felipe Reyes?]; clippings; exhibition announcements; catalogs; photographs of Con Safo members; material for TYF's course on Chicano Culture)
(multiple drafts of paper by Ruben Cordova)
(board meeting minutes; meeting announcement; Chicano Artistas "Priciples of Organization"; member address list)
(organization, San Francisco, California, founded by La Raza women; organizational information; invitation)
(exhibition:
(invitation to Chicana/o or Latina/o Artists to participate in the book)
(catalog,
(note to TYF from Contreras, circa 12/93)
(Serie Print Project, organization; organization brochure; exhibition announcement)
(poetry booklets; letter to members from Cortez; clipping; list of artists)
(exhibition, Centro Cultural de la Raza, San Diego, California; Mexi-Arte, Austin, Texas, and MARS, Phoenix, Arizona; exhibition announcement; invitation)
(TYF's notes on Covarrubias)
(catalog signed by Carmen Lomas-Garza; exhibition checklist)
(collection of essays on Chicano music and art with biographies of musicians and artists,
(essay reprint, "Latin Lessons: Do Latinos Share a World... Or Word?" Oxford UP, 1994)
(research progress report; Faculty Mentor Program forms and paperwork; clippings; note to TYF from de la Riva, undated)
(clippings; resume; typescript sections and drafts of catalogs; catalogs; catalog,
(correspondence re. de León's daughter's illness; flyer listing de León's accomplishments and activites; auction announcement and clippings related to de León's mural "El Molcajete Cósmico")
(ArtPace International Artist-In-Residence Program artist biography brochure)
(catalog,
(handwritten letter to Sister Karen from TYF, 08/20/1977 [draft]; exhibition and event announcements and invitations; clippings; brochures; TYF's typed notes, "Altares y Offrendas"; TYF's handwritten notes on "Dia de los Muertos"; Roberto Chavez post cards; flyers; photograph of altar; "Ritual and
(exhibition announcement and curatorial statement; ArtPace International Artist-In-Residence Program brochure; "I [heart] Cuba" essay by Victor Zamudio Taylor; note to TYF from Diaz, 01/29/2003, with "Brillo/AMOR" edition for MoMAQNS [cardboard box, collapsed])
(letter to TYF from Díaz, 03/19/1988, and postcard, undated)
(typescript of play,
(letter to TYF from Durán, 10/15/1986; exhibition announcement)
(letter to TYF from Durán, 10/07/1989)
("The Lack of Hispanic Economic Progress During the 1970s: Preliminary Obervations" by Franklin James, Graduate School of Public Affairs, University of Colorado at Denver - paper sent to "Chicano Faculty" Stanford University from Armando Valdez)
(letter to TYF from Elizondo, 02/12/1992)
(organizational history; "La Nueva Esperanza" Building Project Description; clippings; correspondence and documents related to art funding controversy; exhibition announcements; note to TYF from Karen Whitney, Board Member, Esperanza, 05/21/1995, thanking him for his contribution to the building fund; press packet; exhibition booklet)
(clippings and materials provided by TYF to help Esperanza to fight funding cut, and information sent to TYF)
(magazine issues: Nov 1993; May 1994; June 1994; Nov. 1994; May 1995; June 1995; March 1996; May 1996; Sept 1997; May 1998; Nov, 1998 - Dec. 1999/Jan. 2000; April 2000 - Nov. 2001 [Sept. 2001 issue has misprinted date, May 2001, on cover]; Feb. 2002 - April 2003; June 2003 - July/Aug. 2003; Oct. 2003 - Nov. 2003; April 2004; June 2004 - Dec. 2004/Jan. 2005 [Dec. 2004/Jan. 2005 issue has misprinted date, Dec./Jan. 2003, on cover])
(clippings; TYF's notes on Espinoza on 2 small slips of paper)
(letter to TYF from Esquibel, 03/10/1975, asking TYF to write an introduction to Esquibel's thesis, with outline of paper)
(prints of saints and religious scenes, mostly printed in Mexico)
(exhibition announcement)
(invitations; catalog; letter to TYF from Maureen Leon Acosta, Director, Artistic Images, Expresiónes Hispanas, 08/18/1987; list of artists; press release and entry packet)
(exhibition announcements; note to TYF from Karen Mary Davalos, 03/1990; resume; clippings)
(catalogs; broadside; schedule of events; "Foro Frente a Frent" packet;
(Latin American Fiesta Week catalog; funding for festivals and memo on restrictions in dealing with embargoed countries [Rockefeller Foundation documents])
(exhibition announcement; clipping; press Release, full title of exhibition is "Prelude to the Fifth Sun: Contemporary/Traditional Chicano and Latino Art"; catalog)
(exhibition announcement; letter to TYF from Tey [Nunn], Museum of International Fold Art, Museum of New Mexico, 10/30/2002; press release; clipping; draft sections of catalog)
(clippings; TYF's note on Flores)
(letter to "Friends and Supporters"; brochure)
(course bibliography, University of Washington Continuing Education; TYF's notes on folk art; flyers; lecture announcement; brochures; exhibition announcements; San Antonio Museum Un-School schedule; San Antonio Museum Association Quarterly, Autumn 1986; letter to TYF from David J. de la Torre, Executive Director, The Mexican Museum, San Francisco, 08/06/1986, invitation to symposium,
(letter to TYF from Jane Bloom, Tianguis Folk Art, New York, 01/13/1983; polaroids of works of art - masks, retablos, ex votos - in stock at Tianguis Folk Art)
(clippings; TYF essay, "I Can Still Hear the Applause: La Farandula Chicana: Carpas y Tandas de Variedad")
(bibliography; handwritten essay, not by TYF)
(exhibition checklist; "Homenaje a Carlos Gardel" poster and packet; exhibition announcements; clippings; Christmas card; press release)
(color copies and note card of Frausto's work; business card; photocopy of essay by Guillermo Gómez-Peña)
(exhibition monograph, Michelle Smith Omari,
(postcard to TYF from Fusco; clipping)
(clippings; flyers; color photographs of works of art; catalogs; exhibition announcements; photo-post cards; event announcements; "Thoughts on La Cultura, the Media, Con Safos and Survival" by José Montoya; oversize poster; letter to Rene Yanez and Ralph Mardiaga, Galería de La Raza, from Amalia Mesa-Bains, 03/30/1984, cc: TYF, re. an exhibit; invitations; letter to TYF from Lucia Rodriguez, 05/12/1987; Galería de la Raza Prints and Postcards order form; donor receipt from when TYF lent piece to
(no. 1, June 1988 - Ester Hernández; no. 2, Jan. 1989 - Juana Alicia; no. 3, Jan. 1989 - Barbara Carrasco; no. 4, Mar. 1989 - Cristina Emmanuel; no. 5, May 1989 - Enrique Vidal; no. 7, July 1990 - Ralph Maradiaga; no. 8, May 1991 - Gilbert Sanchez Lujan)
(typesetting and printing by La Raza Graphic Center, San Francisco. "People's Murals" newsprint flyer, San Francisco Museum of Modern Art;
(clippings; exhibition announcement; exhibition booklet and list; script,
(exhibition announcements; fundraising letter; handwritten monoprint inscription, photocopy of draft, "So Do You Want the Truth Or Do You Want To Stay Happy...")
