The Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998.
The 1993 Festival of American Folklife was produced by the Smithsonian Center for Folklife Programs and Cultural Studies and cosponsored by the National Park Service.
For more information, see
This collection documents the planning, production, and execution of the 1993 Festival of American Folklife. Materials may include photographs, audio recordings, motion picture film and video recordings, notes, production drawings, contracts, memoranda, correspondence, informational materials, publications, and ephemera. Such materials were created during the Festival on the National Mall in Washington, D.C., as well as in the featured communities, before or after the Festival itself.
Arranged in 5 series.
Smithsonian Folklife Festival records: 1993 Festival of American Folklife forms part of the
Smithsonian Folklife Festival records: 1993 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Within the Rinzler Archives, related materials may be found in various collections such as the Ralph Rinzler papers and recordings, the Lily Spandorf drawings, the Diana Davies photographs, the Robert Yellin photographs, and the Curatorial Research, Programs, and Projects collection. Additional relevant materials may also be found in the Smithsonian Institution Archives concerning the Division of Performing Arts (1966-1983), Folklife Program (1977-1980), Office of Folklife Programs (1980-1991), Center for Folklife Programs and Cultural Studies (1991-1999), Center for Folklife and Cultural Heritage (1999-present), and collaborating Smithsonian units, as well as in the administrative papers of key figures such as the Secretary and respective deputies. Users are encouraged to consult relevant finding aids and to contact Archives staff for further information.
Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our
The Rinzler Archives is continually engaged in digitization of archival materials to facilitate preservation and ready access by users. However, given the diversity of legacy formats of the originals, some older materials may not be available. Notably, certain older audio recordings cannot be played because of deterioration of the tape stock, and the Archives has no playback equipment for EIAJ-1 videoreels (1/2 inch) or multi-track audio recordings. Where listening or viewing copies are available, this is generally indicated for each item. Users are encouraged to contact Archives staff to verify that the materials of interest to them are already accessible, or to determine if they can be digitized as needed.
The 1993 Festival of American Folklife was the 27th since the Smithsonian's annual living cultural exhibition began in 1967. In 1993, the Festival included programs on U.S.-Mexico borderlands, American social dance, music in the Washington Metropolitan area, and urban children's culture. All pointed to how people creatively use the resources of community culture to shape life experiences in ways that celebrate and affirm social values.
The Festival's featured program, U.S.-Mexico Borderlands, was the latest in a series developed for the Columbus Quincentenary which sought to expand public knowledge about the cultural history of our hemisphere and to fortify the Smithsonian's engagement of colleagues and communities in Latin America and the Caribbean. Those programs, including Creolization in the Caribbean, Land and Power in Native American Cultures, New Mexico, Maroons in the Americas, and American Indian Soundscapes, directly reached some five million Festival visitors. Brought to fruition with the cooperation of scores of academic, cultural, and educational institutions in 18 nations, those programs engaged the efforts of some 250 different scholars and over 1,000 exemplary culture bearers from across the Americas. They generated rich documentary archives, copies of which reside both at the Smithsonian and at collaborating institutions. Additionally, the programs generated two documentary films and several books, and even contributed to the passage of cultural legislation.
The 1993 Festival took place during a single five-day week (July 1-5) between Madison Drive and Jefferson Drive and between 10th Street and 13th Street, south of the National Museum of American History and the National Museum of Natural History (see site plan).
The 1993 Program Book included schedules and participant lists for each program; essays provided background on the Festival and each of the four programs.
The Festival was co-presented by the Smithsonian Institution and National Park Service and organized by the Center for Folklife Programs & Cultural Studies.
Richard Kurin, Director; Diana Parker, Festival Director; Anthony Seeger, Director, Smithsonian/Folkways Recordngs; Peter Seitel, Senior Folklorist; Thomas Vennum, Jr., Senior Ethnomusicologist; Olivia Cadaval, Director, Quincentenary Projects; Richard Kennedy, Program Analyst; Vivian Chen, Diana Baird N'Diaye, Amy Horowitz, Marjorie Hunt, Folklorists/Curators; Carla Borden, John Franklin, Program Managers; Arlene L. Reiniger, Program Specialist; Jeffrey Place, Archivist; Betty Belanus, Research Associate
Roger Abrahams, Jacinto Arias, Jane Beck, Pat Jasper, Barbara Kirshenblatt-Gimblett, Bernice Reagon, John Roberts, Carol Robertson, Gilbert Sprauve, Jack Tchen, Ricardo Trimillos, Carlos Vélez-Ibáñez
Roger Kennedy, Director; Robert G. Stanton, Regional Director, National Capital Region
The Center for Folklife and Cultural Heritage acknowledges and respects the right of artists, performers, Folklife Festival participants, community-based scholars, and knowledge-keepers to collaboratively steward representations of themselves and their intangible cultural heritage in media produced, curated, and distributed by the Center. Making this collection accessible to the public is an ongoing process grounded in the Center's commitment to connecting living people and cultures to the materials this collection represents. To view the Center's full shared stewardship policy, which defines our protocols for addressing collections-related inquiries and concerns, please visit
1993 Festival of American Folklife site plan
1993 Festival of American Folklife Program Book
Peter Seitel was Editor of the 1993 Program Book and Arlene Reiniger was Style Editor. Joan Wolbier was Designer and Rebecca Lepkowski and Carmina Angulo were Assistant Designers.
The United States is blessed with a diversity of community dance traditions and new dance forms that have developed from interactions between communities. This exciting American mix has had a profound impact on the popular cultures of nations across the world. The dance program at the 1993 Festival explored social dancing traditions in five communities - an Appalachian community in southwest Virginia, Iroquois communities in upstate New York, and African American, Bolivian, and Cambodian American communities of Washington, D.C.
Tradition-bearers taught dances to Festival visitors in workshops, participated in conversations on a variety of themes, and demonstrated skills, repertoires, and performance styles from their communities. In each of these communities, dance is centrally important in the expression of cultural identity. Dancing brings members of a community together and strengthens cohesiveness by emphasizing shared ethical and aesthetic values. Performing a common vocabulary of movement, in time to a shared repertoire of music, one participates in a culture; Festival audiences became active participants during this program and had the opportunity in so doing to experience others' cultures.
Vivien Ta-Ying Chen was Curator and Marianne Hicks and Arlene Reiniger were Program Coordinators. Program Advisors included LeeEllen Friedland, Joan Frosch-Schroder, Robert Frye, Gonzalo Gutierrez, Glenn Hinson, Anthony Hovington, Adrienne Kaeppler, Martin Koenig, Ethel Raim, Denise Richards, Sally Sommer, Jane Woodside, and Vicki Risner Wulff.
American Social Dance was made possible with the support of the recording industries Music Performance Trust Funds.
Enrique Avilés, Sherrill Berryman-Miller, Paola Castellon, Chhomanath Chhuan, Phavann Chhuan, LeeEllen Friedland, Robert Frye, Anthony Hovington, Magaly E. Jarrad, Laura Larco, Linley Logan, Lidya Montes, Jaime Ortega, Denise Richards, Chan Moly Sam, Sally Sommer, Susan Eike Spalding
Marco Castellon, Gilka Wara Céspedes, LeeEllen Friedland, Robert Frye, Anthony Hovington, Magaly K. Jarrad, Linley Logan, Gail Matthews-DeNatale, Frank Proschan, Denise Richards, Chan Moly Sam
FP-1993-CT-0234
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Recorded in: Sterling (Va.), United States, Virginia, March 23, 1993.
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Recorded in: Maryland, United States, March 18, 1993.
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Recorded in: Maryland, United States, February 27, 1993.
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Recorded in: Reston (Va.), United States, Virginia, February 23, 1993.
FP-1993-CT-0238
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Recorded in: Herndon (Va.), United States, Virginia, March 12, 1993.
FP-1993-CT-0239
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Recorded in: Reston (Va.), United States, Virginia, April 5, 1993.
FP-1993-CT-0240
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Recorded in: Chilhowie (Va.), United States, Virginia, March 29, 1993.
FP-1993-CT-0241
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Recorded in: Chilhowie (Va.), Virginia, United States, March 29, 1993.
FP-1993-CT-0242
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Recorded in: Virginia, Abingdon (Va.), Washington (D.C.), United States, March 26, 1993.