(events calendar; TYF's notes, "History: Galería de la Raza"; exhibition announcements; exhibition booklets; press release; clippings; photograph of art, "Ay Dios" by Cristina Emmanuel)
(timeline of exhibitions; TYF's notes on the history, 1 slip of note paper; clippings)
(exhibition list; note to TYF from Carmen Lomas Garza, 04/1984)
(clippings; invitation; exhibition schedules; NEA Progress reports, 1976-77; 78-79; 79-80; fax to TYF from Amalia Mesa-Bains, 04/01/1996, with exhibition timeline)
(book, "suitable for coloring and framing" by Sir Loco)
(project announcements; catalogs; "A Report on the (Re)Generation Project" by David Contreras, project coordinator; "Phase I: 1994-1995 Information Packet," binder)
(organization, also called La Raza Galeria Posada, Sacramento, California. Clippings; catalogs; exhibition announcements; color copy of art pasted on board; membership form; flyers;
(clippings; writings by Gamboa - performance scripts and essays; artist biography; brochures; exhibition announcements; 1 page of TYF's notes on ASCO; partial grant application)
(poetry books; letters to TYF from Gamboa, 01/29/1989; 02/06/1989; 02/12/1989; clippings)
("Latino 2000:
(clippings, one with a message to TYF from Bavi)
(exhibition catalogs;
(writings by Garcia; clippings; brochure; photographs; copy of letter to Professor Mario Barrera Director of Chicano Studies, University of California Berkeley, from TYF, 05/28/1979, on behalf of Garcia; letter to Jean from Garcia, 03/08/1979 photocopy with slide list; exhibition announcements; press releases; letter to Dr. Manuel Carlos, Department of Chicano Studies, University of California Berkeley, from TYF, 11/04/1983, on behalf of Garcia, photocopy and handwritten draft of letter; resumes; correspondence re. the nomination of Garcia for the 1992 Distinguished Artist Award for Lifetime Achievement)
(vol. 14, no. 4 March-April 1984; vol. 17, no. 1 October 1985; vol. 18, no. 1 November 1985)
("Perceptions of Discipline-Based Art Education and the Getty Center for Education in the Arts")
(photcopy of chapter of a book, written by Glassie)
(clippings; drafts and final published versions of writings by Goldman; letter to TYF from Goldman, 04/14/1979; TYF notes [for Bibliography of Chicano Art]; Conferencia Plástica Chicana, Austin, Texas, announcement letter to Goldman, 08/05/1979 and schedule; letter to TYF from Goldman, 09/25/1979; note to TYF from Goldman, 12/18/1980, re. letter to Jacinto Quirarte from Goldman, 12/18/1980, cc: TYF; draft of letter to Goldman [TYF's handwriting], undated, re. her CALIFAS catalog essay; International Inventory of Current Mexico-Related Research survey, filled out by Goldman; letter to TYF from Goldman, 09/27/1984; L.A. Artists Call against U.S. intervention in Central America flyers; letter to TYF from Goldman, 06/28/1985; letter to Carolyn [Soto] from Goldman, 04/13/1985, cc: TYF, re. Bibliography of Chicano Art; letter to TYF from Carolyn Soto, 10/04/1985; letter to Lily from Goldman, cc: TYF, 06/28/1985; letters to TYF from Goldman, 08/26/1986, 11/11/1988, 10/06/1994; bibliographic notes; letter to Goldman from Pan American University Press, 01/31/1989, re. Bibliography of Chicano Art, photocopy)
(correspondence between Goldman and Jacinto Quirarte, University of Texas San Antonio - photocopies, with note to TYF on 05/16/1985 letter; clippings)
(note to TYF from Gómez-Peña, undated; Sara-Jo Berman resume; clippings; performance and exhibition announcements; note to TYF from Gómez-Peña, circa 04/1985 [on back of performance announcement]; letter to TYF from Gómez-Peña, circa 1987; photocopies of art; essay by Emily Hicks [title page and table of contents]; 1987 article by Lucy R. Lippard; writings by Gómez-Peña; writings by Coco Fusco; press releases; Gómez-Peña resume; slides; performance scripts; artist biography; 2 audio cassette tapes:
(letter to González from TYF, 07/30-1991, photocopy)
(chronology; catalog,
(clippings; photograph, with note to TYF on the back)
(call for slides; TYF's notes)
Graffiti
(exhibition announcements; clippings; books: Kim, Sojin,
(slides of graffiti and some miscellaneous art)
(resume; letter to TYF from Greco, 02/15/1991; research proposal)
(2 pages of TYF's notes)
(exhibition announcements; catalogs,
(photographs of art; "poster poems" including "Will not harm the ozone" by Angela de Hoyas; symposium/exhibition announcement, keynote address by Lucy R. Lippard: "Contemporary Art By Women", 1990; class, workshop and event schedules; letter to TYF from Kathy Vargas, circa 12/1983; San Antonio Cinefestival Prospectus and Schedule; theater programs; "call for entries" posters, flyers and brochures; Tejano Conjunto Festival program; GCAC informational packet; exhibition announcements; "Friends of Folk Art," San Antonio Museum Association, flyer; catalogs; ; letter to TYF from Linda Cuellar, co-director San Antonio CineFestival 1988, 09/21/1988; San Antonio book fair flyers; membership brochures; letter to TYF from Suzanne M. Sato, Rockefeller Foundation, 05/04/1989, re. funding for GCAC and notes (not TYF's); Latino Caucus Minutes, Oklahoma City, 06/09/1990; TYF's notes [from Latino Caucus?]; note to TYF from Kathy Vargas, 09/18/1991; letter to TYF from Yvette Nieves-Cruz, 06/10/1991, re.
(note: volume and issue numbering is inconsistant. Dec. 1983/Jan. 1984 - June/July 1984, vol. 1, nos. 1-4; Jan. - March 1985, vol. 2, nos. 1-2; Jan. 1986, vol. 3, no. 1; May - July 1986, vol. 3, nos. 3-4; Nov. 1986 vol. 4, no. 1; May 1987, vol. 4, no. 2; Nov. 1987, vol. 4, no. 5; May 1988, vol. 5, no. 2; July 1988, vol. 5, no. 3; Nov. 1988, vol. 6, no. 1; May 1989, vol. 6, no. 2; Jan./Feb. 1990, vol. 7, no. 1; May 1990, vol. 6 (sic), no. 2; Oct. 1990, vol. 6, no. 3; May 1991, vol. 7, no. 2; Jan./Feb. 1992, vol. 9, no. 1; May 1992, vol. 8, no. 2; May 1993, vol. 8, no. 4; May 1994, vol. 9, no. 1; May 1995, vol. 11, no. 2; Jan. 2000, vol. 17, no. 1; Summer 2000, vol. 18, no. 2; Fall 2000, vol. 20, no. 2; Winter/Spring 2001, vol. 20, no. 3; Summer 2001, vol. 23, no. 4; August 2002; Spring 2003; Winter 2004; Fall 2004)
(letter to TYF from Víctor J. Guerra - Luis Guerra's brother - 01/14/1991; slides; postcard to TYF from Luis Guerra, undated; resume; clippings; color and b/w photocopies of photos of art; biographical information)
(exhibition announcement; letter to TYF from Guerrero, 11/15/1992; note card to TYF from Guerrero, 12/09/1992; color photocopy of a photograph of art)
(exhibition announcements; writings by Guerrero; essay by Shifra Goldman about Zarco; clippings)
(note to TYF from Noey Lozano, circa 06/1987 and related note to Noey from Diego M. Rios; letter to TYF from Heisley, 07/18/1987 and enclosed program of a "Mexican Players" performance; letter to TYF from Heisley, 02/25/1994, re. TYF's letter of recommendation and enclosures of Heisley's work - resume, essay/article)
(exhibition announcements; post cards of Hernández' art; catalogs; business cards; letter to TYF from Hernández, 07/13/1993; 2 copies of no. 1 of the Galería de la Raza/Studio 24 Artist Monograph Series, one inscribed to TYF and one to Dudley; clippings)
(photographs; clippings; letter to Clara [?] from Hernández, 05/21/????)