FP-1993-CT-0243
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Recorded in: Silver Spring (Md.), United States, Maryland, March 21, 1993.
FP-1993-CT-0244
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Recorded in: Arlington (Va.), United States, Virginia, March 23, 1993.
FP-1993-CT-0245
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Recorded in: Silver Spring (Md.), United States, Maryland, February 13, 1993.
FP-1993-CT-0246
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Recorded in: Alexandria (Va.), United States, Virginia, March 22, 1993.
FP-1993-CT-0247
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Recorded in: Washington (D.C.), United States, March 29, 1993.
FP-1993-CT-0248
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Recorded in: Gaithersburg (Md.), United States, Maryland, March 7, 1993.
FP-1993-CT-0249
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Recorded in: Silver Spring (Md.), United States, Maryland, May, 1993.
FP-1993-CT-0250
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Recorded in: Silver Spring (Md.), United States, Maryland, February 13, 1993.
FP-1993-1/2VHS-0034
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FP-1993-8MM-0039
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Recorded in: Washington (D.C.).
FP-1993-8MM-0040
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Recorded in: Washington (D.C.).
FP-1993-8MM-0041
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Recorded in: Washington (D.C.), Virginia.
FP-1993-8MM-0042
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Recorded in: Maryland, Virginia.
FP-1993-8MM-0043
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Recorded in: Maryland, Virginia.
FP-1993-1/2VHS-0044
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Recorded in: Chilhowie (Va.).
FP-1993-1/2VHS-0045
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Recorded in: Virginia, Washington (D.C.).
FP-1993-1/2VHS-0046
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Recorded in: Washington (D.C.).
FP-1993-1/2VHS-0047
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Recorded in: Missouri.
FP-1993-CT-0127
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Recorded in: Washington (D.C.), United States, July 1, 1993.
101 Cultural Contact in Dance / Cambodian American Heritage Dancers, Iroquois Dancers.
102 Popular Dances of the 50s and 60s / Cynthia Jefferson, Leroy Green, Sareth Sokhon.
FP-1993-CT-0128
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Recorded in: Washington (D.C.), United States, July 1, 1993.
101 Hand Dancing: Memories from the 50s and 60s / Addie Robinson, Florence Barber, William Eley.
102 Dance and Community / Kirby Smith, Linley Logan, Sherri L. Waterman-Hopper.
FP-1993-CT-0129
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Recorded in: Washington (D.C.), United States, July 1, 1993.
101 Strutting Your Stuff / Bolivian Dancers, David Salyer, William Hayworth, Janie Salyer.
102 Male and Female Identities in Dance / Daniel Jarrad, Robert Shenandoah, Sue Jacobs.
FP-1993-CT-0130
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Recorded in: Washington (D.C.), United States, July 1, 1993.
101 Motown Lives / Kenny Cheeks, Lawrence Bradford, Robert Frye.
102 Bolivian Carnival / Daniella Soria, Jhonny Meneses, Marco Castellon.
FP-1993-CT-0131
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Recorded in: Washington (D.C.), United States, July 2, 1993.
101 D.J. Callers and Singers / D.J. Super Cool, Anthony Hovington, Denise Richards.
102 Hip-Hop Don't You Stop / Anthony Hovington, Denise Richards, Keenan Faulkner.
FP-1993-CT-0132
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Recorded in: Washington (D.C.), United States, July 2, 1993.
101 Celebrating Life's Passages / Sareth Sokhon, Angel Quinteros, Sorabe Phann, Soum Sokhon, Lillian Quinteros.
102 Dancing Who We Are: Dance and Identity / Juan Leonardo Alanes, Luis Fuentes, Maria Teresa Mojica.
FP-1993-CT-0133
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Recorded in: Washington (D.C.), United States, July 2, 1993.
101 Male and Female Identities in Dance / Robert Shenandoah, Sody Tek, Vuthy Kheav.
102 Dancing Through Generations / Juan Leonardo Alanes, Mike McDonald, Sue Jacobs.
FP-1993-CT-0134
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Recorded in: Washington (D.C.), United States, July 2, 1993.
101 Free Styling with Rhythm: Breaking Down the Beat / D.J. Super Cool, Kimberly Monique Simpson, Mike Smith.
102 Strutting Your Stuff / Mike Smith, Juan Marco, Samnang Sun.
FP-1993-CT-0135
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Recorded in: Washington (D.C.), United States, July 3, 1993.
101 D.J. Callers and Singers / Kirby Smith, Richard Buchanan, Robert Frye.
102 Sacred and Secular Dance / Juan Leonardo Alanes, Linley Logan, Sadie Buck.
FP-1993-CT-0136
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Recorded in: Washington (D.C.), United States, July 3, 1993.
101 Courtship and Dance / John Kheav, Norman Hill, Sherri L. Waterman-Hopper.
102 Tradition and Innovation in Bolivian Dance / Juan Leonardo Alanes, Marco Castellon, Maria Teresa Mojica.
103 Cambodian Folk/Social Dance / Chan Moly Sam, Rady Tes, Sochietah Ung.
FP-1993-CT-0137
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Recorded in: Washington (D.C.), United States, July 3, 1993.
101 Tradition and Innovation in Iroquois Dance / Helen Shenandoah, Linley Logan, Mike McDonald.
102 Cultural Contact in Dance / Sareth Sokhon, LuAnn Jamieson, Phillip Rithy Sok, Soum Sokhon.
FP-1993-CT-0138
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Recorded in: Washington (D.C.), United States, July 3, 1993.
101 Dance and Community / Evelyn Sturgill, Leroy Green, Mildred Holley.
102 Strutting Your Stuff / Daniella Soria, French Sturgill, Marco Castellon.
FP-1993-CT-0139
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Recorded in: Washington (D.C.), United States, July 3, 1993.
FP-1993-CT-0140
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Recorded in: Washington (D.C.), United States, July 4, 1993.
101 Playing with Rhythm / Maria Teresa Mojica, William Hayworth, William Kelly.
102 Dancing Who We Are: Dance and Identity / Sareth Sokhon, Denise Richards, Kimberly Monique Simpson, Soum Sokhon.
FP-1993-CT-0141
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Recorded in: Washington (D.C.), United States, July 4, 1993.
FP-1993-CT-0142
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Recorded in: Washington (D.C.), United States, July 4, 1993.
101 Cultural Contact in Dance / Daniella Soria, Carlos Ballesteros, Marco Castellon, Nancy Ballesteros, Paola Castellon.
102 Strutting Your Stuff / Denise Richards, Mike Smith, Nancy Hayworth.
103 Ceremonial and Social Dance / Mike McDonald, Linley Logan, Sherri L. Waterman-Hopper, Scott Logan.
FP-1993-CT-0143
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Recorded in: Washington (D.C.), United States, July 4, 1993.
101 Ceremonial and Social Dance / Keith Shenandoah, Linley Logan.
101 Dancing Who We Are: Dance and Identity / Daniella Soria, Luis Fuentes, Marco Castellon.
FP-1993-CT-0144
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Recorded in: Washington (D.C.), United States, July 5, 1993.
101 Dancing Through the Generations / Nareine Sokhon, Robert Shenandoah, Sue Jacobs.
102 Dances of Courtship / Angel Quinteros, Juan Leonardo Alanes, Luis Fuentes, Luz Fuentes, Lillian Quinteros.
FP-1993-CT-0145
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Recorded in: Washington (D.C.), United States, July 5, 1993.
101 Cultural Contact in Dance / Angel Quinteros, Juan Leonardo Alanes, Paola Castellon, Lillian Quinteros.
102 Male and Female Identities in Dance / Addie Robinson, Brad Bonaparte, Lawrence Bradford.
103 D.J. Callers and Singers: Inspiring the Dance / Richard Buchanan, Robert Frye, Sadie Buck.
FP-1993-CT-0146
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Recorded in: Washington (D.C.), United States, July 5, 1993.
101 D.J.s, Callers and Singers: Inspiring the Dance / Richard Buchanan, Robert Frye, Robert Shenandoah.
102 Dancing Who We Are: Dance and Identity / Carl Farris, Mike McDonald, Phavann Chhuan, Virginia Farris.
103 Bolivian Carnival.
FP-1993-CT-0147
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Recorded in: Washington (D.C.), United States, July 5, 1993.