(invitation with note to TYF from Herrara, circa 04/1986; postcard to TYF from Herrera, circa 1988; letter to TYF from Herrera, 11/03/[1987], requesting that TYF write a letter of recommendation for him, with accompanying materials; poem and essay by Herrara; clippings)
(resume; TYF's notes on an interview with Baca and Herron; "Los Illegals" printed material)
(letters to TYF from the Museum of Fine Arts, Houston re. TYF's travel to and presentation at the symposium
(exhibition announcements; invitations; museum bulletins; magazine;
(vol. 1, no. 4 of
(newsletter,
(draft of text for catalog [?]; photgraphs of art)
(resume; clippings; postcards of art; catalogs; exhibition announcements; photographs of works of art; note to TYF from Celia Muñoz, undated; postcard to TYF from Huerta, 12/01/1992;
(resume; clippings; catalog,
(letter to TYF from Lorraine Garíca-Nakata, Director of Education and Community Programs, Center for the Arts, Yerba Buena Gardens, 11/01/1996, with enclosed project conept, project components, planning timeline, current Project Advisory and related personnel needs)
(article from
(TYF's notes on immigration/migration, 2 pages)
(letter to Alberta Arthurs, Director, Arts and the Humanities, The Rockefeller Foundation, from Oscar L. Martinez, President, The Institute of Hispanic Cultures/Museum, 05/01/1992 with enclosed proposal for funding - statement of history, goals, programs, budget; bound volume; membership leaflet)
(organizational booklet; letter to TYF from Alfredo [Arreguín], 03/08/1985 with Jan-Feb. 1985 issue of
(lists of exhibits, 1983-86; letters to TYF re. his participation in various exhibits as catalog contributor and lender, 01/28/1985, 03/03/1986, 11/05/1987; photocopy of letter to Inverna [Lockpez], 02/25/1986, with draft of TYF's essay for catalog; clippings; slides; TYF's notes and type- and hand-written drafts of essays [for exhibition catalogs?]; May 1986 issue of
(resume; slides; photographs of works of art; postcard to TYF from Pablo [?], 05/17/1997; exhibition announcement; clipping)
(booklet; clippings; water-color of Don Pedrito; notes to TYF from Robert L. Washington, 01/27/1993, 09/27/1993)
(exhibition catalog inscribed to TYF; lecture/demonstration announcement)
(postcard of Jiméz' art; clippings; photocopies from catalogs; catalogs; press releases; activity book for children, Laguna Gloria Art Museum, Austin Texas, 1983; catalog,
Jiménez, Luis, Sculptor
(flyer; invitation; South Texas Institute For the Arts summer 2004 newsletter)
(installation/exhibitions, Contemporary Culture and Documentary Arts, El Paso, Texas; and exhibition, Sculpture Center, New York. Catalog; exhibition announcement; essay)
(exhibition announcement; UCLA Fowler Museum News, Spring/Summer 2001; Jersey City Museum newsletter, Winter 2003)
(TYF's notes from Hayden Herrera's article on Kahlo, and TYF's notes on Kahlo; Frida Kahlo bibliography; clippings; exhibition announcements; photographs of art)
(1 p. of TYF note's; exhibition announcement; clipping - article by Lucy R. Lippard)
(TYF's notes on Kelley; clipping; leaflet)
(letter to TYF from Klor de Alva, 01/29/1991 - fax - with proposal for TYF's review)
(Kvinta's Master of Arts thesis, "Wit, Irreverence, and Counterhegemony: A Rasquache Approach to Barrio Art")
(invitation; public programs schedule; poster; clippings)
(journal,
(incomplete handbook with memo to ALAA members from Jacinto Quirarte, President)
(Stanford Dept. of Spanish and Portuguese Ph.D. examination reading list)
(information packet with symposium session schedule where TYF made a presentation; agenda and logistics; program overview)
(workshop announcement; membership information; newsletter: Mar/Apr-July/Aug. 1990, Mar/Apr 1991, May/Jun 1992, Jan/Feb 1993-May/Jun 1993, Jan/Feb 1994)
(clipping; floor plan; resume of Tomas Bustos, sculptor; exhibition announcement; grand opening booklet)
(schedule; TYF's notes)
(information packets with organization's history, mission, exhibit information, clippings, letters of support to Denise Lugo, executive director, Latino Museum; exhibition announcements; invitation; fact sheet; article by Shifra Goldman; slides; press release)
(letter to Dr. Luis Fraga, Director Stanford Center for Chicano Research, Stanford/University, from Chris Garcia and other investigators of the Latino National Political Survey - LNPS, 02/18/1994, photocopy, with enclosed comments on Fraga's report on LNPS; monograph,
(Monograph,
(agendas; clipping; proposal; program abstract; Latino Caucus discussion summary; meeting minutes and summaries; monograph, "El Orgullo de Ser: Latino Public History: Applied History Programs, Exhibitions and Museums" by Antonio Rios-Bustamantel; TYF's notes)
(typescript of lecture, "Chicanismo" given by Thomas M. Martinez at the Chicano Studies Institutes, Summer, 1970; 1 p. of TYF's notes on "Elementos del Barroco en la psicologia del Chicano")
(notes on notecards and on paper on various aspects and periods of arte chicano); bibliographic notes; letter to TYF from Barbara Pascal, undated; letter to TYF from Matt S. Meier and Francisco Jiménez, Dept. of Modern Languages, University of Santa Clara, 10/15/1980, asking TYF to do a lecture)
(photocopy of essay, "The Norteño Variety of Mexican Culture: An Ethnohistorical Approach" by León-Portilla)
(exhibition announcement addressed and signed by Lerma)
(booklet; book,
(catalogs; exhibition announcement)
(exhibition announcements; exhibition brochures; catalogs; resume; sales receipt; book by Lomas Garza,
(postcard to TYF from López, 1/30/01; exhibition announcements; series of emails re. López' "Our Lady" in the
(business card; letter to TYF from Lopéz, 03/17/1993, with information about the exhibit
(photographs of works of art; letter to TYF from Lopéz, 03/14/1979; catalogs; TYF's notes on Lopéz; clipping; poem, "Don Juanito"; Rachel Anderson's piece of writing, "A Journal," about Lopéz)
(publication event announcement; catalog,
(collaborative group consisting of Carlos Almaraz, Gilbert Luján, Roberto de la Roche, and Frank Romano; catalog; list of collective works; press resleases; Gilbert Luján course outline, Cultural Studies 20; clippings; exhibition announcement)
(books 1 and 2, Fantagraphic Books, Inc., Agoura, California, 1985, 1986;
(decals; postcards and photographs of art; photographs; clippings; TYF's notes; flyers;
(letter to TYF from Lucero, 12/17/1990, re. Rockefellar Foundation fellowship, with application letter, proposal and resume)
Lucero, Linda
(resume/artist biography; photocopy of letter to Samuel Carabajal, from Msgr. A. Lanzoni, Department Head, Secretariat of State, the Vatican, 09/05/1981; clipping)
(catalog; exhibition announcements; clippings; note to TYF from Juan Pablo, 11/19/1982; flyers;
(exhibition announcements, one with note to TYF from "Magu"; clipping of article by Luján; illustrated letter to TYF from Lujan, 06/26/2002, and illustrated envelope)
(catalogs; resume; exhibition announcement; clipping; typescript and handwritten draft of TYF essay)
(undergradute thesis, "Chicano Artists of the Pacific Northwest"; letter to TYF from Macías, 07/21/1989)
(letter to TYF from Malagamba, 07/16/1994)
(1981 calendar with photograph of Maldonado's work; clippings; exhibition announcement; artist bio; copies of letters to Maldonado - not from TYF - 07/21/1976, 10/08/1975, 11/22/1976; photograph of work of art)
(publication of the (Re)Generation Project, Galería de la Raza/Studio 24. Vol. 1, no. 1, 1986; 1987 issue)
(letters to TYF from Mazanares, 08/14/1990, 11/07/1990; script for a Dios de los Muertos performance)
(TYF's notes on Maradiaga; resume; letter to René [associate of Maradiaga], from TYF, 07/22/1985 photocopy, expressing condolences at Maradiaga's death; exhibition and memorial announcements)
(resume;