101 Bolivian Carnival.
102 Cambodian Court and Social Dance.
FP-1993-CT-0148
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Recorded in: Washington (D.C.), United States, July 1, 1993.
101 Opening Ceremonies.
102 Square Dancing from Southwest Virginia / Chilhowie Dancers (Chilhowie, Va.), Southern Country Band. Mandolin,Fiddle,Guitar.
FP-1993-CT-0149
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Recorded in: Washington (D.C.), United States, July 1, 1993.
101 Square Dancing from Southwest Virginia / Chilhowie Dancers (Chilhowie, Va.), Southern Country Band. Mandolin,Fiddle,Guitar.
102 Bolivian Dances / Bolivian Dancers.
103 African-American Hand Dancing from Washington, D.C / Robert Frye.
FP-1993-CT-0150
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Recorded in: Washington (D.C.), United States, July 1, 1993.
101 African-American Hand Dancing from Washington, D.C / Robert Frye.
102 Camodian-American Dances / Cambodian American Heritage Dancers.
FP-1993-CT-0151
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Recorded in: Washington (D.C.), United States, July 1, 1993.
101 Camodian-American Dances / Cambodian American Heritage Dancers.
102 Iroquois Dances / Iroquois Dancers. Drum.
FP-1993-CT-0152
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Recorded in: Washington (D.C.), United States, July 2, 1993.
101 Bolivian Dances / Bolivian Dancers.
102 Iroquois Dances / Iroquois Dancers. Drum.
FP-1993-CT-0153
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Recorded in: Washington (D.C.), United States, July 2, 1993.
FP-1993-CT-0154
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Recorded in: Washington (D.C.), United States, July 2, 1993.
101 Square Dancing from Southwest Virginia / Chilhowie Dancers (Chilhowie, Va.), Southern Country Band. Mandolin,Fiddle,Guitar.
102 Camodian-American Dances / Cambodian American Heritage Dancers.
FP-1993-CT-0155
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Recorded in: Washington (D.C.), United States, July 3, 1993.
FP-1993-CT-0156
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Recorded in: Washington (D.C.), United States, July 3, 1993.
101 Camodian-American Dances / Cambodian American Heritage Dancers.
102 Square Dancing from Southwest Virginia / Chilhowie Dancers (Chilhowie, Va.), Southern Country Band. Mandolin,Fiddle,Guitar.
FP-1993-CT-0157
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Recorded in: Washington (D.C.), United States, July 3, 1993.
101 Square Dancing from Southwest Virginia / Chilhowie Dancers (Chilhowie, Va.), Southern Country Band. Mandolin,Fiddle,Guitar.
102 African-American Hand Dancing from Washington, D.C / Robert Frye.
103 Bolivian Dances / Bolivian Dancers.
FP-1993-CT-0158
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Recorded in: Washington (D.C.), United States, July 3, 1993.
101 Bolivian Dances / Bolivian Dancers.
102 Iroquois Dances / Iroquois Dancers. Drum.
FP-1993-CT-0159
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Recorded in: Washington (D.C.), United States, July 3, 1993.
101 Iroquois Dances / Iroquois Dancers. Drum.
102 African-American Hand Dancing from Washington, D.C / Robert Frye.
FP-1993-CT-0160
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Recorded in: Washington (D.C.), United States, July 4, 1993.
101 Iroquois Dances / Iroquois Dancers. Drum.
102 Bolivian Dances / Bolivian Dancers.
FP-1993-CT-0161
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Recorded in: Washington (D.C.), United States, July 4, 1993.
101 Bolivian Dances / Bolivian Dancers.
102 Camodian-American Dances / Cambodian American Heritage Dancers.
FP-1993-CT-0162
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Recorded in: Washington (D.C.), United States, July 4, 1993.
101 Camodian-American Dances / Cambodian American Heritage Dancers.
102 Square Dancing from Southwest Virginia / Chilhowie Dancers (Chilhowie, Va.), Southern Country Band. Mandolin,Fiddle,Guitar.
FP-1993-CT-0163
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Recorded in: Washington (D.C.), United States, July 4, 1993.
FP-1993-CT-0164
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Recorded in: Washington (D.C.), United States, July 5, 1993.
101 African-American Hand Dancing from Washington, D.C / Robert Frye.
102 Square Dancing from Southwest Virginia / Chilhowie Dancers (Chilhowie, Va.), Southern Country Band. Mandolin,Fiddle,Guitar.
103 Camodian-American Dances / Cambodian American Heritage Dancers.
FP-1993-CT-0165
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Recorded in: Washington (D.C.), United States, July 5, 1993.
FP-1993-CT-0166
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Recorded in: Washington (D.C.), United States, July 5, 1993.
101 African-American Hand Dancing from Washington, D.C / Robert Frye.
102 Iroquois Dances / Iroquois Dancers. Drum.
FP-1993-CT-0167
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Recorded in: Washington (D.C.), United States, July 5, 1993.
101 Iroquois Dances / Iroquois Dancers. Drum.
102 Bolivian Dances / Bolivian Dancers.
FP-1993-CT-0168
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Recorded in: Washington (D.C.), United States, July 1, 1993.
FP-1993-CT-0169
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Recorded in: Washington (D.C.), United States, July 1, 1993.
101 Iroquois Dances / Iroquois Dancers.
102 Acappella Voices / Reverb (Musical group), Samuel Hubbard.
103 Acappella Voices / Vel-Tones (Musical group).
FP-1993-CT-0175
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Recorded in: Washington (D.C.), United States, July 3, 1993.
FP-1993-CT-0180
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Recorded in: Washington (D.C.), United States, July 5, 1993.
FP-1993-CT-0181
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Recorded in: Washington (D.C.), United States, July 5, 1993.
102 An Evening of West African Music and Dance / Djimo Kouyate. Kora,Balafon.
101 Bolivian Dances / Bolivian Dancers.
FP-1993-1/2VHS-0083
tape 1
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Recorded in: Washington (D.C.).
FP-1993-1/2VHS-0084
tape 2
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Recorded in: Washington (D.C.).
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Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Recorded in: Washington (D.C.).
FP-1993-1/2VHS-0086
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Recorded in: Washington (D.C.).
FP-1993-1/2VHS-0087
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Recorded in: Washington (D.C.).
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tape 6
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Recorded in: Washington (D.C.).
FP-1993-1/2VHS-0089
tape 7
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Recorded in: Washington (D.C.).
FP-1993-1/2VHS-0090
tape 8
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Recorded in: Washington (D.C.).
FP-1993-1/2VHS-0091
tape 9
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Recorded in: Washington (D.C.).
FP-1993-1/2VHS-0092
tape 10
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Recorded in: Washington (D.C.).
FP-1993-1/2VHS-0080
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Recorded in: Washington (D.C.).
FP-1993-1/2VHS-0037
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
FP-1993-1/2VHS-0028
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
FP-1993-1/2VHS-0029
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
FP-1993-1/2VHS-0030
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
FP-1993-1/2VHS-0031
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
FP-1993-1/2VHS-0032
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
FP-1992-1/2VHS-0033
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
FP-1993-1/2VHS-0035
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
FP-1993-1/2VHS-0036
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
FP-1993-1/2VHS-0038
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
FP-1993-CT-0178
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Recorded in: Washington (D.C.), United States, July 4, 1993.
101 Norteno / Alegres del Norte (Musical group). Accordion,Bajo sexto,Toloche.
102 An Evening of Latin Sounds / Alfredo Mojica. Trumpet.
Nowhere is the essence of childhood revealed more clearly than in play. A vivacious and expressive play culture was still being created and shared by children within the Washington, D.C. metropolitan area in 1993, despite TV, Nintendo, other toys and entertainment manufactured by adults, and in the face of ever more difficult realities of growing up in the city. The 1993 Festival highlighted some of those traditions of children's play and performance. The Festival presented forms inviting participation by the whole group such as clapping games, ring plays, call-and-response singing, and double dutch. Also presented were genres that were consciously created for an audience, such as rhythmic bucket brigades. The 1993 Kids' Stuff program encouraged participation and dialogue as well as demonstration and observation. Festival audiences, young and old, were invited to join in this celebration of children's play and performance.
Diana Baird N'Diaye served as Curator, and Marjorie Hunt as Program Coordinator. Program Advisors included Betty Belanus, Paddy Bowman, Camila Bryce-Laporte, Peg Koetsch, Phyllis May-Machunda, Kate Rinzler, Dorothy Walker, and Steve Zeitlin.
Freedom Hill Elementary School students
Paddy Bowman, Camila Bryce-Laporte, Marjorie Hunt
FP-1993-CT-0059
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Recorded in: Washington, D.C, United States, July 5, 1993.
FP-1993-CT-0203
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Recorded in: Washington (D.C.), United States, July 1, 1993.
101 Bucket Brigade / Draper African Drummers, Barnett Williams. Drum,Buckets.
102 Tales In and Out of School / Bill Harley.
FP-1993-CT-0204
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Recorded in: Washington (D.C.), United States, July 1, 1993.
101 Neighborhood Cheers / Nannie Lee Recreation Center (Washington, D.C.).
102 Chinese Yo-Yo / Washington School for Chinese Language.
FP-1993-CT-0205
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Recorded in: Washington (D.C.), United States, July 1, 1993.
FP-1993-CT-0206
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Recorded in: Washington (D.C.), United States, July 2, 1993.
101 Stories My Mother Told Me / Len Cabral.
102 Double Dutch Jump Rope / Seaton Elementary School (Washington, D.C.).
FP-1993-CT-0207
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Recorded in: Washington (D.C.), United States, July 2, 1993.
101 Playground Games / Bailey's Crossroads ((Falls Church, Va..) Elementary School.
102 Bucket Brigade / Draper African Drummers, Barnett Williams. Buckets.
FP-1993-CT-0208
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Recorded in: Washington (D.C.), United States, July 2, 1993.
101 Sharing Stories / Bill Harley, Len Cabral.
102 Neighborhood Cheers / Charles Barrett Recreation Center (Alexandria, Va.).
FP-1993-CT-0209
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Recorded in: Washington (D.C.), United States, July 2, 1993.
101 Chinese Yo-Yo / Washington School for Chinese Language.
102 Double Dutch Jump Rope / P.R. Harris Educational Center (Washington, D.C.).
FP-1993-CT-0210
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Recorded in: Washington (D.C.), United States, July, 1993.
FP-1993-CT-0211
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Recorded in: Washington (D.C.), United States, July 3, 1993.
101 Double Dutch Jump Rope / Seaton Elementary School (Washington, D.C.).
102 Playground Games / Bailey's Crossroads ((Falls Church, Va..) Elementary School.
FP-1993-CT-0212
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Recorded in: Washington (D.C.), United States, July 3, 1993.
101 Playground Games / Bailey's Crossroads ((Falls Church, Va..) Elementary School.
102 Sharing Stories / Bill Harley, Len Cabral.
103 Bucket Brigade / Draper African Drummers, Barnett Williams. Buckets.
FP-1993-CT-0213
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Recorded in: Washington (D.C.), United States, July 3, 1993.
101 Bucket Brigade / Draper African Drummers, Barnett Williams. Buckets.
102 Neighborhood Cheers / Nannie Lee Recreation Center (Washington, D.C.).
103 Chinese Shuttlecock / Washington School for Chinese Language.
FP-1993-CT-0214
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Recorded in: Washington (D.C.), United States, July 3, 1993.
101 Chinese Shuttlecock / Washington School for Chinese Language.
102 Double Dutch Jump Rope / P.R. Harris Educational Center (Washington, D.C.).
FP-1993-CT-0215
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Recorded in: Washington (D.C.), United States, July 4, 1993.
101 Stories My Mother Told Me / Len Cabral.
102 Bucket Brigade / Draper African Drummers, Barnett Williams. Buckets.
103 Playground Games / Raymond Elementary School (Washington, D.C.).
FP-1993-CT-0216
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Recorded in: Washington (D.C.), United States, July 4, 1993.
101 Playground Games / Raymond Elementary School (Washington, D.C.).
102 Kid's Stories Workshop / Mendel Denise Service.
103 Bucket Brigade / Draper African Drummers, Barnett Williams. Buckets.
FP-1993-CT-0217
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Recorded in: Washington (D.C.), United States, July 4, 1993.
101 Bucket Brigade / Draper African Drummers, Barnett Williams. Buckets.
102 Double Dutch Jump Rope / Garrison Elementary School (Washington, D.C.).
103 Playground Games / Raymond Elementary School (Washington, D.C.).
FP-1993-CT-0218
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Recorded in: Washington (D.C.), United States, July 4, 1993.
101 Playground Games / Raymond Elementary School (Washington, D.C.).
102 Chinese Yo-Yo / Washington School for Chinese Language.
FP-1993-CT-0219
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Recorded in: Washington (D.C.), United States, July 5, 1993.
101 Kid's Stories Workshop / Mendel Denise Service.
102 Double Dutch Jump Rope / Garrison Elementary School (Washington, D.C.).
103 Playground Games / Brightwood Elementary School (Washington, D.C.).
FP-1993-CT-0220
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Recorded in: Washington (D.C.), United States, July 5, 1993.
101 Bucket Brigade / Draper African Drummers, Barnett Williams. Buckets.
102 Neighborhood Cheers / Mt. Vernon Receration Center (Alexandria, Va.).
FP-1993-CT-0221
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Recorded in: Rockville (Md.), Maryland, Washington (D.C.), United States, July 5, 1993.
101 Metro Play Traditions / Mendel Denise Service.
102 Chinese Shuttlecock / Washington School for Chinese Language.
Washington, the capital city, has long been known for its official culture and public celebrations such as presidential inaugurations, Independence Day pageantry, military band concerts, state funerals, and embassy receptions. Yet it has another reality, one sometimes hidden behind official functions. Washington, the residential city, burgeons with cultures transplanted from beyond urban, state, and national boundaries as well as hybrid traditions newly rooted in an urban environment.
Metropolitan Washington, with over four million residents in 1993, was home to more than one million African Americans, 250,000 Hispanic Americans, nearly 250,000 Asian/Pacific Americans, and thousands of other peoples from around the world. The metropolitan area had been enriched by a continual influx of people from the South and, more recently, immigrants from Central America, the Caribbean, Southeast Asia, and the Horn of Africa. Viewing the city as an environment of distinctly American possibilities, people have flocked to Washington throughout its 200-year history, in search of refuge, a better life, and greater opportunities for freedom, education, power, respect, employment, and financial security. While some came with abundant wealth, others brought little more than themselves, their values, and their traditions to sustain themselves in their transition to a new situation.
Music was always among the most vital of the intangible traditional resources that helped to support these Washingtonians. Each community developed particular institutions and networks of support facilitating social interaction and exchange of information. Some of these communities were defined by geographical boundaries, such as a neighborhood, and traditions emerged out of that experience. Other communities might have lacked geographic definition but shared common characteristics such as age, ethnicity, occupation, social interests, or even family relationship. The sharing of values, perspectives, and experience created a basis for the existence and growth of tradition. Music provided a channel for the expression of community-based values, on display to Festival visitors in the Metro Music program.
Richard Kennedy and Thomas Vennum, Jr. were Program Coordinators. Metro Music was made possible with the support of the recording industries Music Performance Trust Funds.
Enrique Avilés, Philippa Jackson, Richard Kennedy, Michael Licht, Barry Lee Pearson, Jeff Place, Thomas Vennum, Jr.
Baltimore Korean Dancers
Ji Eun Ahn, Baltimore, Maryland
Soon Hee Ahn, Baltimore, Maryland
Ayang By Chi, Baltimore, Maryland
Nanhui Kang, Baltimore, Maryland
Eun Soo Kim, Baltimore, Maryland
Hyum Joo Kim, Baltimore, Maryland
Jung Sook Lee, Baltimore, Maryland
Hye Sook Lim, Baltimore, Maryland
Jung Sook Park, Baltimore, Maryland
Chu Me Yu, Baltimore, Maryland
Ann Yim, Baltimore, Maryland
Jum Bok Yim, Baltimore, Maryland
Chu Me Yi, Baltimore, Maryland
Ann Yim, Baltimore, Maryland
Jum Bok Vim, Baltimore, Maryland
The Country Gentlemen
Charlie Waller, guitar, vocals, Gordonsville, Virginia
Jimmy Bowen, mandolin, vocals, Nashville, Tennessee
Greg Corbett, banjo, vocals, Troy, North Carolina
Ronnie Davis, bass, vocals, Charlottesville, Virginia
Ganga, Bengali Folk Music
Hitabrata Roy, 1927-,
dotara , Falls Church, Virginia
Minati Basu Roy, 1931-,
khamak , Falls Church, Virginia
Broto Roy, 1957-, tabla, Falls Church, Virginia
Krishnakali Roy, 1955-,
ghungar , Falls Church, Virginia
The Gospel Pearls
Beatrice Cooper, Washington, D.C.