(exhibition announcements; The Canadian Club Hispanic Art Tour call for entries, Martínez painting featured; letter to TYF from Martínez, 04/12/1985; resume; letter to TYF from Lynn Goode, 10/19/1992, re. TYF's purchase of a Martínez piece; ArtPace International Artist-In-Residence Program brochure, 1997; catalog; clippings)
(clippings; catalogs; pencils; exhibition announcements; book by Martínez,
(artist biography; TYF's notes on Martínez - 1/2 p.; clippings)
(essay by Martínez)
(postcards to TYF from Martínez, 03/11/1992, 03/25/1992, 07/15/1992, 12/11/1992, 06/05/1992, 06/19/19920, 6/12/1992, 02/24/1992, 08/09/1985, 06/07/1995, 08/28/1994, 09/16/1994, 09/16/[?], 05/20/1992, 01/24/1994, 05/14/1993, 03/31/1993, 05/25/1993; note to TYF from Martínez, 11/12/1993; letters to TYF from Martínez, 08/27/1992[?], 02/26/1992, 01/03/1994, 12/11/1992, 08/03/1992, 01/21/1993; clippings)
(photocopy of document listing pieces of art, with commentary)
(catalog,
(organization history; address list; clippings; 1 page TYF's notes on the center)
(appendices A-E: sample syllabus, reading list, slide list and bibliography for a semester course of Chicano art history and appreciation)
(clipping of article by Shifra Goldman; photocopy of catalog, with note to Shifra [Goldman] from Méndez)
Mesa-Bains, Amalia (see also: Altars; Cinco de Mayo; MoCHA)
(catalogs; clippings; postcards to TYF from Mesa-Bains, undated; typescript of speech by Mesa-Bains given at the Dialogue of the Americas Museum of Anthropology, 1982; exhibition announcements; writings by Mesa-Bains; letters to TYF from Mesa-Bains, undated; handwritten draft of essay sent to TYF; resume; note to TYF and Dudley from Mesa-Bains, 04/28/2000; invitation; typescript of "An Affecting Presence: Chicano Altars and Altarmakers" by TYF; draft of "Galaza Stanford lecture" given by Mesa-Bains, 1995; photograph, Edward Diaz, director of Cultural Affairs, City of San Antonio, Amalia Mesa-Bains, TYF; letter to TYF from Mesa-Bains, undated, with aluminum heart)
Mesa-Bains, Amalia (see also: Altars; Cinco de Mayo; MoCHA)
(catalogs; clippings; postcards to TYF from Mesa-Bains, undated; typescript of speech by Mesa-Bains given at the Dialogue of the Americas Museum of Anthropology, 1982; exhibition announcements; writings by Mesa-Bains; letters to TYF from Mesa-Bains, undated; handwritten draft of essay sent to TYF; resume; note to TYF and Dudley from Mesa-Bains, 04/28/2000; invitation; typescript of "An Affecting Presence: Chicano Altars and Altarmakers" by TYF; draft of "Galaza Stanford lecture" given by Mesa-Bains, 1995; photograph, Edward Diaz, director of Cultural Affairs, City of San Antonio, Amalia Mesa-Bains, TYF; letter to TYF from Mesa-Bains, undated, with aluminum heart)
(1977 [vol. 1, no. 1]; vol. 1, no. 2, 1978; vol. 2, nos. 1-2, 1979; vol. 3, no. 1, 1980; vol. 3, no. 2/vol. 4, no. 1, 1980/1981; vol. 5, no. 2/vol. 6, no. 1, 1984/1985)
(multi-cultural arts organization/museum, Austin, Texas; symposium program; invitation; membership brochures/forms; 1 page TYF's notes, "Funding Landscapes"; catalog; clippings; Mexic-Arte Museum information packet, with exhibition announcement, brochure; press release, survey, mission statements, Latino Museum Professionals Network project information, TYF's notes (1 p.);
(clippings; TYF's notes on Mexican art and artists, periods, genres, and a sketch of Chipingo; lecture announcement; photocopy of slides; catalog; book by Raymond Barrio,
(bibliographies; clippings; typed outline for "Painted Walls of Mexico")
(reprints and photocopies of articles by Alan W. Barnett and George E. Fay; catalog)
(project of the Mexican Heritage Corporation, San José, California. Project document, "Case for support; clippings; information packet with mission statement, brochure, clippings, program information)
(catalogs; exhibition and event announcements; invitations; information about the organization, including history of the center and the museum, mission statement; clippings; letters to TYF re. his loan of art to the museum, 1987; letter to TYF from Rene Arceo Frutos, 08/10/1990, re TYF's consent to write an essay for the 1990 Dia De Los Muertos catalog; coloring book; Del Corazon Mexican Performing Arts Festival information packet including calendar of events, stickers, booklet, performer/artist cards, clippings; Sor Juana Festival information packets, with announcements, calendars of events, clippings, booklets; press releases; gala invitations;
(memo to Steve Harvath, from Tom Peterson, 11/05/1991, re. Draft Responsibilities of the AHS Staff Coordinator for the Mexican Heritage Project)
(catalogs:
(exhibition announcements; clippings; museum information sheets; "mural walk to the Mexican Museum" handout;
(see above, and: letter to TYF from Gloria Jaramillo, Curator of Collections, 04/27/1983, re. TYF's purchase of a ceramic by Richard and Graciela [Rios] and sales receipt; photocopy of letter to "Compañeros", from TYF, 09/30/1983; photocopy of letter to Mariano and Linda, from TYF, 09/30/1983; TYF's notes on issues concering the museum's Board of Directors; "Annotated Bibliography of Mexican Folk Art" by Beverly Herzog and Dr. Joyce Bishop, 1985; letter to TYF from the museum, re. a lecture TYF would give for the "From Inside Out..." exhibition; administrative planning documents for "From Inside Out..." and "Lo Del Corazó", including artists' applications and booklet of artists' statements for "Lo Del Corazó"; "Bibliography for the Exhibit 'Folk Art of Michcacan'" by Susan Warren-Kunkler; "Assessment of the Mexican Museum, Museum Assessment Program, American Association of Museums"; "Communal Land Paintings From Central Mexico: An Overview" by Marion Oettinger, Jr., Curator of Folk Art and Latin American Art, San Antonio Museum Association; "But Is It Folk? Defining the Field" by Joyce M. Bishop, presented at "From the Inside Out..."; typescript of essay by Jim Griffith, no title; "Notes Toward An Interpretive History of California-Mexican Music" by Manuel Peña; "From the Inside Out..." symposium program; postcard to TYF from Aurelio and Cecilia Barrera, 10/27/1987; letter to TYF from David de la Torre, Director, The Mexican Museum, 02/08/1988, re. dinner to honor TYF; bound volume,
(clippings; blank postcards; Bi-Cultural Arts Program, US-Mexico, leaflet)
(clippings; form letter from Nanette De Masters, Publicity Agent, Mextiza Collective, announcing poetry tour, 05/03/1976; letter to Lola de la Riva, Centro de Arte, Long Beach, California, from Victor Manuel Valle, 11/06/1978; letter to Lola de la Riva, from Kathy Valadez, 04/23/1980)
(broadsides; flyers; membership forms and information; newsletter: vol. 1, nos. 2 - 4 July-Dec. 1982; vol. 2, no. 1 Mar. 1983; vol. 2, nos. 3 - 4 Fall-Winter 1983; vol. 3, no. 2 Winter 1984; vol. 4, no. 1 Spring 1985)
(catalog; clippings; journals:
(clipping; list of "Little Magazines/Chicano Latino"; journals:
(video; invitation to premier presentation)
(
(Chicano Studies, University of California at Berkeley; statements by Alonzo Davis, Manuel Hernandez, Marie Johnson, Ben Jagasca, Malaquias Montoya, and Leroy Parker)
(book,
(oversize poster; flyers; exhibition and event announcements; calendars of events;
(clippings;
(exhibition announcements; invitation; clippings; ArtPace International Artist-In-Residence Program brochure, 1996; catalog; magazine,
(clipping of essay by Monteverde, "Contemporary Chicano Art"; photocopy of catalog for exhibition curated by Monteverde, 1975; Mexican American Research Collections list of recent acquistions, Stanford University Libraries)
(exhibition announcement with note to TYF from Montoya; resume and artist's statement; typewritten draft of essay about Montoya, by Laura Serna; catalog;
(color photograph of Juan "Ishi" Orozco, Esteban Villa, work of art(mural?) by Montoya; printed essay, "Thoughts on La Cultura, the Media, Con Safos and Survival" by Montoya; 1980 Galería de la Raza/Studio 24 calendar; resume; clippings; poem by Montoya; typewritten essay - chapter from book?, "Montoya and the Barrio Arts, by José David Saldívar; 1 p. of TYF's notes on Montoya)