Paulette Goodlin, Capitol Heights, Maryland
Brenda Little, 1947-, Washington, D.C.
Verna Locus, 1950-, Washington, D.C.
Connie Monroe, 1946-, Washington, D.C.
Sam Hubbard and Reverb, Gospel
Sam Hubbard, 1937-, Washington, D.C.
Steve Langley, 1959-, Washington, D.C.
Reginald Moore, Washington, D.C.
Bruce O'Neal, 1966-, Washington, D.C.
Victor Pinkney, 1960-, Washington, D.C.
John Jackson, 1924-2002, Piedmont blues, Fairfax Station, Virginia
Johnson Mountain Boys
Tom Adams, banjo, Gettysburg, Pennsylvania
Dudley Connell, guitar, vocals, Germantown, Maryland
David McLaughlin, 1958-, mandolin, Winchester, Virginia
Eddie Stubbs, fiddle, Gaithersburg, Maryland
Earl Yager, bass, Spring Grove, Pennsylvania
Djimo Kouyate, Senegalese griot, Washington, D.C.
Little Bit A Blues
Warner Williams, guitar, Gaithersburg, Maryland
Jay Summerour, harmonica, Poolesville, Maryland
Andy Vorhees, bass, Poolesville, Maryland
Alfredo Mojica and His Orchestra, Latin Dance Music
Alfredo Mojica, Sr., band leader, Silver Spring, Maryland
Ralph Eskenazy, 1952-, keyboards, Wheaton, Maryland
Adrianne Galler Lastra, 1954-, bass, Wheaton, Maryland
José Lopez, 1959-, percussion, Gaithersburg, Maryland
Heather McKay, 1959-, guitar, Potomac, Maryland
Alfredo Mojica, Jr., 1958-, percussion, Bethesda, Maryland
Eugene Okonsky, piano, 1965-, Silver Spring, Maryland
Scott Young, saxophone, Wheaton, Maryland
Irish Music & Dance
Winifred Horan, dancer, New York, New York
Donna Long, piano, Baltimore, Maryland
Brendan Mulvihill, 1954-, fiddle, Alexandria, Virginia
Odadaa, Ghanaian Music & Dance
Yacub Addy, master drummer, Alexandria, Virginia
Siboney, Cuban Music
Nelson Rodriguez, director, Washington, D.C.
Veltones, Doo Wop
Joe Herndon, Washington, D.C.
Larry Jordan, 1947-, Washington, D.C.
Sunny Payton, Washington, D.C.
George Spann, Washington, D.C.
Moe Warren, 1947-, Bladensburg, Maryland
FP-1993-CT-0170
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Recorded in: Washington (D.C.), United States, July 1, 1993.
FP-1993-CT-0172
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Recorded in: Washington (D.C.), United States, July 2, 1993.
FP-1993-CT-0173
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Recorded in: Washington (D.C.), United States, July 2, 1993.
FP-1993-CT-0174
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Recorded in: Washington (D.C.), United States, July 2, 1993.
FP-1993-CT-0176
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Recorded in: Washington (D.C.), United States, July 3, 1993.
FP-1993-CT-0177
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Recorded in: Washington (D.C.), United States, July 3, 1993.
101 Blues Night / Little Bit of Blues (Musical group), Warner Williams. Guitar,Banjo.
102 Blues Night / John Jackson. Guitar.
FP-1993-CT-0179
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Recorded in: Washington (D.C.), United States, July 4, 1993.
101 An Evening of Latin Sounds / Alfredo Mojica. Trumpet.
102 An Evening of Latin Sounds / Siboney (Musical group).
FP-1993-CT-0182
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Recorded in: Washington (D.C.), United States, July 5, 1993.
FP-1993-CT-0183
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Recorded in: Washington (D.C.), United States, July 1, 1993.
101 Latin Dance Music / Alfredo Mojica. Trumpet.
102 Gospel / Gospel Pearls (Musical group).
FP-1993-CT-0184
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Recorded in: Washington (D.C.), United States, July 1, 1993.
101 Gospel / Gospel Pearls (Musical group).
102 Griot Stories and Music / Djimo Kouyate. Kora,Balafon.
103 Bengali Folk Music / Ganga (Musical group). Dotara,Khmak,Tabla,Ghungru.
FP-1993-CT-0185
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Recorded in: Washington (D.C.), United States, July 1, 1993.
101 Bengali Folk Music / Ganga (Musical group). Dotara,Khmak,Tabla,Ghungru.
102 Irish Music and Dance / Brendan Mulvihill, Donna Long, Winifred Horan. Fiddle,Piano.
103 Blues / Little Bit of Blues (Musical group), Warner Williams. Guitar,Harmonica.
FP-1993-CT-0186
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Recorded in: Washington (D.C.), United States, July 1, 1993.
FP-1993-CT-0187
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Recorded in: Washington (D.C.), United States, July 2, 1993.
101 Irish Music and Dance / Brendan Mulvihill, Donna Long, Jesse Smith. Fiddle,Piano.
102 Music and Dance of Ghana / Odadaa! (Dance company), Yacub Addy. Drum.
FP-1993-CT-0188
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Recorded in: Washington (D.C.), United States, July 2, 1993.
101 Music and Dance of Ghana / Odadaa! (Dance company), Yacub Addy. Drum.
102 Gospel / Gospel Pearls (Musical group), Reverb (Musical group), Samuel Hubbard.
FP-1993-CT-0189
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Recorded in: Washington (D.C.), United States, July 2, 1993.
101 Gospel / Gospel Pearls (Musical group), Reverb (Musical group), Samuel Hubbard.
102 Griot Stories and Music / Djimo Kouyate. Kora,Balafon.
FP-1993-CT-0190
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Recorded in: Washington (D.C.), United States, July 2, 1993.
101 Bengali Folk Music / Ganga (Musical group). Dotara,Khmak,Tabla,Ghungru.
102 Latin Dance Music / Alfredo Mojica. Trumpet.
FP-1993-CT-0191
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Recorded in: Washington (D.C.), United States, July 3, 1993.
101 Gospel / Reverb (Musical group), Samuel Hubbard.
102 Irish Music and Dance / Brendan Mulvihill, Donna Long, Jesse Smith. Fiddle,Piano.
FP-1993-CT-0192
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Recorded in: Washington (D.C.), United States, July 3, 1993.
101 Bengali Folk Music / Ganga (Musical group). Dotara,Khmak,Tabla,Ghungru.
102 Gospel / Gospel Pearls (Musical group).
103 Bluegrass / Country Gentlemen (Musical group). Mandolin,Guitar,Banjo.
FP-1993-CT-0193
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Recorded in: Washington (D.C.), United States, July 3, 1993.
101 Bluegrass / Country Gentlemen (Musical group), Charlie Waller. Guitar,Banjo,Mandolin.
102 Griot Stories and Music / Djimo Kouyate. Kora,Balafon.
FP-1993-CT-0194
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Recorded in: Washington (D.C.), United States, July 3, 1993.
FP-1993-CT-0195
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Recorded in: Washington (D.C.), United States, July 4, 1993.
101 Griot Stories and Music / Djimo Kouyate. Kora,Balafon.
102 Bengali Folk Music / Ganga (Musical group). Dotara,Khmak,Tabla,Ghungru.
FP-1993-CT-0196
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Recorded in: Washington (D.C.), United States, July 4, 1993.
101 Blues / Little Bit of Blues (Musical group), Warner Williams. Guitar,Harmonica.
102 Gospel / Gospel Pearls (Musical group).
FP-1993-CT-0197
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Recorded in: Washington (D.C.), United States, July 4, 1993.
101 Gospel / Reverb (Musical group), Samuel Hubbard.
102 Irish Music and Dance / Brendan Mulvihill, Donna Long, Winifred Horan. Fiddle,Piano.
FP-1993-CT-0198
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Recorded in: Washington (D.C.), United States, July 4, 1993.
FP-1993-CT-0199
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Recorded in: Washington (D.C.), United States, July 5, 1993.
101 Irish Music and Dance / Brendan Mulvihill, Donna Long, Winifred Horan. Fiddle,Piano.
102 Bengali Folk Music / Ganga (Musical group). Dotara,Khmak,Tabla,Ghungru.
103 Gospel / Gospel Pearls (Musical group), Reverb (Musical group), Samuel Hubbard.
FP-1993-CT-0200
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Recorded in: Washington (D.C.), United States, July 5, 1993.
FP-1993-CT-0201
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Recorded in: Washington (D.C.), United States, July 5, 1993.
101 Blues / Little Bit of Blues (Musical group), Warner Williams. Guitar,Harmonica.
102 Latin Dance Music / Alfredo Mojica. Trumpet.
FP-1993-CT-0202
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Recorded in: Washington (D.C.), United States, July 5, 1993.
101 Latin Dance Music / Alfredo Mojica. Trumpet.
102 Bluegrass / Johnson Mountain Boys, Dudley Connell, Tom Adams. Banjo,Guitar,Mandolin,Fiddle.
Based on research in the rich and dynamic living culture of the border, the Borderlands Festival program of 1993 was designed to provide a glimpse of the border - its histories, its diverse communities, local and regional identities, and its music, arts, crafts, healing practices, foodways, and narrative. The program was about community-based culture. It presented cultural practices found on the border and cultural expressions about the border, and it explored cultural patterns that were created by the border. It also addressed the cultural heritage, adaptability, and creativity of Native Americans and of the Mexican, Hispanic American, Anglo, and other immigrant communities that have played a part in creating the life that surrounds the Mexico-U.S. border - those who maintain it, those who cross it, those who are left behind, and those who dwell in the border region. The program explored the processes through which such groups create, adapt, and preserve culture to meet the challenges of life on the border. It sought to present and understand community codes of behavior that evolved on the border including confrontation, evasion, violence, and romance, especially as these have been transformed into narrative and other forms of artistic expression.
Music performances at the Festival included emergent forms such as the
Vaqueros of south Texas demonstrated their skills, crafts, and foodways associated with their cowboy tradition, which dates back to the Spanish colonial era. A fisherman from the port of Brownsville demonstrated shrimping techniques. A Laredo blacksmith forged stirrups, belt buckles, and other implements of vaquero life, along with a number of traditional and contemporary decorative objects. A ropemaker demonstrated the use of the local fiber called lechuguilla (a fibrous plant of the agave family). While fine craft traditions like guitar- and furniture-making are not specific to the border, craftspeople have incorporated motifs and instruments native to the region, like the
Artisans also demonstrated crafts used in the home and for special celebrations, including quilt-making, flower- and piñata-making, candlemaking, and reverse-painted glass. Participants prepared regional specialties, traditional foods served for fiestas, and offered a sampling of typical vaquero outdoor cooking. Finally, the Festival presented members of the Mixteco Indian community in Tijuana, a recent migrant group, which preserves its cultural identity and contributes to the economy at the border by maintaining ties with other Mixteco communities in Oaxaca and California.
The United States-Mexico border has had a profound effect on the lives of millions of people. The then-pending NAFTA free trade agreement was only the latest in a long line of international socioeconomic arrangements with wide ranging local impacts. Critical attention in Mexico and the U.S. had increasingly focused on the historical consciousness created in this borderland and on its expression in traditional and other forms of art. Recognition of the vitality and value of borderland culture was growing in 1993 at the margins, among borderland populations, as well as in the centers of power and opinion in both countries. Scholars and political leaders increasingly realized that the cultural encounters, syntheses, and resistances characteristic of border life signaled similar cultural developments in the larger societies. This intensifying concern and scrutiny centered on the margin, but could it reduce the marginality in human rights, social dignity, and economic opportunity at the border? Festival organizers hoped that listening to community voices of the border from the Mexican and United States sides could better inform our thinking and decision-making.
Olivia Cadaval served as Program Curator, with Peter Seitel as Research Advisor; Héctor Antonío Corporán was Program Coordinator and Betty Belanus was Presentation Coordinator.
Collaborating institutions included Centro de Información de Historia Regional, Universid Autónoma de Nuevo León; Consejo Nacional para las Culturas y las Artes – El Programa Cultural de las Fronteras; El Colegio de la Frontera Norte (COLEF); El Paso-Hispanic Chamber of Commerce; Embajada de México en Washington, D.C.; John E. Conner Museum, Texas A & I University; Institute of Texan Cultures; Instituto Cultural de México; Instituto de Bellaas Artes del Estado de Baja California; Instituto Nacional Indigenista; Instituto Mexicano de Cultura, San Antonio; Laredo State University; Mexican Cultural Institute; Museo Regional de la Universidad Autónoma de Baja California en Mexicali; National Museum of the American Indian; New Mexico State University, Las Cruces, New Mexico; Pimería Alta Historical Society, Arizona; Texas A & I University; Texas Folklife Resources; Tumacácori National Historical Park, Arizona; University of Arizona Library's Southwest Folklore Center; University of Arizona – Bureau of Applied Research in Anthropology; University of New Mexico, Albuquerque; University of Texas – Brownsville; University of Texas, Center for Mexican-American Studies; University of Texas – Pan American; and U.S. Immigration and Naturalization Service.
United States-Mexico Borderlands was made possible with the support and collaboration of the Consejo Nacional para la Cultura y las Artes - El Programa Cultural de las Fronteras, El Colegio de la Frontera Norte, Texas Commission on the Arts, Cerveza Tecate - Imported Beer, Texas Folklife Resources, University of Arizona Library's Western Folklore Center, Tumacácori National Historical Park, Universidad Autónoma de Nuevo Léon - Centro de Información de Historia Regional, Universidad Autónoma de Baja California, Gubierno de Nuevo Léon, Mexican Cultural Institute, and the recording industries Music Performance Trust Funds.
María Eugenia de la O, Enrique Madrid, Angel Norzagaray Norzagaray, Manuel Peña, Kathy Raglan, Michael James Ritchie, Suzie Reyes, Irene Vásquez Valle, Kathy Vargas, Felipe de Jesús Valenzuela
Enrique Avilés, Norma Cantú, Jessica Chapin, Andrew Connors, Maricela González Felix, Mary Lou Gortárez, Everardo Garduño, James S. Griffith, Celso Garza Guajardo, Ian F. Hancock, Pat Jasper, Enrique Lamadrid, Laura Larco, Francisco Javier Moreno, Daniel Sheehy, Emily Socolov, Michael C. Stone; José Manuel Valenzuela Arce, Meynardo Vásquez, Laura Velasco Ortíz, Thomas Vennum, Jr., Cynthia Vidaurri
FP-1993-CT-0060
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Recorded in: Washington (D.C.), United States, July 1, 1993.
101 Norteno / Palomo y el Gorrión (Musical group). Accordion,Guitar.
102 Norteno / Alegres del Norte (Musical group). Accordion,Bajo sexto,Toloche.
FP-1993-CT-0061
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Recorded in: Washington (D.C.), United States, July 1, 1993.
101 Yaqui Norteño / Hermanos Cuatro (Musical group). Accordion,Bajo sexto.
102 Conjunto / Hermanos Layton (Musical group). Accordion,Guitar.
FP-1993-CT-0062-7
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Recorded in: Washington (D.C.), United States, July 1, 1993.
FP-1993-CT-0063-7
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Recorded in: Washington (D.C.), United States, July 2, 1993.
101 Norteño / Alegres del Norte (Musical group). Accordion,Bajo sexto,Toloche.
102 Tohono O'odham String Band / Tohono O'odham String Band. Violin,Guitar.
FP-1993-CT-0064-7
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Recorded in: Washington (D.C.), United States, July 2, 1993.
101 Yaqui Norteño / Hermanos Cuatro (Musical group). Accordion,Bajo sexto.
102 Norteño / Palomo y el Gorrión (Musical group). Accordion,Guitar.
FP-1993-CT-0065
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Recorded in: Washington (D.C.), United States, July 2, 1993.
101 Conjunto / Hermanos Layton (Musical group). Accordion,Guitar.
102 Yaqui Norteño / Hermanos Cuatro (Musical group). Accordion,Bajo sexto.
FP-1993-CT-0066
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Recorded in: Washington (D.C.), United States, July 2, 1993.