(exhibition announcements; exhibition poster; resume; catalogs; clippings; b/w photographs;
(activist and community leader, 1952-1981; memorial leaflet; bound volume,
(catalog, Michael Heisley and Mary MacGregor Villarreal,
(exhibition announcements; exhibition brochure; clippings)
(public television documentary series; TYF's notes on Cynthia Chavez: Commentary; note to TYF from Antonio [?], Rockefeller Foundation, 05/30/[1991]; letter to TYF from Rick Tejada-Flores, 05/28/1991; project proposal)
(blank postcard; organization brochure; slides;
(non-profit art space, Phoenix, Arizona; clippings; exhibition brochures; projected goals and mission statements; exhibition announcements; symposia materials for:
(membership and organization information; flyers; brochure; city of San Jose memos, re. proposed sculpture by Robert Graham, 11/03/1992, 08/20/1993; clippings; exhibition announcements; auction catalog; catalogs; newsletter, Spring 1998 and Fall 2002)
(resume; letters to TYF from Muñoz, 03/30/1984, 05/05/1990, 07/10/1996; Christmas card to TYF from Muñoz, 12/18/1990; slides; exhibition announcement; catalogs; clippings; color photographs (mounted); letter to TYF from Spencer Crew, Director National Museum of American History, 06/10/1996, with enclosures (fax); handwritten transcript of interview of Muñoz by TYF, 04/14/1991; book by Muñoz,
(
(bound volume, Marcos T. Sanchez and Holly Barnet-Sanchez, eds., Social and Public Arts Resource Center, Venice, California)
(book, Yoko Clark and Chizu Hama, Lancaster-Miller Publishers Berkeley, California)
(clipping about Carlos Sandoval)
(clippings; invitation; TYF's notes on murals and muralists; typescript of essay, "Chicano Street Murals: People's Art in the East Los Angeles Barrio", by [?] Kahn; "
(clippings; list of murals in San Francisco, Berkeley and Texas; color photocopies of murals, labeled on back; TYF's notes, "Mujeres Muralistas"; article by Eva Cockroft)
(outlines; course readings; photocopy of notes on José Guadalupe Posada [not TYF's]; student essay)
(TYF's notes, mostly handwritten, on murals)
(photograph of Barrio mural beneath Coronado Bridge; press release; clippings)
(booklet, "A Checklist of San Francisco Murals 1914-1986", 1986, Tim Drescher and Victoria Scarlett, eds.; clippings; exhibition poster; Galería de la Raza "Map of the Murals in the Mission District")
(
(photocopy of published article; draft of essay by TFY; typescript essay by Shifra Goldman; letter to TYF from Susan W. Small, with her paper on chicano murals; "Chicano Mural Movement," copyright Texas State Historical Assn)
(San Antonio, Texas, formerly known as the Alameda Museum; brochure; invitation; exhibition and event announcements; clipping; job listing; press packet)
(
(brochure, catalogs; museum history; Gladys Triana artist's statement; clippings; letters to TYF from Arlene Davila, Curatorial Assistant, 05/16/1991, Susana torruella Leval, Chief Curator, 06/26/1991, and Petra Barreras, Director, 10/18/1991; letter to TYF from Lillian Jimenez, Director National Latino Film and Video Festival, 05/08/1991, re. TYF's participation in the panel discussion for the festival; exhibition announcements; invitations; calls for entries/submissions; membership and program information; newsletter, Sept.-Nov. 1989, Spring 1990, July-Sept. 1990, Oct.-Dec. 1990, Spring-Summer 1991)
(flyer calling for name and logo design participation)
(clippings; exhibition announcements; museum information; bulletin vol. 1, no. 7 March 1988; press releases;
(memos re. planning of the exhibit
(note to TYF from Raúl [Berrera], 12/07/1990 with illustration; museum brochures)
(invitation to reception and press briefing prior to the grand opening in July)
(article from Smithsonian Center for Museum Studies
(booklets, "Indian Paintings and Dance Paraphernalia" and "Indian Silverwork of the Southwest"; Mickey Mouse magazine [in German]; TYF's notes on Mickey Mouse cartoons and on American and American Indian Art Museums [1 p. ea]; book,
(correspondence and information relating to TYF's participation in the luncheon lecture at the Museum Education Division of the National Art Education Association conference in Phoenix, Arizona, May 1992)
(photocopy of 1982 conference booklet; flyer; catalogs; 1985 conference preliminary program (TYF chaired a session); Site Committee meeting minutes, 08/24/1984; newsletter, Feb. 1990, Winter 1994; letters to TYF from Luis A. Torres, 04/1993, 04/14/1994; FEDAPT 1989-1990 Annual Report;
(bound volume,
(correspondence relating to 1992 conference; information on the University of Colorado at Boulder
(bound volume,
(
National Hispanic Cultural Center, Organization, Albuquerque, New Mexico (see also: Abeyta, Ray Martín; Arreguín, Alfredo; Casas, Mel; Gandert, Miguel; García, Rupert; Gronk; Mesa-Bains, Amalia; Lomas Garza, Carmen; Smithsonian Institution; Valdez, Patssi)
(exhibition announcements; catalog; invitations; brochures; press releases; fresco project information;
(invitation; newsletter,
(clippings/articles; letter from
(catalog,
(flyers; exhibition booklet; Spring 1982 class schedule)
(flyers and event announcements; clippings; "Guideline, Rules and regulations Governing the Portal Program at the Palace of Governors, Museum of New Mexical, Santa Fe;" New Mexico Committee for the Promotion of History Newsletter, no. 1 Feb. 1983; catalogs; TYF's notes on New Mexico)
(TYF's notes from the book
(photocopies of articles and sections of books; TYF's notes, "Arte Chicano 19th Century," 1/2 p.)
(clippings; catalog;
(letters to: Elisabeth Sussman, Whitney Museum of American Art, 02/05/1993; Arts and Leisure Editor,
(writng by Norte,
(brochures; reprint of
(
(issues Nov./Dec. 1986; Feb./March 1987; Nov./Dec. 1989)
(member of "los Tricksters;" invitation; press release; exhibition announcement; color photographs; Mercedes Chavez Ponazanelli resume;
(letter to TYF from Ochoa, 09/20/1994, with abstract and prospectus of her dissertation, and resume)
(essay by Ochoa)
(letter to TYF from Olguín, 12/13/1989, with article and grant proposal)
(article by Richard T. Rodríguez)
(clipping; book,
(exhibition announcements; note to TYF from Osorio, 5/16/1996; essay on Osorio and his comments on it; clippings; press release)
(publication announcements; TYF's notes on "Pachuco" and "Recuerdos del Palomas"; information on the company)
(resume; postcard to TYF from Packard, 09/18/1983; letters to TYF from Packard, 09/04/1983, 11/01/1985, 11/24/1985; essay about Packard by Diego Rivera; hand- written and edited draft of Packard's "book" on Diego Rivera's San Diego frescoes)
(book,
(clippings; exhibition announcements; Mexican-American Self-Help (MASH) Seminar Report on Prison Reform; exhibition guide; photographs of art and information about the exhibition
(TYF's notes on Los Pastores)
(exhibition announcement; clippings; CARA poster; press release; catalog)
(brochures; exhibition announcements; organization history and information; clipping;
(events calendar; exhibition announcement; postcard)
(book,
(clippings; catalog; artist portfolio with resume, slides, clippings and information on the exhibition,
(essay by Pérez; letters to TYF from Pérez, 11/06/1989, 10/07/1992, 06/02/1993; resume)
(clippings; Michael Rey Diaz resume; poem by David Cristiano Rubí y Diamos; invitation to
(background information; list of artists; part of grant proposal; letter to TFY from Robert [Buitrón?], 10/02/1992; photocopy of German catalog)
(catalogs; oversize exhibition poster with Lucy R. Lippard quotation; exhibition announcements;
(oversize exhibition poster; CLP/USA newsletter: no. 1 Jan. 1979, no. 2 Jan. 1980)
(brochure; oversize exhibition posters; catalogs, including:
(clippings; TYF's notes; press release; letters to TYF from [Wendy Watriss?], 10/12/1993 and 12/13/1993; grant application; letter to Wendy Watriss from Coco Fusco, 11/29/1993, with essay for Fotofest catalog; typewritten essays from the catalog; brochure; list of artists; press releases; fact sheet)
(
(exhibition catalogs; clipping; TYF's notes, "Kathy: Directorial Mode: Assemblage & Construction," chicano photography; "Hispanic Expressive Culture and Contemporary Public Discourse" Seminar schedule)
(clippings; oversize exhibition poster; exhibition announcements; TYF's notes on "Photography - Latin America")
(clippings and photocopies of sections from books)
(invitation; letter to TYF from Tara Holley, Museum of Photographic Arts, 06/19/1990; catalog; typescript of essay on photography, author unknown; clippings; book,
(
(folklife Festival catalog; newsletter: vol. 1, no. 2 June 1981; publication announcement; membership forms; exhibition announcements; course schedules; catalogs; invitation; clippings)
(clipings; notes for Prof J. Flores' sociology course; bibliography)
(note to TYF from Portillo, 09/13/1988 and letter to TYF from Janet Cole, 09/19/1988, both re. the
(clipping of essay by Rita González)
(exhibition announcement; catalog)
(list of "Posters/Prints/Reproductions;" bibliography; photocopy of essay on posters, with TYF's notes in the margins; TYF's notes on posters; "U.C. Berkeley Chicano Studies Library Non-Print Collections: A Field Study" report)
(clippings of articles; outline for "Presentation on Cuban Posters" by one of TYF's students)
(clippings; catalogs; typescript of "Hablamos/We speak: Contempory Chicano Posters"; letter to TYF from Margaret T. Santos, 09/01/1993; exhibition announcement; letter to TYF from Lydia [?], 01/15/1987; letter to TYF from Sid White, 01/13/1987; letter to TYF from Michael Rossman, 12/28/1986; TYF's notes on chicano posters, "Juan Fuentes", "Grafica Chicana", "The Chicano Movement: Context for Chicano Posters"; handwritten draft of letter to Sid [White] from TYF, undated;
(photocopy of exhibition catalog,
(brochure)
(clippings; TYF's notes on pre-Columbians and lecture notes)
(clippings and photocopies of Quirarte's essays, one signed to TYF; TYF's notes on Quirarte LACMA lecture; project proposal; TYF's notes on Mexican art and architecture history)
(bound volume, published by Research Center for the Arts and Humanities)
(essay by Olivier Debroise)
(clippings; exhibtion announcements; ArtPace International Artist-In-Residence Program brochure, 2002)
(clipping; catalog,
(vol. 2 nos. 1-2 Oct.-Dec. 1970; vol. 3, no. 1 Jan. 1971)
(catalog signed by Rascón,
(catalogs; exhibition announcements; clippings; book catalogs; brochure; newsletter: vol. 3, nos. 1 and 2, April and June 1990)
La Raza Graphic Arts Center, Inc., Organization, San Francisco, California (see also: Galería de la Raza/Studio 24)
(exhibition and event announcements; clippings; invitations; administrative documents including: "5 Year Plan, 1985-1989", financial statements, art advisory committee meeting minutes, proposals, meeting agendas; letters to TYF from Linda Lucer, Director La Raza Graphics, 03/16/1987, 04/01/1987)
La Raza Graphic Arts Center, Inc., Organization, San Francisco, California (see also: Galería de la Raza/Studio 24)
(includes photocopy of letter to Linda Lucero from Moctesuma Esparza and Robert Redford, Milagro Productions, Inc., 01/19/1988)
(catalog; clippings; memo to Marian Godrey, Pew Charitable Trusts and Suzanne Sato, Rockefeller Foundation, from Vanessa Palmer, Arts International, 10/30/1992)
(administrative document: proposal;
(vol. 1, nos. 1 - 3, Winter, Limited Edition, Fall, 1981; vol 2, nos. 1 - 2, Spring 1982, final issue 1983)
(slides of works of art and of Reyes and other people)
(vol. 2, no. 4 April 1972 with art by Reyes)
(exhibition announcements; slides of works of art; letters to TYF from Rios, circa 06/1987, 06/09/1988, 06/24/1988, 06/27/1988, circa 07/1988, 07/20/1988, 07/24/1988, 09/16/1988, 10/15/1988, 01/22/1989, 01/30/1989, 05/01/1989, 04/24/1990, 05/26/1990, undated; TYF's notes on Rios; resumes; clippings)
(clippings; exhibition announcement; resume; list of art works for sale)
(catalog with forward by TYF; chronology of Rivera's life; invitation; City of San Francisco's celebration of the 100th anniversary of Rivera's birthday program; exhibition announcement; clippings)
(slides of works of art; exhibition announcements; clippings; catalogs; resume; catalog with introduction by Lucy R. Lippard)
(slides of works of art; note to TYF from Rivera, 02/10/1991; artist's statement)
(clippings; exhibition announcement; photocopies of sections from the catalog: front matter, essays by Amalia Mesa-Bains and Victor Zamudio-Taylor)
(clippings, ArtPace International Artist-In-Residence Program 2000 brochures)
(essay by Rodríguez; letter to TYF from Rodríguez, 10/04/2004; catalog and press packet for the exhibition
(exhibition announcement; letter to TYF from Antonia Hernández, President and General Counsel, Mexican American Legal Defense and Educational Fund, 04/27/1990)
(letter to Rodríguez from Joseph L. McCarthy, Dean, Graduate School Office, University of Washington, 04/17/1972, cc: TYF; letter to TYF from Rodríguez, 03/10/1977)
(essay by Rodríguez)
(photocopy of letter to "Whom it May Concern" from TYF, 09/12/1988, in support of a film being made by Rodríguez)
(resume; clippings; exhibition announcements; handwritten and typescript drafts of essay on Rodríguez by TYF; TYF's notes on Rodríguez; catalogs; resume; clippings; letter to TYF from Rodríguez, 06/07/1983; exhibition poster with note to TYF from Rodríguez on the back, circa 01/1982)
(exhibition announcements; Christmas card to TYF and Dudley from Rodríguez, 12/1991; drawing by Rodríguez; clippings; letter to TYF from Rodríguez, 11/29/1992; b/w photograph of Rodríguez; catalogs; note to TYF from Rodríguez, undated; photocopy of galley proof for
(clippings; typescripts of essays; reprint of essay; "Chicano crossword")
(exhibition announcements; artist biography; catalog; "Chicano Art Exhibition Panel Member's List" including TYF's name)
(TYF's notes on RCAF; clippings; photographs of works of art; flyers; Neighborhood Art Programs National Organizing Committee (NAPNOC) case study of the Centro de Artistas Chicanos; La Raza Bookstore publication catalog; exhibition announcements; Centro de Artistas Chicanos history; essay by Sam Rios, Dept. of Anthropology, California State University; photocopy of photograph of the RCAF group; letter to TYF from Sam Rios, 09/1981; oversized clippings from 1975 Calandario Chicano; letter to TYF from Mary Malit, Museum Secretary Crocker Art Museum, 04/29/1985, re. catalog/brochure on the 1983
(book of Chicano poetry and art:
(note to TYF from Ruíz, 01/16/2002)
(artist's statements; illustrations of installations; letter to Ruí-Bayon from TYF, 03/23/1993; letter to TYF from Ruíz-Bayon, 02/08/1993; resume; information about an exhibition in Poland; clippings)
(clippings; TYF's notes - 2 reference notes)
(letter to TYF from Luis Mendoza, 05/17/1994, re. the "Salinas archives")
(issue of the journal
(clippings; resume; essays on Salvo's work; press releases; exhibition announcements; oversize exhibition poster; postcard to TYF from Pancho, 08/11/1990; letter to TYF from Salvo, 04/18/1989; letter to Salvo from Juan [illegible], Scheinbaum & Russek Dealers of Rare and Contemporary Photography, 04/06/1990; color photographs by Salvo, contact prints)
(clipping; exhibition announcements; resume; Christmas card to TYF from Sánchez)
(catalog; artist's statement)
(clippings; note to TYF from Sánchez-Tranquilino, 11/11/1991; outline for proposed book and photocopies of letters from Sánchez-Tranquilino to Cecelia F. Klein, Jodi Callan, Rev. William J. Donnelly; letters to TYF from Sánchez-Tranquilino, 09/23/1991, 10/07/1992, 01/24/1992; resume)
(exhibition announcement; catalog essay by Shifra Goldman; exhibition poster)
(postcard to Dudley Brooks from [illegible], undated)
(clippings; TYF's notes on saints; student essays; TYF's notes on an exhibition; catalogs; exhibition announcement; pictures of saints; TYF's notes: bibliography, and on José Rafael Aragón)
(essay by Monica Garza)
(exhibition announcements; catalogs; program brochures; clippings; event announcements; workshop schedule; organization history; bound volume,
(clippings, one by Shifra Goldman)
(2 catalogs, from Witte Memorial Museum, and The Mexican Museum, introduction by Jacinto Quirarte)
(booklet,
(Spanish translation of TYF's essay,
(catalog with note to TYF from PR; exhibition announcements)
(clippings; exhibition announcement; catalog; self-guided tour booklet; artist list; report - fax; Christmas card to TYF from Tey Marianna Nunn and Jim Ross, 2001)
(clippings of essays by Shifra Goldman and Jesús Treviño; catalog)
(memo to TYF Chair, Latino Oversight Committee, from Miguel Bretos, Counselor to the Secretary, re. memo to TYF from Hamlet Paoletti, Chair Latino Working Committee, 11/25/1996)
(memo summarizing May 3, 1994 meeting; photocopies of pages from calendar; National Museum of American History Organization Chart)
(draft of proposal for an organization to be formed within the Smithsonian)
(meeting of Latino Cultural Organizations, 05/09/1997, The Smithsonian Institution, 1100 Jefferson Drive, S.W., Washington D.C.; summary written by TYF; typed transcript of the meeting)
(letter to TYF from Magdalena Mieri, 05/12/1997, re. TYF's participation; agenda; information on the participants; brochure)
(TYF's notes from the symposium; memo with attached information planned events planned for 1998 sesquisentennial of Treaty of Guadalupe Hidalgo, centennial Spanish-American War, etc., 10/18/1996; invitation; memo with attached agenda, biographies of participants and museum mission statements; typescript of address given by Luis R. Cancel; fax to Smithsonian Friends from Edmundo DeLeon, The White House Initiative on Educational Excellence for Hispanic Americans, 01/10/1997, with attachments providing "information on the commission, initiative and the report"; Latino Studies Center Proposed Budget - fax)
(clipping of essay, "A Place at the Table: Latino Museums and the Smithsonian Institution" by Jonathan Yorba; 1 page of TYF's notes from a Latino Oversight Committee meeting; application statements for the 1996 Latino Graduate Training Seminar)
(meeting agenda; photocopy of letter to TYF from I. Michael Heyman, Secretary, Smithsonian Institution, 02/27/1995 re. formation of the Latino Oversight Committee with enclosures; letter to I. Michael Heyman from TYF, 03/06/1995; letter to I. Michael Heyman from John E. Huerta, 03/21/1995, cc: TYF; typescript of I. Michael Heyman's installation address; Smithsonian Institution fact sheets; letter to Contance Berry Newman, Under Secretary Smithsonian Institution, from TYF, 01/31/1996, photocopy; letter to Miguel Bretos from Gilberto Cardenas, 02/26/1995, cc: TYF; faxes to and from members of the committee)
(memo to Members, Oversight Committee from Miguel Bretos, 08/09/1995; other memos not directed to TYF but regarding the LOC and the Report of the Latino Task Force; Smithsonian Institution Marketing Study Final Report; LOC meeting minutes, 05/12/1995 and 07/24/1995)
(photocopy of letter to Eric Reuther from TYF, 09/08/1995; photocopy of letter to I. Michael Heyman from TYF, 09/08/1995; minutes of conference call, 08/14/1995; clippings; meeting minutes, 09/19/1995; memo to LOC from Miguel Bretos, 11/06/1995; letter to TYF from I. Michael Heyman, 06/03/1996)
(fax to TYF from Neil G. Kotler, 03/05/1996, with clipping; photocopy of memo to Miguel Bretos from Gilbert Cardenas, 02/08/1996, re. Latino Pool Funds/Feasibility Study-Revisions; draft agenda; press release; meeting miutes; proposal for the creation of a: Center for Latin American Research in Anthropology - CLARA, draft)
(packet with agenda, minutes, letter to the Under Secretary from the Chair, Latino Pool Awards, Feasibility Study letter, IUP Latino Gradfuate Semiar announcement; FY '95 Latino Pool Project Accomplishment Summary and Reports, Latino Newsletter, 150th Birthday Celebration Press Materials, schedule and list of Smithsonian Los Angeles Exhibition objects; fax to TYF from Miguel Bretos, 03/15/1996, with clipping)
(typescript of address given by I. Michael Heyman to the American Association of Museums, Minneapolis, Minnesota, 05/04/1996; clipping)
(memo to members - LOC, from Miguel Bretos, 05/15/1996, and enclosures: agenda, meeting minutes, responses to Latino Task Force Recommendation, 1995 Latino Pool Accomplishments; essay by Sulé Greg C. Wilson; "Recommendations made by members of the LOC, 05/20/1996; responses to Latino Task Force Recommendations with notes made by TYF; letters to TYF from Council on Foundations, 04/29/1996 fax, 05/10/1996 fax, and travel itinerary, all re.
(Smithsonian Total Labor Force, 1990-1995)
(letter to TYF from Magdalena Mieri, Center for Museum Studies, Smithsonian Institution, 07/16/1996; memo to LOC from Katherine Kirlin, LOC Liaison, 07/22/1996 fax; memo to LOC from Miguel Bretos, 07/29/1996; meeting agenda; meeting packet: agenda, mintues, letter from Rex Ellis, "Latinos in the Smithsonian Revisited: An Interim Report")
(fax to TYF from Emily Gantz KcKay, Mosaica, 08/14/1996 with attached letter signed by TYF)
(agendas; clipping; meeting minutes; meeting packet: agendas, meeting minutes, calendar of dates; memo to TYF from Miguel Bretos, 09/17/1996; letter to TYF from Sarita Rodriguez, 08/20/1996; "Teodoro Vidal Collection Categories" list;
(memo to LOC from Miguel Bretos and Katharine Kirlin, 10/02/1996 fax; clipping)
(fax to TYF from Katherine Kirlin, 09/27/1996, with memos to LOC from Miguel Bretos and draft agenda; Latino Museum Directors' Meeting minutes)
(memo to LOC from Miguel Bretos, 11/13/1996 fax; letter to José Aguayo from Miguel Bretos, 11/06/1996 cc: TYF; letter to Miguel Bretos from José Aguayo, 11/05/1996 cc: TYF; fax to Neil Kotler from TYF, 11/22/1996, with attached letter signed by TYF)
(memo to LOC from Miguel Bretos, 11/19/1996; memos to Miguel Bretos re. comments on the LOC Mid-term Report;
(menu; memo to LOC from Migeul Bretos, 12/30/1996 with agenda; meeting packet with agenda, meeting minutes, "resonses to LOC's mid-term Report", Elena Mayberry memo, Latino Musuem Directors Meeting--Roster of Attendees and Letters from Museums after the symposium, LOC address list; meeting minutes; Latino Program Committee Report; Smithsonian Institution Latino Employment Plan; TYF's notes on the report; report, Latinos in the Smithsonian Revisited; memo to LOC from Miguel Bretos, 02/24/1997 with fax attachment; agenda; meeting minutes; letters to Miguel Bretos, re. the Latino Museums symposium)
(memo to LOC from Miguel Bretos, 01/30/1997 fax with attachement)
(agenda; letter to Hamlet Paoletti from David F. Morrell, 01/23/1997 cc: TYF; memo to TYF et al. from Anna Cohn and Anne Gossett, 02/25/1997)
(outlines of LOC Final Report; faxes to LOC members re. May 8-9 meeting, including agenda; letter to TYF from Miguel Bretos, 04/06/1997 fax; meeting minutes; "Humanities Fellowships on Latino Cultural Research in a National Museum Context: Issues of Representation and Interpretation - Implementation Process"; "Rockefeller Humanities Fellowships Smithsonian Institution Inter University Program for Latino Research - Invited Museums list; "Latino Studies Center Notes, Concept, Components & Floor Plan, Budget"; clippings)
(agenda; meeting minutes; "Latino Cultural Organizations and the Smithsonian: A Conversation - Quotes and Concepts"; "Latino Museum Directors' Recommendations to the Smithsonain Institution"; clippings; memo to TYF from Katherine Kirlin, 05/12/1997 fax)
(agenda; letter to TYF from Jonathan Yorba, 07/29/1997; TYF's notes; "prospectus for the establishment of a Center for Latino Studies and Culture at the Smithsonian Institution"; exhibit proposal)