101 Yaqui Norteno / Hermanos Cuatro (Musical group). Accordion,Bajo sexto.
102 Tohono O'odham String Band / Tohono O'odham String Band. Violin,Guitar.
103 Norteno / Alegres del Norte (Musical group). Accordion,Bajo sexto,Toloche.
FP-1993-CT-0067
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Recorded in: Washington (D.C.), United States, July 3, 1993.
101 Norteno / Palomo y el Gorrión (Musical group). Accordion,Guitar.
102 Conjunto / Hermanos Layton (Musical group). Accordion,Guitar.
FP-1993-CT-0068
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Recorded in: Washington (D.C.), United States, July, 1993.
101 Conjunto / Hermanos Layton (Musical group). Accordion,Guitar.
102 Tohono O'odham String Band / Tohono O'odham String Band. Guitar,Violin.
103 Norteno / Palomo y el Gorrión (Musical group). Accordion,Guitar.
FP-1993-CT-0069
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Recorded in: Washington (D.C.), United States, July 3, 1993.
101 Norteno / Palomo y el Gorrión (Musical group). Accordion,Guitar.
102 Yaqui Norteno / Hermanos Cuatro (Musical group). Accordion,Bajo sexto.
FP-1993-CT-0070
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Recorded in: Washington (D.C.), United States, July 3, 1993.
101 Norteno / Alegres del Norte (Musical group). Accordion,Bajo sexto,Toloche.
102 Tohono O'odham String Band / Tohono O'odham String Band. Violin,Guitar.
FP-1993-CT-0071
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Recorded in: Washington (D.C.), United States, July 3, 1993.
101 Tohono O'odham String Band / Tohono O'odham String Band. Violin,Guitar.
102 Conjunto / Hermanos Layton (Musical group). Guitar,Accordion.
FP-1993-CT-0072
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Recorded in: Washington (D.C.), United States, July 4, 1993.
FP-1993-CT-0073
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Recorded in: Washington (D.C.), United States, July 4, 1993.
101 Norteno / Palomo y el Gorrión (Musical group). Accordion,Guitar.
102 Yaqui Norteno / Hermanos Cuatro (Musical group). Accordion,Bajo sexto.
FP-1993-CT-0074
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Recorded in: Washington (D.C.), United States, July 4, 1993.
101 Norteno / Alegres del Norte (Musical group). Accordion,Bajo sexto,Toloche.
102 Tohono O'odham String Band / Tohono O'odham String Band. Violin,Guitar.
FP-1993-CT-0075
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Recorded in: Washington (D.C.), United States, July 4, 1993.
101 Tohono O'odham String Band / Tohono O'odham String Band. Violin,Guitar.
102 Conjunto / Hermanos Layton (Musical group). Guitar,Accordion.
103 Yaqui Norteno / Hermanos Cuatro (Musical group). Accordion,Bajo sexto.
FP-1993-CT-0076
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Recorded in: Washington (D.C.), United States, July 4, 1993.
101 Conjunto / Hermanos Layton (Musical group). Accordion,Guitar.
102 Yaqui Norteno / Hermanos Cuatro (Musical group). Accordion,Bajo sexto.
FP-1993-CT-0077
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Recorded in: Washington (D.C.), United States, July 4, 1993.
FP-1993-CT-0078
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Recorded in: Washington (D.C.), United States, July 5, 1993.
101 Norteno / Alegres del Norte (Musical group). Accordion,Bajo sexto,Toloche.
102 Yaqui Norteno / Hermanos Cuatro (Musical group). Accordion,Bajo sexto.
FP-1993-CT-0079
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Recorded in: Washington (D.C.), United States, July 5, 1993.
101 Norteno / Palomo y el Gorrión (Musical group). Accordion,Guitar.
102 Tohono O'odham String Band / Tohono O'odham String Band. Guitar,Violin.
FP-1993-CT-0080
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Recorded in: Washington (D.C.), United States, July 5, 1993.
101 Norteno / Alegres del Norte (Musical group). Accordion,Bajo sexto,Toloche.
102 Conjunto / Hermanos Layton (Musical group). Accordion,Guitar.
FP-1993-CT-0081
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Recorded in: Washington (D.C.), United States, July 5, 1993.
101 Conjunto / Hermanos Layton (Musical group). Accordion,Guitar.
102 Yaqui Norteno / Hermanos Cuatro (Musical group). Accordion,Bajo sexto.
FP-1993-CT-0082
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Recorded in: Washington (D.C.), United States, July 5, 1993.
101 Yaqui Norteno / Hermanos Cuatro (Musical group). Accordion,Bajo sexto.
102 Norteno / Alegres del Norte (Musical group). Accordion,Bajo sexto,Toloche.
Folklife Festival Narrative Session: El Bordo Stage: Border Stories: Mural Art & Community: Border Imagery in Arts & Crafts
FP-1993-CT-0083
United States 1993
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Recorded in: Washington (D.C.), United States, July 1, 1993.
101 Border Stories / Arturo Carrillo Strong, Ofelia Santos López, Richard M. Bernholz.
102 Mural Art and Community / Alonso Encina Herrera, Romulo Frías.
103 Border Imagery in Arts and Crafts / Agustin Castillo, Carlos Callejo.
This audio recording has been transcribed. View transcription and play recording
FP-1993-CT-0084
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Recorded in: Washington (D.C.), United States, July 1, 1993.
FP-1993-CT-0085
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Recorded in: Washington (D.C.), United States, July 2, 1993.
101 Border History / Arturo Carrillo Strong, Richard M. Bernholz, William Warrior.
102 Border Imagery in Arts and Crafts / Anastasio León, Agustin Castillo, Jesus Alberto Rodriguez.
FP-1993-CT-0086
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Recorded in: Washington (D.C.), United States, July 2, 1993.
101 Border Stories / Francisco Paulino Sierra Cruz, Julius Collins, Reynaldo B. Hernandez.
102 Crafts and Occupations / Alonso Encina Herrera, Gloria López López, Ofelia Santos López.
FP-1993-CT-0087
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Recorded in: Washington (D.C.), United States, July 2, 1993.
101 Guitarmaking Workshop / Oscar Ramírez. Guitar.
102 Border Stories / Arturo Carrillo Strong, Brad Bonaparte, Peter S. Yucupicio.
FP-1993-CT-0088
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Recorded in: Washington (D.C.), United States, July 3, 1993.
101 Crafts and Materials / Guadloupe Carrasco Leyva.
102 Border History / Felipe de Jesus Valenzuela, Omar Galván, William Warrior.
FP-1993-CT-0089
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Recorded in: Washington (D.C.), United States, July 3, 1993.
101 Border Imagery in Arts and Crafts / Anastasio León, Agustin Castillo, Carlos Callejo.
102 Border Stories and Women's Perspectives / Ofelia Santos López, Richard M. Bernholz, Sadie Buck.
Folklife Festival Narrative Session: El Bordo Stage: Border Theater: Murals & Neighborhoods
FP-1993-CT-0090
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Recorded in: Washington (D.C.), United States, July 3, 1993.
101 Border Theater / Heriberto B. Norzagaray Norzagaray, L. Ramon Tomaya Rosas, Pedro Gabriel González Castro.
102 Murals and Neighborhoods / Alonso Encina Herrera, Miguel Angel Sandova Lira, Romulo Frías.
This audio recording has been transcribed. View transcription and play recording
FP-1993-CT-0091
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Recorded in: Washington (D.C.), United States, July 3, 1993.
Folklife Festival Narrative Session: El Bordo Stage: Ranching Crafts: Murals & Lowriders: Border Stories
FP-1993-CT-0092
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Recorded in: Washington (D.C.), United States, July 4, 1993.
101 Ranching Crafts / Adolfo O. Rodríguez, Baltasar Rodriguez Puentes, Joe O. Mendietta.
102 Murals and Lowriders / Alonso Encina Herrera, Carlos Callejo, Romulo Frías.
103 Border Stories / Arturo Carrillo Strong, Maria G. Moroyoqui'd de Rogues, Reynaldo B. Hernandez.
This audio recording has been transcribed. View transcription and play recording
FP-1993-CT-0093
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Recorded in: Washington (D.C.), United States, July 4, 1993.