(draft of final report)
(MS PowerPoint slides; clipping; letter to I. Michael Heyman from TYF, 06/26/1997; printed e-mail re. "Smithsonian Adds Latino Center")
(bound copy of the report; draft of report; memo to TYF from Eric Reuther, Office of Rep. Esteban E. Torres, 09/20/1996; letters to Eric Reuther and to I. Michael Heyman, from TYF, both 09/08/1995; letter to TYF from I. Michael Heyman, 09/10/1996)
(agenda; typescripts of TYF's and others' remarks)
(brochures; booklets; final and interim reports, 1996 Senior-junior Program for Latina/o Research; funding proposal for
(summary of Latino Working Committee 12/7/1994 meeting; meeting agenda; typescript of opening comments by Manuel J. Melendez; committee mission and goals; note to TYF from Manuel [Melendez], undated prior to 06/28/1995 with enclosure; event announcements)
(meeting notes; press release with TYF's notes on the back; memo to TYF from Neil Kotler, 08/16/1995)
(viewer comments on
(collection guide, with introduction by Jacinto Quirarte, undated [post-1970])
(exhibition booklet; exhibition announcement; invitation)
(letter to Michael Heyman from Manuel Ibáñez, President Texas A & M University, 12/07/1995)
(memo from Miguel Bretos, 07/25/1995, requesting rosters of boards and or advisory committes at the Smithsonian)
(
(final Report of the Latino Oversight Committee; bound volume)
(report of the Smithsonian Institution Task Force on Latino Issues,
(1985 and 1987 California Chicano Murals calendars; brochures; event and exhibition announcements;
(prospectus for
(resume; photocopy of letter of recommendation to Milton Gordon, Chicago State University, from TYF on behalf of Sorell, 01/21/1986; Sorell's application for a position at Chicago State University; letter to TYF from Sorell, 10/10/1989; note to TYF from Sorrell, undated; TYF's notes: "1st Ramblings
(clippings; festival announcement and schedule;
(
(letter to TYF from Stellweg, 06/13/1989; press releases)
(letter to TYF from Suarez, 03/26/1985; clipping; photocopy of essay by Suarez)
(partial exhibition prospectus, circa post 1992)
(brochures and booklets; book by Jon Lewis,
(monograph,
(catalog with note to TYF from Tapia and introduction by Jacinto Quirarte; resume)
(reports; clippings; TYF's notes on proposal writing, people and organizations; handwritten draft of
(symposium agenda and abstract)
(letter to TYF from Tavizonee, 03/01/1993; project proposal; essays by Tavizonee)
(vol. 2, nos. 1 & 2 Spring & Fall, 1986; vol. 3, no. 1 Spring 1987)
(abstract of a proposal for a panel addressing the future of Chicano Art; TYF's notes on folk art with names of specialists and bibliographic information)
(lists of artists; clippings; letter to TYF from Charles Richard Carlisle, Southwest Texas State University, 08/01/1980; catalogs; press release; generic letter to members of Xochil Art Institute from Xavier Gorena, 03/1982; letter to TYF from Ida Rodríguez Prampolini, 08/05/1982; letter to TYF from Ricardo Rodríguez Burgess, 08/25/1982; letter to TYF from Jaime Labastida, 08/13/1982; event and exhibition announcements; catalog,
(vol. 2, no. 2 August, 1987; vol. 3, no. 3 October 1988; vol. 4, no. 1 February 1989)
(catalog; clippings; TYF's notes on various artists and on art in San Antonio; exhibition announcements; working script of "Hispanic Cultural Influence on San Antonio" A Multi Media Presentation San Antonio Museum Association)
(clippings; photographic print; typescript draft of essay by TYF, "Houston Hispanic Artists: New Views"; catalogs; invitation; exhibition announcement)
("Manifesto del Teatro Nacional de Aztlán; TYF's notes on theater: history, practic and theory; outline for "Teatro Chicano: A Dialogue"; course materials for Literatura Chicana 153, taught by TYF)
(vol. 1, nos. 1 & 2; issue 5, Verano 1997)
(letters to TYF from Torres, 04/13/1981 and undated; resumes; clippings; photocopies of documents re. Torres' work with solar sculpture)
(vol. 2, no. 2 1975; vol. 3, no. 1 1976)
(monograph,
(resumes; partial grant application; clippings; exhibition announcements; note to TYF and Dudley from Trejo, 08/29/1986; TYF's notes on Trejo; multiple drafts of essay, "Chicano Humor: For Whom the Taco Bell Tolls," by Trejo one with Trejo's doodles on the last page; color photographs and slides of Trejo's works and of Trejo; letter to TYF from Karan Hattersley-Drayton, The Mexican Museum, San Francisco, 10/7/1988; catalog essay by TYF about Trejo; note to TYF from Trejo, circa 09/1999 written on a clipping; catalogs; letter to TYF from James Rosengren, Eastern Washington University, 07/14/1993; catalog,
(clippings; blank notecard with Treviño's art; invitation; transcript of interview of Treviño by Sarah Massey, University of Texas Institute of Texan Cultures)
(Christmas cards; essay, "Dialogue of a Community Artist La Antorch de Questzalcoatl" by Felix Padron)
(printed matter: brochure, poster; letter to TYF from Alberto Felix Alberto, 07/18/1997 fax)
(oversize symposium poster; TYF's notes on UCLA, Chicano art and the tradition of chicano art; clipping; letter to TYF from Edith Tonelli, 05/05/1984; letter to Edith Tonelli from TYF, 05/23/1984 photocopy)
(handwritten note to TYF from [unsigned], undated, re. Chicano Theater; photocopies of sketches [of participants in the Task Force on Hispanic American Arts?] by Al Sanchez, 1979; memo to participants in Task Force on Hispanic American Arts, from Jacinto Quirarte, 05/02/1979; monograph,
(invitation; photocopy of book by Salvador Rodriguez del Pino,
(exhibition announcements; exhibition checklist; clipping)
(TYF's notes on "la Causa")
(letter to Marie Acosta-Colón from Vargas, 11/20/1989; resume; references)
(photocopy of letter of recommendation to Bob Lever, from TYF, 04/01/91; letters to TYF from Vargas, circa 3/1991, 03/04/1992, 08/20/1990, 03/13/1993; catalogs; exhibition announcements; note to TYF from Vargas circa 08/10/1994; letters to TYF, undated and 04/28/1992, mentioning Lucy Lippard; note to TYF from Vargas, 04/20/1993; letter to TYF from Vargas, 03/15/1992, metioning Robert Buitrón and Benito Heurta; resume; clippings; ArtPace International Artist-In-Residence Program, 1997; essay by Vargas)
(draft of essay by Vásquez)
(brochure; interview of Vásquez by Victor Manuel Valle; oversize exhibition poster; exhibition announcement)
(brochure; resume; clippings; artist's statement; color photographs of people at a festival)
(catalog,
(emails re. the sale of the Victor Clothing Company Building)
(sales catalog, Latino Issue)
(note to TYF from Vicente [Martinez?], 06/30/1994; typescript of eulogy for Cleofes Vigil given by Vicente Martinez, circa 1992; clippings)
(typescript of interview of Villa by Chris Kantar, student, California State University Sacramento; invitation; resume; exhibition announcement; clipping)
(blank post cards and note cards of Villanueva's works)
(letter to TYF from Patricia Vega, 08/23/1993; clippings; booklet; blank postcards and prints of la Guadelupe; exhibition catalogs)
(vol. 12, no. 12 Dec. 1988 issue)
(journal, vol. 1/Survey)
(Christmas card with generic letter)
(photocopies of portions of issues of the newsletter)
(Inel Mesa, Arizona; clipping; flyers; exhibition announcements; brochures; 10th anniversary booklet)
(invitation; benefit sale brochure; general letters to Friends of Xochil, 07/1982 and 08/1982)
(exhibition announcement; catalogs; calendar of events; catalog,
(drafts of essays, handwritten and typed; notes; blank contract; photocopy of memo to Concilio de Arte Popular from Shifra Goldman and TYF, 11/1/1978, re.
(photocopy of
(clippings; essays by Zamudia-Taylor; note to TYF from Daniel [Joseph Martinez], undated)
(catalog,
(clippings; exhibition announcements; exhibition posters; flyers; TYF's notes - cronología de Estilos Artísticos, etc.; invitation; pamphlet on the Alum Rock voucher program; TYF's "list of Latin American Women Artists to know About";