101 Border Imagery in Arts and Crafts / Armando Flores, Gustavo Grado Tiscare-o, Romulo Frías.
102 Guitarmaking Workshop / Oscar Ramírez.
FP-1993-CT-0094
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Recorded in: Washington (D.C.), United States, July 4, 1993.
101 Guitarmaking Workshop / Oscar Ramírez.
102 Borders Stories / Arturo Carrillo Strong, Brad Bonaparte, Richard M. Bernholz.
103 Paper Crafts Workshop / Maria G. Moroyoqui'd de Rogues.
Folklife Festival Narrative Session: El Bordo Stage: Paper crafts Workshop: Border Imagery & Crafts: Murals & Low Riders
FP-1993-CT-0095
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Recorded in: Washington (D.C.), United States, July 5, 1993.
101 Paper Crafts Workshop / Maria G. Moroyoqui'd de Rogues.
102 Border Imagery and Crafts / Anastasio León, Gustavo Grado Tiscare-o.
102 Murals and Lowriders / Alonso Encina Herrera, Carlos Callejo, Romulo Frías.
This audio recording has been transcribed. View transcription and play recording
Folklife Festival Narrative Session: El Bordo Stage: Murals & Low Riders: Border History; Chinese Presence in Baja, California
FP-1993-CT-0096
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Recorded in: Washington (D.C.), United States, July 5, 1993.
101 Murals and Low Riders / Alonso Encina Herrera, Carlos Callejo, Romulo Frías.
102 Border History: Chinese Presence in Baja California / José Luis Lee Sandoval, Marciella Felix, William Warrior.
This audio recording has been transcribed. View transcription and play recording
FP-1993-CT-0097
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Recorded in: Washington (D.C.), United States, July 1, 1993.
101 Corrido and Ranchera Singing / Carmen Cristina Moreno. Guitar.
102 Swapping Stories/Echando Mentiras / Alberto Trevino, Omar Galván, William Warrior.
FP-1993-CT-0098
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Recorded in: Washington (D.C.), United States, July 1, 1993.
101 Life on the Border / Felipe de Jesus Valenzuela, Reynaldo B. Hernandez.
102 Corrido and Ranchera Singing / Carmen Cristina Moreno. Guitar.
FP-1993-CT-0099
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Recorded in: Washington (D.C.), United States, July 1, 1993.
101 Corrido and Ranchera Singing / Cirilo Franco, Miguel Luna Franco. Accordion,Drum,Guitar.
102 Recycling Materials / Armando Flores.
FP-1993-CT-0100
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Recorded in: Washington (D.C.), United States, July 2, 1993.
101 Ranching Crafts / Armando Flores, Baltasar Rodriguez Puentes, Joe O. Mendietta, Adolfo O. Rodríguez.
102 Accordion and Bajo Sexto Workshop / Antonio V. Layton, Benny Layton.
FP-1993-CT-0101-7
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Recorded in: Washington (D.C.), United States, July 2, 1993.
101 Swapping Stories/Echando Mentiras / Alberto Trevino, Omar Galván, William Warrior.
102 Chicano Border History / Carlos Callejo, Carmen Cristina Moreno.
FP-1993-CT-0102
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Recorded in: Washington (D.C.), United States, July 2, 1993.
101 Border Stories / Benito Peralta González, José Luis Lee Sandoval, María Paredes de Solís.
102 Corrido and Ranchera Singing / Carmen Cristina Moreno. Guitar.
FP-1993-CT-0103
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Recorded in: Washington (D.C.), United States, July 2, 1993.
FP-1993-CT-0104
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Recorded in: Washington (D.C.), United States, July 3, 1993.
FP-1993-CT-0105
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Recorded in: Washington (D.C.), United States, July 3, 1993.
101 Corrido and Ranchera Singing / Carmen Cristina Moreno. Guitar.
102 Ranching Crafts / Adolfo O. Rodríguez, Baltasar Rodriguez Puentes, Joe O. Mendietta.
FP-1993-CT-0106
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Recorded in: Washington (D.C.), United States, July 3, 1993.
101 Border Stories / Arturo Carrillo Strong, Francisco Serra, Reynaldo B. Hernandez.
102 Corrido and Ranchera Singing / Carmen Cristina Moreno. Guitar.
FP-1993-CT-0107
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Recorded in: Washington (D.C.), United States, July 3, 1993.
FP-1993-CT-0108
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Recorded in: Washington (D.C.), United States, July 4, 1993.
101 Swapping Stories / Alberto Trevino, Joe O. Mendietta, Omar Galván.
102 Conjunto Songs / Carmen Cristina Moreno, René Layton, Norfilia Layton González. Guitar.
FP-1993-CT-0109
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Recorded in: Washington (D.C.), United States, July 4, 1993.
101 Border Stories / Brad Bonaparte, Richard M. Bernholz, William Warrior.
101 Border Stories / William Warrior, Julius Collins.
FP-1993-CT-0110
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Recorded in: Washington (D.C.), United States, July 4, 1993.
FP-1993-CT-0111
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Recorded in: Washington (D.C.), United States, July 5, 1993.
101 Swapping Stories/Enchando Mentiras / Alberto Trevino, Omar Galván, William Warrior.
102 Accordion and Bajo Sexto Workshop / Hermanos Layton (Musical group). Accordion,Bajo sexto.
FP-1993-CT-0112
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Recorded in: Washington (D.C.), United States, July 5, 1993.
101 Corrido and Ranchera Singing / Carmen Cristina Moreno. Guitar.
102 Corrido Composing Workshop / Palomo y el Gorrión (Musical group). Guitar,Accordion.
FP-1993-CT-0113-7
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Recorded in: Washington (D.C.), United States, July 5, 1993.
101 Border Stories / Felipe de Jesus Valenzuela, Francisco Paulino Sierra Cruz, Reynaldo B. Hernandez.
102 Vaquero and Shrimping Crafts / Joe O. Mendietta, Julius Collins, Omar Galván.
FP-1993-CT-0114-7
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Recorded in: Washington (D.C.), United States, July 5, 1993.
FP-1993-CT-0115
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Recorded in: Washington (D.C.), United States, July 1, 1993.
101 Pai Pai Native American Storytelling / Benito Peralta González.
102 Pascola Dance / Mike L. Francisco, Ramón García, Victor Augustine Garcia. Violin,Guitar.
FP-1993-CT-0116
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Recorded in: Washington (D.C.), United States, July 1, 1993.
FP-1993-CT-0117
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Recorded in: Washington (D.C.), United States, July 2, 1993.
101 Pai Pai Native American Storytelling / Benito Peralta González, Everado Garduño.
102 Pascola Dance / Blaine W. Juan, Frank N. Pedro, Ramón García, Joseph R. Garcia. Violin,Guitar.
FP-1993-CT-0118
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Recorded in: Washington (D.C.), United States, July 2, 1993.
FP-1993-CT-0119
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Recorded in: Washington (D.C.), United States, July 3, 1993.
101 Pascola Dance / Blaine W. Juan, Mike L. Francisco, Ramón García, Joseph R. Garcia. Violin,Guitar.
102 Crafts and Tourism / Lupe Lopez, Marie Leon, Olga Lidia Cortés.
FP-1993-CT-0120
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Recorded in: Washington (D.C.), United States, July 3, 1993.
FP-1993-CT-0121
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Recorded in: Washington (D.C.), United States, July 4, 1993.
101 Celebration Traditions / Anastasio León, Blaine W. Juan, María Gloria Moroyoqui de Roques.
102 Border Stories / Benito Peralta González, Felipe de Jesus Valenzuela, Francisco Paulino Sierra Cruz.
FP-1993-CT-0122
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Recorded in: Washington (D.C.), United States, July 4, 1993.
101 Crafts and Tourism / Gloria López López, Ofelia Santos López, Olga Lidia Cortés.
102 Crafts and Tourism II / Blaine W. Juan, Lupe Lopez, Marie Leon.
FP-1993-CT-0123
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Recorded in: Washington (D.C.), United States, July 4, 1993.
FP-1993-CT-0124
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Recorded in: Washington (D.C.), United States, July 5, 1993.
FP-1993-CT-0125
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Recorded in: Washington (D.C.), United States, July 5, 1993.
FP-1993-CT-0126
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Recorded in: Washington (D.C.), United States, July 5, 1993.
FP-1993-CT-0171
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Recorded in: Washington (D.C.), United States, July 2, 1993.
FP-1993-CT-0298
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.